The new MA254 is a compact class D stereo amplifier with a 4 CH. stereo mixer built in. It has 5 watts per channel @ 4 Ohms. The class D low heat design gives the MA254 the ability to be mounted in very tight applications. It will work great in ceilings by projectors, or anywhere small and heat free amplification is required. The MA254 is in an all metal chassis and weighs 1 pound. Overall dimension are 6.75” X 3.5” X 1.5”. The MA254 has an included 12 VAC external power supply. The 4 channel mixer section consists of 4 separate RCA stereo inputs, and a 3.5mm (1/8”) stereo input perfect for an ipod or laptop computer type input.
Ultra-Compact 300-Watt 5-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System
If you need superior sound quality for small club gigs, churches or speeches, but want to keep the outboard gear to a minimum—then look no further than the EUROPOWER PMP530M. This 300-Watt 5-channel powered mixer weighs just 9.5 lbs (4.3 kg) and provides everything you need in one efficient, highly portable package. The PMP530M is ideally suited for vocal groups, small bands, churches, town halls, banquet rooms and much more.
Big Power Most powered mixers in this class tease you with maybe 100 or 200-Watts of peak output power. Not the PMP530M. This bad boy comes armed to the teeth with 300-Watts of the cleanest power you’ll find anywhere. Class-D amplifier and Switch Mode Power Supply technology make it possible by reducing the need for heavy transformers and massive heat sinks. The PMP530M’s state-of-the-art design architecture keeps it cool as a cucumber for hours and hours of continuous operation.
So Easy to Operate One of the PMP530M’s most impressive features is its ease of use. Simply connect your passive loudspeakers to the rear panel jacks, plug the power cord into the wall and turn the unit on. Oops, be sure the Main volume control is set to zero first. Connect a microphone to the channel 1 XLR socket and speak or sing while adjusting the Channel 1 Level control until the Clip LED barely flickers. If it stays lit for more than a quick flash, you’ll need to turn it down a little. Turn up the Main volume control and you should be able to hear yourself through the speakers. Follow the same procedure for the other channels and you are done. See, we told you it was easy!
Exquisite EQ Sometimes you may need to fine-tune the sound of a microphone or instrument. That’s where you’ll appreciate PMP530M’s highly musical 2-band channel EQ. The Low control adjusts the amount of bass content in the signal (±15 dB @ 80 Hz) and the High control adjusts the amount of treble (±15 dB @ 12 kHz). Simply dial in the sound you like with these two controls. If the Clip LED stays on too long, or if it doesn’t come on at all, readjust the Level control. Done.
Say Goodbye to Feedback Nothing detracts from a perfect performance more than feedback. You know, those high-pitched squeals that drive both human beings and dogs over the edge. The PMP530M comes loaded with BEHRINGER’s amazing FBQ Feedback Detection System, which automatically pinpoints trouble frequencies so you can snuff them out before you—or your audience—go deaf. Just touch the FBQ button and watch as all feedback-related frequencies are indicated by red LEDs on the 7-band graphic EQ sliders. Pull the illuminated sliders down until the LEDs go out, and voilà—no more feedback!
Effective FX The finishing touch to any performance comes with the proper application of effects. If every room on the planet were perfect, there would always be just the right amount of echo and reverb to make everything sound great. That’s why almost anyone can sing in the shower; all those tile and glass surfaces cause the sound to bounce around and come back to you sounding much better than when they left. PMP530M’s built-in 24-bit FX processor gives you 100 digital effect presets such as delay (echo), reverb, chorus and multi-FX you can apply to any channel—without the need for expensive outboard gear. Now you don’t have to stay in the shower to sound really good!
The Ins and Outs The EUROPOWER PMP530M provides more connectivity than anything in its class. RCA Aux In jacks allow you to route an external signal to the main mix and control the volume with the Aux In Level control. This is an excellent way to add music from CD players, iPods or tape decks, etc. Handy Record Out jacks let you save your performance via any convenient recording device, analog or digital. The TRS Amp Insert jack can be used as an FX loop, allowing you to tap into your favorite external effects devices. Now that’s versatility!
Small, Simple, Superb Small, simple events call for a lightweight, simple powered mixer. Easy to learn and operate, the PMP530M provides an impressive feature set, typically found only on more expensive non-powered systems. If you’re looking for high-quality audio performance coupled with power and incredible versatility, you owe it to yourself to get in to your BEHRINGER dealer today and try one out. We think you’ll agree with us; good things do come in small packages!
Features:
Compact and rack-mountable 300-Watt powered mixer with Multi-FX processor
Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
Ultra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weight
Ultra-low noise ULN design for highest possible headroom and ultra-transparent audio
5-channel mixer section features 5 mic/line channels plus separate CD/Tape input/output
Integrated 24-bit digital FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
5 high-quality mic preamps with switchable Pad and Clip LEDs
Effective, extremely musical 2-band EQ on all channels
7-band graphic EQ allows precise frequency correction
3 speaker outputs on 1/4" jack and professional speaker connectors
Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
Rack mount brackets included
High-quality components and exceptionally rugged construction ensure long life
Small chassis size and almost no heat generated make the MA254 a great small amp. Designed for tight installations where cost and heat might be an issue. Rolls PS12 power adapter is included with the MA254.
