The LMB-3 affords complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass.
Features:
Full control of bass guitar's dynamic range via threshold level and ratio knobs
Enhancer provides increased bass clarity and presence
AC adaptor or 9V battery operation
BOSS 5-year warranty
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Recommended Load Impedance: 10 k ohms or greater Residual Noise Level: -86 dBu (IHF-A, Typ.) Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 17 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Options: AC Adaptor (PSA-Series)
The Sonic Ultramizer SU9920 stereo sound enhancement processor gives your music an added dimension that will make your performances pop! This processor is the ultimate sound improvement tool for home recording studios, DJ systems, keyboard racks and web-casting, plus 5.1 and hi-fi setups.
Sound Quality The SU9920 provides increased clarity and punchy bottom end to your sound system. It improves the natural brightness through harmonic enhancement and adds density to the low frequencies through phase compensation. Dedicated Low Contour and Process controls for each channel enable fast and easy setup. Once you experience what the SU9920 can do, it will become your go-to sound enhancement tool.
Vibrant Live Sound The SU9920 is ideally suited for use in all live sound applications, providing noticeable improvement to signal quality and bringing out the very best in your sound system, whether you’re mixing a duo in a coffee house, or dialing a massive outdoor concert.
Sweet in the Studio In a studio environment, the SONIC ULTRAMIZER is ideal for enhancing the sound of your mastering recordings. The SU9920 can give your music the professional polish of high-quality productions in just a few simple steps. Even if you primarily work with a digital audio workstation, you can perform final mastering with the SU9920 and an external recorder.
Versatility In addition to being great for use with stereo signals, the SONIC ULTRAMIZER is also ideal for use with individual signals, such as guitar, keyboards or bass. Just connect the SU9920 into the signal path, or use your amp’s effects loop, for sound with more presence, fullness and punch. Since the SU9920 can be run in stereo or dual mono, you can even use one side for the bass, the other for a keyboard or guitar.
Getting Connected All inputs and outputs accept balanced XLR as well as balanced and unbalanced 1/4" connections. Both the 1/4" and XLR outputs can be used in parallel, when two outputs are required.
The Technical Stuff The SU9920 boasts stellar frequency response from 25 Hz to 50 kHz. The Process control provides a boost of up to +12 dBu at 5 kHz. The Low Contour filter is capable of +12 dBu at 50 Hz.
Features:
Dramatically improves your sound by adding clarity, dimension and depth
Produces natural brightness through harmonic enhancement and tighter bass with increased punch through phase compensation
Professional and home recording studios: brings out the full sound spectrum of your tracks, mixdown and mastering
PA, nightclub and DJ systems: improves the performance of any sound system by adding sparkling high end and super-tight bass without the need for additional speakers or amps
Churches and worship houses: dramatically increases voice intelligibility and your music gains presence
Guitar, bass and keyboard rack: improves articulation and restores cutting power often lost in miking and amplification
Broadcasting and webcasting: adds loudness and "live presence" even on small car or computer speakers
5.1 and hi-fi setups: DVDs become stunningly lifelike and the spatial dimension of your sound system increases dramatically
Dedicated Low contour and Process controls per channel for ultimate sound enhancement
Accurate 5-segment LED level meters for optimum performance
Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
382i The 382i series delivers all the sound improving benefits of a Sonic Maximizer with the convenience of ganged-stereo operation, perfectly suited for any unbalanced studio, PA system or guitar/bass rig application.
Features
A full-function Sonic Maximizer
+20dB of output headroom
Unbalanced ¼" I/Os
108dB signal to noise ratio
Frequency response Process mode: program controlled Bypass mode: 5Hz to 30kHz Signal to noise ratio 108dBu process in 120dBu process out Total harmonic distortion (THD) Process mode: less than 0.1% at 1kHz Maximum output +20dBu Input impedance 47K Ohms Nominal input level -10dBu Output impedance 1K Ohms
The Sonic Exciter SX3040 stereo sound enhancement processor gives your music the additional dimension you’ve been looking for. This processor is the ultimate sound improvement tool for home recording studios, DJ systems, keyboard racks, web-casting plus 5.1 and hi-fi setups.