Amplifier delivers 160W @ 4 Ω total into 2 parallel speaker output ¼” jacks
Built-in Digital Delay produces choice of 4 great overall sound-enhancing delays ranging from small room to spacious
Each channel offers Level and individual Digital Delay controls and a Low/High 2-band EQ
Master section includes CD/Tape Level, Master Level, and Digital Delay Level/ Delay Time select controls; Digital Delay Select switch; and L,R Tape In and Tape Record Out RCA jacks
Rear panel Main Out/Amp In ¼” TRS jack unbalanced insert point provides a break between the Main Out and the built-in amplifier, allowing the output to be sent to an external signal processor or additional power amplifier
Shielded internal power supply with ~115V(60Hz)/ ~230V(50Hz) select switch and fused IEC power cord connector
Rugged case with handles and lightweight (MPM 4130x — 18.45 lbs/8.4 Kg; MPMx 8175 — 20.6 lbs /9.3 Kg)) for roadworthy reliability and easy portability
Peavey Debuts Powered Mixer With Exclusive Feedback Elimination & More
The Peavey powered mixer features four simultaneous combination XLR and 1/4" inputs using high-quality, low-noise Peavey Silencer mic preamps, and 200 watts of peak power for crystal-clear audio reproduction. The five-band master graphic EQ includes the Peavey FLS Feedback Locating System, which makes feedback elimination simple, intuitive and accurate. Built-in, footswitchable reverb complements this feature-packed powered mixer.
With the onboard 1/4", RCA and 1/8" mini jacks, musicians and audio professionals can connect virtually any audio device to this versatile mixer. An additional input channel is reserved for RCA or 1/8" media, while a master RCA output makes it easy to record directly from the mixer.
Features:
200 watts of power
FLS Feedback Locating System
Onboard digital reverb with master level
Combination XLR and 1/4" input jacks on channels 1-4
The Rolls MA251H Compact Mixer Amplifier is the perfect amplification and audio mixing source for small multi-media setups, projection audio, light sound reinforcement applications, etc. The MA251H is capable of 20W + 20W of output power, and features an integrated 4-channel mixer.
The mixer's input section features an XLR microphone input with phantom power, 2 RCA line inputs, and a stereo 1/8" (3.5mm) TRS mini input for laptop audio, mp3 players and more. Each channel features its own level control dial, and class-D amplifier electronics means low heat emission. The Rolls MA251H features a compact design, making it ideal for ceiling mounted applications alongside projectors, multi-media carts, and more.
Power Output: 20W + 20W Input Impedance: 10K Ohms line 600 Ohms mic Voltage Gain: 55dB mic 30dB line THD: 0.05% typical Bandwidth: 20Hz - 25kHz Dimensions: 6.75 x 3.5 x 1.5" (171.45 x 88.9 x 38.1mm) Weight: 1 lb (0.45kg)
World's First Digital Vocal Amplifier/Mixer with Vocal Enchancer
Simplifying the functions of a studio Vocal Enhancer and combining them with our popular Mixing Amplifier, the new DA-8808VE has everything you need to sound like a star. The Vocal Enhancer on the DA-8808VE is so easy to use. Just set each of the Vocal Enhancer controls at center (12 o'clock) position and sing into the mic to demonstrate. By doing an A/B comparison of the tonal difference using the convenient Enhancer ON/OFF switch, you'll quickly see what we mean when we say this will turn your performance from black and white into vivid color. We are confident you will hear such an improvement in your performance from the DA-8808VE's built in Vocal Enhancer, you will want to take it home and start singing today. To enhance your vocals like a professional recording artist without needing a degree in sound engineering, go with the DA-8808VE by VocoPro!
Features:
180W + 180W Max power output Mixing Amplifier
Vocal Enhancer with High and Low Contour, Tune (cutoff frequency of built in high- pass filter) and Process (Bass/Treble balance) controls for optimal vocal reproduction and rich, vibrant sound
12-step Digital Key Controller for transposing natural key of source music
Vocal Cancel/Vocal Partner modes for removing or adding guide vocals from Multiplex Karaoke media
Digital Echo with Repeat and Delay controls to add depth and space to vocals
Three Microphone Inputs with individual Volume controls
Full-function remote control for ease of operation
8-channel XLR Mic and ¼” TRS Line inputs 175W @ 4Ω total into 2 parallel speaker output ¼” jacks
Features:
Built-in Digital Delay produces choice of 4 great overall sound-enhancing delays ranging from small room to spacious
Each channel offers Level and individual Digital Delay controls and a Low/High 2-band EQ
Master section includes CD/Tape Level, Master Level, and Digital Delay Level/ Delay Time select controls; Digital Delay Select switch; and L/R Tape In and Tape Record Out RCA jacks
Rear panel Main Out/Amp In ¼” TRS jack unbalanced insert point provides a break between the Main Out and the built-in amplifier, allowing the output to be sent to an external signal processor or additional power amplifier
Shielded internal power supply with ~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector
Rugged, lightweight case with handles (20.6 lbs/9.3 kg) for roadworthy reliability and easy portability
Professional Digital Key Control/Digital Echo Mixer
Hook this professional digital vocal mixer up to your existing DVD, CD+G, LaserDisc or CD player and add the excitement of vocals to your sound system today! With it's wide variety of excellent vocal functions, you'll be ready to hit the stage like a star.
Features:
11-Step Digital Key Controller
Professional Digital Echo w/ Repeat and Delay Controls
The Peavey are 400-watt powered mixers that combine
exclusive Peavey innovations, the Peavey legacy of quality and
reliability, and modern amenities such as an input dock for iPhone and
iPod. Eight combination XLR and 1/4" inputs based on Peavey
high-quality, low-noise Silencer mic preamps provide versatility and
clear audio reproduction, while Peavey’s proprietary Mid-Morph EQ
control improves the tone and clarity of vocals and complements the low
and high EQ bands by boosting high-mids or cutting low-mids.
Both
models feature a nine-band graphic EQ that is assignable to the main or
monitor output and features Peavey’s patented FLS Feedback Locating
System, which makes accurate feedback elimination simple and intuitive.
Exclusive Peavey Kosmos-C technology provides spectrum enhancement to
both the low and high end of the frequency range, while the
footswitchable 24-bit digital effects section includes multiple
varieties of rich, highly detailed reverb and delay.
Dual power
amplifiers provide 400 watts total, with independent level control and
parallel (main and monitor outputs) or stereo (both amps on main output)
operation. Users can connect virtually any audio device to this
versatile mixer via the onboard 1/4", RCA and 1/8" mini jacks.
Features:
400 watts (dual 200W power sections, assignable with independent control)
Eight input channels
Patented FLS Feedback Locating System
Exclusive Mid-Morph EQ
Onboard 24-bit digital effects
Combination XLR and 1/4" input jacks
Selectable 9-Band Graphic EQ for Mains or Monitors
Patented Kosmos-C low frequency and spectrum enhancement system
Input controls, connections and indicators include Channel Gain controls, Peak LEDs; High, Mid, and Low EQs; Channel EFF Send, Pan, and main Volume controls
5-band master EQ; Aux Send and Return; Tape/CD In and Record Out stereo RCA jacks with Tape Level control
Stereo headphone output with separate volume adjust
Internal shielded AC supply with 115V(60Hz)/230V(50Hz) select switch
Durable but lightweight polypropylene housing for easy portability and roadworthiness
The MicroMix MM5D powered box mixer is the ideal PA solution for most
applications where 2 x 90 watts (stereo) is enough power yet input
flexibility is required. Balanced XLR mic, 1/4-inch phone and dual RCA
line inputs, onboard user controlled digital effect unit and tape outs
(with separate level controls) make the MM5D the perfect powered mixer
for live PA, rehearsal, installation or announcement PA applications.
The rugged and reliable MM5D has flexible outputs, a scratch resistant
front panel, durable carpet covering and corner protectors.
Features:
5 input channels ( XLR & 1/4-inch in, 2-band EQ, level & effects send control per channel)
Additional CD/Tape in with level control
Separate Record out with level control
Stereo 7-band master Graphic EQ
2 x 90w powered out (stereo)
1/4-inch & Speakon speaker output jacks
On-board Digital effects
Number of Channels: 5
Mono Channel EQ: 2 band shelving
Channel Effects: Yes
Inputs - XLR (bal): Ch. 1 - 5
Inputs - 1/4": Ch. 1 - 5
Inputs - RCA (unbal): Tape/CD in
Internal Effects: 16 Digital Effects: reverb, echo, chorus, flange
Effects Send: No
Effects Return: No
Effects Return to Main: Yes
Effects Return to Monitor: No
Record Outputs: Stereo RCA with level control
Max Gain to Line Out -Mic Input (dB): 84dB
Max Gain to Line Out -Line Input (dB): 70dB
Main Outputs ( Line Level): No
Outputs - Amp A - 1/4" Jacks: 1
Outputs - Amp A - Speakon 4-pin: 1
Mixer - Frequency Response (Tone and EQ Flat,+/-2dB): 40Hz - 20,000Hz
Amp A - Power Output @ 8 Ohms (0%1"THD, 1kHz): 2 x 60 watts
Amp A - Power Output @ 4 Ohms: 2 x 90 watts
THD - 1kHz (dB): less than 0.1%
Typical crosstalk -1 kHz (dB): less than – 60dB
Power Consumption (typ/max): 1.0 A @ 120VAC / 0.5 A @ 230VAC
Protection: Clip limiter, thermal shutdown
Cooling: Passive heatsink and internal Fan
Dimensions (DWH, inches): 9 x 17.75 x 6
Dimensions (DWH, cm): 22.85 x 45 x 15.25
Weight (lbs/kg): 19.2 / 9.7
The Peavey are 400-watt powered mixers that combine exclusive Peavey innovations, the Peavey legacy of quality and reliability, and modern amenities such as an input dock for iPhone and iPod. Eight combination XLR and 1/4" inputs based on Peavey high-quality, low-noise Silencer mic preamps provide versatility and clear audio reproduction, while Peavey’s proprietary Mid-Morph EQ control improves the tone and clarity of vocals and complements the low and high EQ bands by boosting high-mids or cutting low-mids.
Both models feature a nine-band graphic EQ that is assignable to the main or monitor output and features Peavey’s patented FLS Feedback Locating System, which makes accurate feedback elimination simple and intuitive. Exclusive Peavey Kosmos-C technology provides spectrum enhancement to both the low and high end of the frequency range, while the footswitchable 24-bit digital effects section includes multiple varieties of rich, highly detailed reverb and delay.
Dual power amplifiers provide 400 watts total, with independent level control and parallel (main and monitor outputs) or stereo (both amps on main output) operation. Users can connect virtually any audio device to this versatile mixer via the onboard 1/4", RCA and 1/8" mini jacks.
Features:
400 watts (dual 200W power sections, assignable with independent control)
Eight input channels
Patented FLS Feedback Locating System
Exclusive Mid-Morph EQ
Onboard 24-bit digital effects
Combination XLR and 1/4" input jacks
Selectable 9-Band Graphic EQ for Mains or Monitors
Patented Kosmos-C low frequency and spectrum enhancement system
Vocal expression is essential to any great vocal performance. With it, singers can make you "feel" what they are feeling, impacting you long after the performance is over. How does one attain this vocal expression? The answer is complete control over vocal dynamics like tone, texture and sibilance. With the DA-X10 PRO you can fine tune particular aspects of your voice, through controlling high and low frequency contouring, range of tonal concentration and top and bottom processing of vocal strength. Whether you need to "fatten up" your vocal signal or brighten it for crisp sibilance, the results are just a few adjustments away. So, if you are seeking to unleash the full-potential of your vocal performances and seek to experience vocal dynamic control, go with the DA-X10 PRO by VocoPro!