The SX3040 provides increased clarity and punchy bottom end to your sound system. It improves the natural brightness through harmonic enhancement and adds density to the low frequencies through phase compensation. Dedicated Drive, Tune and Mix controls for each channel enable fast and easy setup as well as ultimate sound improvement.
Fasten your seat belt and take off with a new sound dimension!
Features:
Dramatically improves your sound by adding clarity, dimension and depth
Produces natural brightness through harmonic enhancement and tighter bass with increased punch through phase compensation
Professional and home recording studios: brings out the full sound spectrum of your tracks, mixdown and mastering
PA, nightclub and DJ systems: improves the performance of any sound system by adding sparkling high end and super-tight bass without the need for additional speakers or amps
Churches and houses of worship: dramatically increases voice intelligibility and your music gains presence
Guitar, bass and keyboard rack: improves articulation and restores cutting power often lost in miking and amplification
Broadcasting and webcasting: adds loudness and "live presence" even on small car or computer speakers
5.1 and hi-fi setups: DVDs become stunningly lifelike and the spatial dimension of your sound system increases dramatically
Dedicated Tune, Harmonics and Mix controls per channel on the Sonic Exciter section
Dedicated Drive, Tune and Mix controls per channel on the Bass Processor section
Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Modern DJ and karaoke applications desire all the low end thump-and-bump and crisp high-end they can get, with special attention paid to sound clarity. The RP221 processes the sound with Rolls unique Spectrum Correction Encoding circuitry, and feeds the outputs with a variable crossover for complete control over the final sound. CAUTION: TO AVOID POSSIBLE SPEAKER OR AMPLIFIER DAMAGE, ALWAYS TURN ON THE RP221 AND OTHER PERIPHERAL EQUIPMENT BEFORE TURNING ON THE POWER AMPLIFIERS. ALSO TURN OFF THE POWER AMPLIFIERS FIRST, BEFORE TURNING OFF THE RP221 AND OTHER EQUIPMENT.
Features:
ROLLS SCE Processing
Electronic Crossover
Subsonic Synthesizer
Stereo RCA Inputs
Stereo RCA Loop-through jacks
Unbalanced RCA Outputs
External PS27 power supply (included) for low noise operation
Frequency Response: 20Hz to 40kHz Input Impedance: 10K Ohms unbalanced THD + Noise: <0.07% typical Noise Floor: -78 dB Indicators: Power LED, Clip LED Input/Output jacks: 4: Stereo RCA jacks Power: 12 VDC (Rolls Model PS27) Weight: 4 lbs.
482i The 482i Sonic Maximizer restores natural brilliance and clarity to an audio signal by the use of two integrated functions. First, it adjusts the phase relationships between the low, mid and high frequencies through adding progressively longer delay times to lower frequencies, creating a kind of mirror curve to neutralize the effect of loudspeaker phase distortion. Second, the Sonic Maximizer augments higher and lower frequencies as loudspeakers tend to be less efficient in their extreme treble and bass ranges. The end result is a dynamic, program-driven restoration which reveals more of the natural texture and detail in the sound without causing fatigue that is often associated with exciter effects, psychoacoustic processors or excessive use of equalizers. Features include
Dual-Mono Sonic Maximizer
4th Generation Processing Engine
Independent Lo Contour and Process controls
Unbalanced ¼” Inputs and Outputs
Unbalanced RCA Inputs and Outputs
Hard-wire bypass
Frequency repsonse Process mode: program controlled Bypass mode: 10Hz to 50kHz, ± 0.5dBu, 10dBu input Signal to noise ratio 112dB Total harmonic distortion (THD) Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz Maximum output +21dBu Input impedance 47K Ohms Output impedance 1K Ohms Sensitivity -45dBu for maximum process Maximum process +12dBu boost at 5kHz Lo Contour +12dBu adjustment at 50Hz
Why just rock the house when you can rattle the foundation loose. The wildy popular beat of "House Music" is likely to be driven by the throbbing, low-end bass of dbx Subharmonic Synthesizers in clubs around the world. For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJ's and film and sound professionals to produce an impact unavailable from any other device unique because the dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio. The dbx 120A Subharmonic Synthesizer with Modeled Waveform Synthesis has been specially optimized by dbx engineers for the needs of audio professionals. Its two separate bands of bass synthesis provide the best combination of smoothness and control, and the independent Low Frequency Boost circuit is designed to get the most out of high-performance low frequency speaker systems.