Features:
Vocal Enhancer with High/Low Contour, Frequency and Process controls for optimized vocal reproduction and rich, vibrant sound
13-step Digital Key Controller for transposing the key of source music to fit the natural range of your voice
Digital Echo, Repeat and Delay controls add depth to vocals
Full function Remote Control for ease of operation
Three Microphone Inputs with individual Volume controls
900-Watt 6-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System
If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the PMP980S and PMP960M. The 900-Watt, 10-channel/6-channel mixers give you everything you need in one efficient, highly portable little package.
Massive Mono or Stunning Stereo The difference between these two mixers is that the PMP980S gives you two stereo channels. If you make your beer money playing in a bluegrass band at a barbecue joint, you probably aren’t that interested in making a space-age, multi-dimensional mix. This is just one example of where the PMP960M’s six mono channels would be a perfect match.
However, if you’re the brains behind a kraut-rock band with the wildest patches this side of Berlin, the two additional stereo channels on the PMP980S will provide the sonic latitude you need.
The PMP980S is also an excellent choice for a church, where vocals and stereo recordings share face time.
Classic Control, State-of-the-Art Sound Each of the mic inputs on the PMP980S and PMP960M contains top-quality built-in mic preamps with switchable +48V phantom power for condenser mics—just like in our studio mixers. Suddenly you can leave the mic preamps at home, and the kind of sound quality that was once only available in the studio is ready to go wherever you do.
Plus with the built-in 24-bit FX processor, you get 100 mind-blowing digital effect presets such as delay, chorus and reverb you can apply to any channel, as well as to the monitors and main output. No outboard gear needed — and the PMP980S comes with dual FX processors for double the effects! These mixers come loaded with BEHRINGER’s amazing FBQ feedback detection system, which automatically pinpoints trouble frequencies so you can snuff them out before you—or the audience—go deaf. Just touch a button and watch as trouble frequencies are indicated by red LEDs on the 7-band graphic EQ.
The Ins and Outs The PMP980S and PMP960M give you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 of both mixers are for mics, bass guitars or other mono instruments. The PMP980S features channels 7-8 and 9-10, which can be used as stereo channels. In the case of the PMP980S, that means you can connect up to 8 microphones or other mono instruments or six mics or mono instruments along with two stereo instruments (keyboards, for example) or the A/V equivalent.
In the bottom right corner of the mixer, you’ll find the FX, INPUT TO MAIN and OUTPUT sections. The FX section features a FOOTSW(itch) input. This lets you connect a footswitch like the AB200 so you can remotely enable/disable either FX channel. FX OUT 1 & 2 are used to connect up to two outboard effects processors.
The AUX IN 1/4" inputs in the INPUT TO MAIN section allow you to route an external stereo signal to the main mix. The AUX IN control adjusts the volume of the external signal in the main mix. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch allows you to eliminate the vocals from pre-recorded music for karaoke applications.
In the OUTPUT section, the REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album you’ve always dreamed of. The MAIN 1/4" connectors are there just in case you want to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.
Channel Your Inner Sound Guru You’ll be operating this mixer like it’s second nature thanks to its simple, intuitive layout. Each channel has a three-band EQ (HIGH, MID, LOW) blue; MON(itor) level in gray; FX1 in red; FX2 in orange (PMP980S only); PAN in black (only PMP980S); LEVEL in white. There’s also a switchable PAD and CLIP LED per channel.
Once you’ve set the levels on individual channels, it’s easy to create your MAIN and MONITOR mixers. The MAIN and MONITOR sections are nearly identical, featuring graphic 7-band EQs that allow you to adjust the sound to the room acoustics.
This is where the FBQ feature comes in particularly handy. Press the FBQ IN switch to activate the Feedback Detection System. Trouble frequencies are indicated by brightly lit fader LEDs. Just lower the level of the respective frequency range until feedback disappears and the LED goes out.
The FX RET controls add the selected effect signal to the main or monitor mix. When both are completely counterclockwise, no effect is applied. The 2TR IN control adjusts the volume of the 2 Track signal, if you have connected one. Use the MAIN MASTER/MONITOR MASTER controls to adjust the main and monitor output signals, respectively. The 5-digit LED meters give you a visual representation of these volumes. The upper LIM LED illuminates when output levels are too high, activating the internal amp protection circuit.
PMP980S’s POWER AMP switch toggles between three operating modes: STEREO, MON/MONO and BRIDGE (the power outputs of A and B on the back panel are added and provided at OUTPUT B). The PMP960M provides similar options: Bridge mono or dual mono (Output A can be used for mono Mains and Output B for Monitor Send 1, or Outputs A and B can be used as Main/Main). This clever functionality enables you to power both your mains and monitors without the need for an additional power amp just for your monitors.
Directly below, you’ll find the SPEAKER PROCESSING switch that activates a filter in both models, adapting the mixer to the frequency response of your loudspeakers.
Finally, the STANDBY switch lets you mute all input channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
Small, Simple, Superb Small, simple events call for a lightweight, simple powered mixer, and these are the most efficient, aff ordable mixers for the job. They’re easy to learn, easy to operate, and with so many incredible built-in features, they make it easy to put on a show in an instant.
Features:
Ultra-compact 450-Watt dual mono powered mixer
Revolutionary amplifier technology: enormous power, incredible sonic performance and super-light weight
Ultra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weight
Mixer section features 6 mono channels plus separate tape returns
Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
6 high-quality mic preamps with switchable +48 V phantom power for condenser microphones
Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all channels
Dual 7-band graphic EQ allows precise frequency correction of monitor and main outputs
Voice Canceller function removes singer's voice from recordings for Karaoke applications
The MA1705 is a single rack space mixer amplifier designed for installation applications. The unit provides a compact and efficient way to mix up to three sources such as AM/FM tuners, CD players, and video players with up to two microphones. Priority talkover is provided on Microphone One for paging, and on Source Three for a jukebox, telephone, etc. The power amplifier provides 70 Watts of power when connected to a 70 volt speaker system.
IMPORTANT NOTICES: THE FRONT PANEL ACTS AS THE HEAT SINK FOR THIS UNIT AND MAY GET HOT UNDER A HEAVY LOAD.
Features:
Two Microphone inputs with phantom power.
Tone controls for each Mic input.
Three stereo Source inputs (mixed to mono).
Bass and Treble controls on Sources Two and Three.
Priority ducking on Mic Two and Source One.
Dual pre-master level Record Output.
Fault protected power amp.
Balanced 70 volt line output.
Spring-loaded output terminals.
Clip indication.
FR4 Double-sided epoxy circuit board.
Socketed ICs.
MIXER: Input Impedance: Mic: 600 Ohms XLR balanced Source: 22K Ohms RCA Insert: 22K Ohms 1/4" TS unbalanced Max Input Level: Mic: -14 dBV Mic level Max Source: 24 dBV Insert: + 20 dB Connectors: 2: XLR, 6: Stereo RCA, 3: 1/4" TRS, 1: 1/4" TS Phantom Power: +12 VDC Max Gain: Mic: 60 dB Source: 26 dB Tone Controls: +/-12 dB 100 Hz Bass +/-12 dB 11kHz Treble Noise Floor: - 80 dB S/N Ratio: 96 dB Priority Attenuation: 60 dB POWER AMP: Recommended Load: 70 Volt line (70 Watts maximum) Frequency Response: 60Hz to 20 kHz Size (W x H x D): 19" x 1.75" x 5" (48 x 4.5 x 12.7) Weight: 5.5 lbs (2.5 kg)
The MA2355 is a single rack space mixer amplifier designed for small installation applications. The unit provides a compact and efficient way to mix up to three sources such as AM/FM tuners, CD players, and video players with up to two microphones. Priority talkover is provided on Microphone One for paging, and on Source Three for a jukebox, telephone, etc. The power amplifier provides 35 Watts of power connected to 8 ohm speakers.
IMPORTANT NOTICES: THE FRONT PANEL ACTS AS THE HEAT SINK FOR THIS UNIT AND MAY GET HOT UNDER A HEAVY LOAD.
Features:
Two Microphone inputs with phantom power.
Tone controls for each Mic input.
Three stereo Source inputs.
Direct access to the power amp section.
Bass and Treble controls on Sources Two and Three.
Priority ducking on Mic Two and Source One.
Dual pre-master level Record Output.
Fault protected power amp.
Spring-loaded output terminals.
Clip indication.
FR4 Double-sided epoxy circuit board.
Socketed ICs.
MIXER: Input Impedance: Mic: 600 Ohms XLR balanced Source: 22K Ohms RCA Insert: 22K Ohms 1/4" TS unbalanced Max Input Level: Mic: -14 dBV Mic level Max Source: 24 dBV Insert: + 20 dB Connectors: 2: XLR, 6: Stereo RCA, 3: 1/4" TRS, 1: 1/4" TS Phantom Power: +12 VDC Max Gain: Mic: 60 dB Source: 26 dB Tone Controls: +/-12 dB 100 Hz Bass, +/-12 dB 11kHz Treble Noise Floor: - 80 dB S/N Ratio: 96 dB Priority Attenuation: 60 dB POWER AMP: 35W/ch 4ohm 30W/ch 8ohm 20% Full/Low pwr: 4 Ohms / Channel Frequency Response: 20Hz to 20 kHz Size: (W x H x D): 19" x 1.75" x 5", (48 x 4.5 x 12.7) Weight: 5.5 lbs (2.5 kg)
500-Watt 12-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System
If you need superior stereo sound for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, the 12-channel PMP1000 can deliver. The 500-Watt mixer has built-in mic preamps and an FX processor, as well as enough power to drive both mains and monitors thanks to dual 250-Watt onboard power amps.
Massive Mono or Stunning Stereo The PMP1000 gives you the choice of 2 x 250-Watt stereo, 2 x 250-Watt dual mono or 500-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP1000 can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Six built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP1000.
Built-in Digital Effects Processor The PMP1000 is also equipped with a 24-bit FX processor, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you're pulling double duty as sound engineer and performer, the FX processor features a footswitch jack for remote on/off.
Changing the Channels The PMP1000 gives you excellent flexibility to accommodate whatever a performance requires. Channels 1-4 are for mics, guitars and other mono instruments. Stereo channels 5-12 are ideal for keyboards. All mono channels have 3-band EQ, switchable Low Cut filter for eliminating unwanted infrasonics, and Clip LEDs to indicate when the input signal is too hot.
The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.
CD/TAPE RCA outputs send line-level signals from the mixer to a recording device. Left and right 1/4" output connectors are there in case you need to connect more power amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.