Flexible system interfacing is achieved by providing both 1/4î and RCA input connectors, along with main outputs which can be full range (including synthesis) or high frequency only, along with a separate subwoofer output with its own level control.
The 120A's patented subharmonic synthesis process actually builds the synthesized waveform using the waveshape of the original bass material. Unlike other attempts at bass synthesis, the dbx process produces smooth, musical low frequencies that don't interfere with mid and high-band information, even when maximum synthesis and boost are applied. The result is a low-end punch that people really feel, even at system levels that won't destroy sound equipment or damage hearing.
Features:
Individual control for two ranges of subharmonic frequencies
Separate Low Frequency Boost Circuit
Separate Subwoofer Output
1/4" Balanced inputs and outputs
RCA Input Connectors
Front panel LEDs that show crossover status and synthesis activity
Patented circuitry ensures that mid and high frequencies are not affected
Built-in crossover with choice of 80Hz or 120Hz crossover point
Enhance bass audio material for use in a veriety of professional applications such as:
Nightclub and dance mixing
DJ Mixing
Theater and Film Sound
Music Recording
Live Music Performance
Broadcasting
MIC INPUT Frequency Response: 20Hz-20kHz ±0.5dB, (no synthesis, full-range mode) 15Hz-90kHz +0, -3dB Input Impedance: >= 40k ohm Bal or 20k ohm unbal. (1/4") 20k ohm (RCA) Maximum Input Level: +22dBu (1/4") +8.5dBV (RCA) Output Impedance: 100 ohm, Impedance balanced Maximum Output Level: +22 dBu into 600 ohm Connector Type: 1/4" TRS jacks (inputs and outputs) RCA inputs THD: 0.05% (no synthesis, either output) Output Noise: -88dBu, controls@max., 22Hz > 22kHz unweighted (full range output) Front Panel Controls: 26-36Hz and 36-56Hz Band Synthesis Level, Subharmonics, Low Frequency Boost, Subwoofer Output Crossover Frequency, Select, Crossover in/out Indicators: Power, Crossover, Bypass Metering: Synthesis activity (3 LEDs per band) Dynamic Range: 112dB Synthesis Frequency Range: 26-56Hz (from 54-110Hz input signal) Crossover: 12dB/octave high pass (-3dB @ 80 Hz or 120Hz); 6dB/octave derived low pass. Phase-coherent (unity-sum)
POWER SUPPLY Power Requirements: 100-120VAC; 50/60Hz DO Version, 220-240VAC; 50/60Hz EU Version
PHYSICAL Dimensions: 1.75"x19"x6.2" (4.5cm x 48.3cm x 15.75cm) Rack Space: 1 Rack Unit Weight: Net/shipping 4.75 lbs/8 lbs., 2.2kg/3.7kg
The Max-X2 is a 2-way stereo/3-way mono crossover and Sonic Maximizer, which offers a variety of options for any live sound application. The Max-X3 employs state-variable 4th-order Linkwitz-Riley filters to minimize phase inaccuracies in the crossover region, which is critical for the accurate summing of each driver in a speaker stack.
Features:
2-way stereo/3-way mono crossover
Full-function fourth-generation Sonic Maximizer
Linkwitz-Riley filters (24dB per octave)
Servo-balanced XLR inputs
¼" inputs/outputs
Low-cut subsonic filters for low frequency driver protection
Phase inversion switching and over a 115 dB dynamic range
Crossover type Stereo 2 way Crossover frequency Low-mid range 1: 80Hz to 1kHz Mid-high range 10: 800Hz to 10kHz Filter type Linkwitz/Riley 24db/octave Inputs Type: Balanced XLR and ¼" unbalanced Impedance: 100kOhms Outputs Type: Balanced XLR and ¼" unbalanced Impedance: 600 Ohms Hum and Noise Low section (output @ 0dB): -106dBu High section (output @ 0dB): -97dBu Signal to noise ratio More than 95dB
The MaxCom is an easy-to-use dual channel compressor/limiter/gate and Sonic Maximizer that provides live or pre-recorded material with clean, distortion free compression. Whether the goal is to control vocals, a stereo mix or just dial in hard limiting to protect your speakers, the MaxCom will accomplish your needs with the reliability and sonic excellence.