A STANDBY switch mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
We even did our best to include a built-in personal assistant. The FBQ Feedback Detection system automatically shows you which frequencies are causing the feedback. Just touch a FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint which frequencies to adjust for optimized sound, without the feedback.
Optimized Output The PMP1000's POWER AMP switch toggles between three operating modes: MAIN, MON and BRIDGE (the power outputs of A and B on the back panel are summed and provided at OUTPUT B). Dual mono mode uses Output A for mono Mains and Output B for monitors. This clever functionality powers both your mains and monitors without the need for any additional power amps.
Small, Simple, Superb Small, simple events call for a lightweight, easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job. With so many incredible built-in features, it's easier than ever to lend exceptional sound quality to all kinds of public performances.
Standby switch mutes all mic channels during breaks while background music is provided via tape inputs
Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
Adjustable stereo CD/Tape input for connecting external signal sources
Multi-functional stereo Preamp outputs for added flexibility
Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response and low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
800-Watt 14-Channel Powered Mixer with Multi-FX Processor
If you need superior stereo sound for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, the 10-channel PMP2000 can really deliver. This 800-Watt mixer has built-in mic preamps and an FX processor, as well as enough power to drive both mains and monitors, thanks to dual 350-Watt onboard power amps.
Massive Mono or Stunning Stereo The PMP2000 gives you the choice of 2 x 350-Watt stereo, 2 x 350-Watt dual mono or 800-Watt bridged mono output. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP2000 can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Nine built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP2000.
Built-in Digital Effects Processor It's also equipped with a 24-bit FX processor, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you're pulling double duty as sound engineer and performer, the FX processor has a footswitch jack for remote on/off.
Changing the Channels The PMP2000 gives you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 are for mics, bass guitars or other mono instruments. Stereo channels 7-12 are ideal for keyboards. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks.
The Ins and Outs REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album you’ve always dreamed of. The left and right Output 1/4" connectors are there just in case you need to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.
Small, Simple, Superb Small, simple events call for a lightweight, easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job. With so many incredible built-in features, it's easier than ever to lend exceptional sound quality to all kinds of public performances.
60mm faders on all Channels, Groups 1/2, Main L/R, and Effects; two 7-band master EQs; Channel Trim controls, Peak LEDs, and switchable Low Cut filters; channel high EQ, frequency sweepable mid EQ, low EQ; Channel Aux 1 and Aux 2 Send controls, Pan controls, and assignable L/R and G1-2 switches; switchable +48V phantom power; two Aux Sends and two Aux Returns each with Level controls; Tape/CD In and Record Out stereo RCA jacks with Tape level control; six balanced ¼” TRS inserts; two 10-segment LED display bar graph meters with Power Amp Peak indicator
Outputs include balanced ¼” TRS and XLR Main Stereo Outputs; balanced ¼” Group 1 and 2 outputs; adjustable Control Room left and right ¼” outputs; and stereo headphone output with separate volume adjust and L/R or G1/G2 selector; L/R dual ¼” amplifier outputs for easy speaker daisy-chaining
Internal shielded AC supply with 115V(60Hz)/230V(50Hz) selector switch
900-Watt 10-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System
If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the PMP980S and PMP960M. The 900-Watt, 10-channel/6-channel mixers give you everything you need in one efficient, highly portable little package.
The Ins and Outs The PMP980S and PMP960M give you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 of both mixers are for mics, bass guitars or other mono instruments. The PMP980S features channels 7-8 and 9-10, which can be used as stereo channels. In the case of the PMP980S, that means you can connect up to 8 microphones or other mono instruments or six mics or mono instruments along with two stereo instruments (keyboards, for example) or the A/V equivalent.
In the bottom right corner of the mixer, you’ll find the FX, INPUT TO MAIN and OUTPUT sections. The FX section features a FOOTSW(itch) input. This lets you connect a footswitch like the AB200 so you can remotely enable/disable either FX channel. FX OUT 1 & 2 are used to connect up to two outboard effects processors.
The AUX IN 1/4" inputs in the INPUT TO MAIN section allow you to route an external stereo signal to the main mix. The AUX IN control adjusts the volume of the external signal in the main mix. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch allows you to eliminate the vocals from pre-recorded music for karaoke applications.
In the OUTPUT section, the REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album you’ve always dreamed of. The MAIN 1/4" connectors are there just in case you want to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.
Channel Your Inner Sound Guru You’ll be operating this mixer like it’s second nature thanks to its simple, intuitive layout. Each channel has a three-band EQ (HIGH, MID, LOW) blue; MON(itor) level in gray; FX1 in red; FX2 in orange (PMP980S only); PAN in black (only PMP980S); LEVEL in white. There’s also a switchable PAD and CLIP LED per channel.
Once you’ve set the levels on individual channels, it’s easy to create your MAIN and MONITOR mixers. The MAIN and MONITOR sections are nearly identical, featuring graphic 7-band EQs that allow you to adjust the sound to the room acoustics.
This is where the FBQ feature comes in particularly handy. Press the FBQ IN switch to activate the Feedback Detection System. Trouble frequencies are indicated by brightly lit fader LEDs. Just lower the level of the respective frequency range until feedback disappears and the LED goes out.
The FX RET controls add the selected effect signal to the main or monitor mix. When both are completely counterclockwise, no effect is applied. The 2TR IN control adjusts the volume of the 2 Track signal, if you have connected one. Use the MAIN MASTER/MONITOR MASTER controls to adjust the main and monitor output signals, respectively. The 5-digit LED meters give you a visual representation of these volumes. The upper LIM LED illuminates when output levels are too high, activating the internal amp protection circuit.
PMP980S’s POWER AMP switch toggles between three operating modes: STEREO, MON/MONO and BRIDGE (the power outputs of A and B on the back panel are added and provided at OUTPUT B). The PMP960M provides similar options: Bridge mono or dual mono (Output A can be used for mono Mains and Output B for Monitor Send 1, or Outputs A and B can be used as Main/Main). This clever functionality enables you to power both your mains and monitors without the need for an additional power amp just for your monitors.
Directly below, you’ll find the SPEAKER PROCESSING switch that activates a filter in both models, adapting the mixer to the frequency response of your loudspeakers.
Finally, the STANDBY switch lets you mute all input channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
Small, Simple, Superb Small, simple events call for a lightweight, simple powered mixer, and these are the most efficient, aff ordable mixers for the job. They’re easy to learn, easy to operate, and with so many incredible built-in features, they make it easy to put on a show in an instant.
Features:
Ultra-compact 2 x 450-Watt stereo powered mixer
Revolutionary amplifier technology: enormous power, incredible sonic performance and super-light weight
Ultra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weight
10-channel mixer section features 6 mono and 2 stereo channels plus separate tape returns
2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
8 high-quality mic preamps with switchable +48 V phantom power for condenser microphones
Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs
Voice Canceller function removes singer's voice from recordings for Karaoke applications
1600-Watt 10-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.
What is Class-D Technology? Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.
When used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.
Massive Mono or Stunning Stereo Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.
Built-in Digital Effects Processor The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you’re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.
Changing the Channels The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.
A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.
The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.
CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output ¼" connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.
Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, it’s easier than ever to lend exceptional sound quality to all kinds of public performances.
1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.
What is Class-D Technology? Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.
When used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.
Massive Mono or Stunning Stereo Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.
Built-in Digital Effects Processor The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you’re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.
Changing the Channels The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.
A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.
The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.
CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output ¼" connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.
Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, it’s easier than ever to lend exceptional sound quality to all kinds of public performances.
Features:
Ultra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode)
Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
Ultra-compact design at nearly half the weight of conventional powered mixers
16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output
Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
Voice Canceller function removes singer’s voice from recordings for karaoke applications
The new NX25P offers the best value in a 12-inch and horn active loudspeaker cabinet. The biamped 300-watt (Peak) power module has a minimum of controls yet provides maximum versatility making the NX25P the ideal solution for many applications.
A three band EQ, XLR balanced microphone input as will as an XLR / TRS 1/4-inch balanced combi-jack line input on the power module means the NX25P can be easily connected to any source and quickly EQ balanced for the room. An XLR balanced line output allows multiple NX25’s to be linked together for use in an array or for easy distribution around a large room when used as repeater cabinets.
The horn amplifier produces loud clean transients to keep up with the high output of the Class-H two-tier amplifier driving the woofer. The high efficinecy Class-H topology delivers higher headroom and lower operating temperature, making it the ideal amplification solution for this active loudspeaker.
The NX25P enclosure, like all cabinets in the NX loudspeaker line, has been molded for maximum versatility. The trapezoid box is ideal for mounting in arrays, or for use as a monitor cabinet with well-protected inputs and controls.
The NX25P can easily be used in any orientation, and close to walls, floors and in close arrays with multiple cabinets. Particular care was taken designing the components to reduce extraneous heat production.
Features
Integrated 300 Watt Amplifier (200 Watts Program)
Max SPL 124dB Peak (120dB Continuous)
Dual purpose full range and wedge monitor format enclosure
Ultra-clear reproduction throughout bandwidth
Lightweight, high efficiency, high tech, 300 Watt Bi-amped power module
Combi-jack XLR/1/4-inch TRS input
XLR output for easy connection and looping
Direct microphone input with level control
Three band overall EQ controls
12" Ceramic Magnet Woofer
High quality 1" High Frequency driver
Integrated flying hardware (1/4" threaded holes)
Tough, full length metal grille
Recessed Control panel
System Type: 2-Way Active or Passive: Active Program Power (Watts): 200 Watts (300 Watts Peak) Biampable: Self Powered Biamp Operation Only: Yes Max SPL (dB): 124dB Peak (120dB Continuous) Frequency Response (Hz +/- 3db): 70 - 18k Crossover Frequency (Hz): 2k Driver Configuration: 12-inch / 1-inch HF Driver(s): 1-inch Mylar Driver HF Dispersion (°H x °V): 80 x 50 HF Protection: Peak Limiter LF Driver(s): 12-inch Ceramic Magnet HF Amplifier Type: Class A/B LF Amplifier Type: Two Tier Class H Power Cable: Yes Power Switch: Yes Power Consumption (typ/max): 120 / 310 VA Inputs: 2 Inputs - 1/4" Jacks: 1 Line / 1 Mic (XLR Combi jacks) Input Sensitivity (Vrms Sine): +4dBv / 1.23V Mixer Controls: Mic Gain, Line In Gain, Bass/Mid/Treble Level Controls: Main Volume Limiter: Yes LED Indicators: Power/Activity/Limit Feet: Yes Flying Hardware: 1/4-20 x 5 - 2 (Top), 2 (Bottom), 1 (Pullback) Optional Flying Hardware: NXF Flyware Bar Handles: 1 (Side) Pole Mount Adapter (1 3/8"-3.5cm): Yes Enclosure Materials: Molded Polypropylene Grille: Perforated Metal Dimensions (DWH xbackW, inches): 12.25 x 16 x 26.5 x 9 Dimensions (DWH xbackW, cm): 31.12 x 40.6 x 67.3 x 22.9 Weight (lbs/kg): 45.9 / 20.8
The MA2152 is a two rack space mixer amplifier designed for restaurants, schools, churches, clubs etc. The unit provides a compact and efficient way to mix up to three sources such as AM/FM tuners, CD players, and video players with up to two microphones. Priority talkover is provided on Microphone One for paging, and on Source Three for a jukebox, telephone, etc. The power output section may be connected to 4, 8, or 16 ohm speakers, or directly connected to a 70 volt system without the need for additional transformers. Several configuration options are possible including full stereo, mono 70V, dual mono 25V, etc..