Features:
A full-function fourth-generation Sonic Maximizer
World-class THAT Corporation VCAs
Balanced or unbalanced I/O
Dual bar-graph meters for each channel to indicate Input Level and Gain Reduction
Key in and out via ¼" TRS.
Frequency repsonse 20 to 20,000Hz Signal to noise ratio More than 94dB Total harmonic distortion (THD) Less than 0.05% Threshold -40dBu to +20dBu Compression ratio 1:1 to 11:1 Attack time 0.1 to 200 msec Gate threshold Off to +10dBu
In the four years since BBE last offered its award-winning 386 acoustic preamp, BBE’s design and engineering teams studied the recording and sound reinforcement needs of serious acoustic players. The result is the Acoustimax, a foot-pedal-style (or “stompbox- style”) acoustic preamp which raises the bar for amplified acoustic instrument sound quality.
Applications:
Recording studio
Live concerts
Features:
Three band, recording-console quality eq with a sweepable mid-range band
Low-frequency notch filter
Phase reversal
Ground lift
Line level out
Dedicated tuner out
TRS effects loop
Pre/post switchable-balanced DI output with pad
Hardwire bypass
Non-slip rubber bottom
12v power supply included
Frequency response 50Hz to 20kHz
Treble ±12dB @ 10kHz Mid ±12dB @ 400kHz to 2.5kHz Bass ±12dB @ 60kHz Notch 0 to -12dB @ 70Hz to 250kHz
BBE Lo Contour: +15dB @ 50Hz Process: +15dB @ 10kHz
Maximum output +10dBu @ instrument jack Noise
Instrument jack: -98dBv (unity gain) Line out: -88dBv (+10dB gain)
The 382iSW combines a full-featured Sonic Maximizer engine with an independent variable subwoofer low-pass filter output. Applications for this versatile unit include: mobile DJ rigs, nightclubs/theaters, studios and PA systems.
Features:
A full-function Sonic Maximizer
+20dB of output headroom
Unbalanced ¼"/RCA I/Os
108dB signal to noise ratio
Frequency response Process mode: program controlled Bypass mode: 5Hz to 30kHz Signal to noise ratio 108dBu process in 120dBu process out Total harmonic distortion (THD) Process mode: less than 0.1% at 1kHz
882i The 882i is a dual-mono Sonic Maximizer that features our fourth generation processing engine and perfectly suited for any studio, PA system, guitar/bass rig or any application that requires balanced connectivity.
Features include
A full-function Sonic Maximizer, +23dB of output headroom, balanced or unbalanced I/O, 115dB signal to noise ratio and Hard-wire bypass.
+4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs)
+23dBu headroom
Active balanced outputs
Hardwire bypass
Bypass switch for comparison of processed to unprocessed signal
Frequency Response, Process Mode: Program controlled Bypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu input Signal to Noise Ratio: 115dB Process IN THD, Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz Maximum Output: +23dBu (may vary due to control settings) Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Sensitivity: -45dBu for maximum process Maximum Process: +12dBu boost at 5kHz, 0dBu input Lo Contour: +12dBu adjustment at 50Hz, 0dBu input
The Bellari RP562 is a single rack space sonic exciter, designed for professional audio/sound studio applications. The unit is ideal for any recording situation, but proves most effective in natural, pleasant signal conditioning for the digital recording medium.
The RP533 uses all the powerful circuitry included in other popular Bellari rack-mounts, in a single channel unit. Each process, except the preamp, can be individually bypassed. The RP533 is ideal for vocals, instruments, or any application where signal preamplification and dynamics processing is required, all with warm and inviting sounds.