Features:
Two Microphone inputs with phantom power.
Tone controls for each Mic input.
Three stereo Source inputs.
Bass and Treble controls on Sources One and Two.
Priority ducking on Mic One and Source Three.
Stereo pre-master level Record Output.
Fault protected power amp.
Amp will drive 25 or 70 volt lines directly.
FR4 Double-sided epoxy circuit board.
Socketed ICs.
Made in the U.S.A.
MIXER: Input Impedance: Mic: 600 Ohms XLR balanced Source: 22K Ohms RCA Insert: 22K Ohms 1/4" TS unbalanced Max Input Level: Mic: -14 dBV Mic level Max Source: 24 dBV Insert: + 20 dB Connectors: 2: XLR, 6: Stereo RCA, 3: 1/4" TRS, 1: 1/4" TS Phantom Power: +12 VDC Max Gain: Mic: 60dB Source: 26 dB Tone Controls: +/-12 dB 100 Hz Bass, +/-12 dB 11kHz Treble Nose Floor: - 80 dB S/N Ratio: 96 dB Priority Attenuation: 60 dB POWER AMP: Power Output, Stereo: 100 Watts RMS/ch. 4 Ohms 70 Watts RMS/ch. 8 Ohms Bridged - 200 Watts RMS 8 Ohms/70V Output Matching: 4, 8, 16 Ohms, 25V Stereo, 70V Mono THD: <.08% (1kHz @ 1 Watt) Outputs: RCA Record Out, 5-Way binding post Power Amp outs Power Bandwidth: 60 Hz - 30 kHz +/- 1dB Damping Factor: > 150 Slew Rate: 100 Volts/microSecond Phase Shift: <10 Deg., 20Hz - 20kHz Power: 120 VAC 60Hz 2.5A 230 VAC 50Hz Size: 19" x 3.5" x 7.5"(48 x 9 x 19 cm) Weight: 12 lbs (5.5 kg)
1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.
What is Class-D Technology? Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.
When used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.
Massive Mono or Stunning Stereo Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.
Built-in Digital Effects Processor The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you’re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.
Changing the Channels The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.
A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.
The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.
CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output ¼" connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.
Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, it’s easier than ever to lend exceptional sound quality to all kinds of public performances.
The XR 8600D powered mixer include many of the latest technological developments from Peavey engineering. Incorporating a pair of 600 Watt amplifiers, dual 7-band EQ, digital effects, FLS® (Peavey's award-winning Feedback Locating System), DDT™ speaker protection and a host of other features, these compact powered mixers are perfect for any application.
Features:
- 10 line inputs
- 3-band equalization on each channel
- Monitor send on each channel
- 25 dB pad: channels 1-6
- Dual main or main/monitor power amp mode switch
- Dedicated 7-band EQ for main/monitors with FLS™
- DSP-based effects
- 16 presets with parameter control
- Dual 600 Watt per channel internal power amplifiers
60mm faders on all Channels, Groups 1/2, Main L/R, and Effects; two 7-band master EQs; Channel Trim controls, Peak LEDs, and Switchable Low Cut filters; channel high EQ, frequency sweepable mid EQ, and low EQ; Channel Aux 1 and Aux 2-EFF Send controls, Pan controls, and assignable L/R and G1-2 switches; switchable +48V phantom power; two Aux Sends and two Aux Returns; Tape/CD In and Record Out stereo RCA jacks with Tape Level control; 10-segment LED display bar graph meters with Power Amp Peak indicator
Outputs include balanced ¼” TRS and XLR Main Stereo Outputs; balanced ¼“ Group 1 and 2 outputs; adjustable Control Room left and right ¼” outputs; and stereo headphone output with separate volume adjust and L/R or G1/G2 selector; L/R dual ¼” amplifier outputs for easy speaker daisy-chaining
Internal shielded AC supply with 115V(60Hz)/230V(50Hz) select switch
The Canadian made Yorkville M608 delivers 300 watts per channel in a compact and convenient wedge mixer format. The 8-channel layout has four dedicated high quality mono / mic channels with 3-band EQ.
The mono line inputs on channels 3 and 4 are pre-EQ'd for Hi-Z instrument level input, making them an ideal place to start when looking for that perfect live acoustic guitar or direct bass sound. Channels 5/6 and 7/8 are stereo input channels with 2-band EQ’s and 1/4-inch L/R inputs making them perfect for keyboards, drum machines or MP3 Sources. XLR inputs on the stereo channels provide two additional mic inputs, giving the M608 up to six mic inputs for live applications.
The 600-watt M608 has two integrated 300-watt power amplifiers that can be assigned as stereo mains, or mono main and mono monitor. Each amplifier is attached to an innovative master EQ section designed specifically for these new mixers. The master EQ has a 9-band graphic EQ with additional high and low shelving EQ’s at either end of the frequency band. The nine graphic sliders are essentially all of the middle bands of a 15-band graphic EQ with the low and high frequency bands covered by separate shelving controls. This gives the user more control over the feedback-prone mid frequency bands; with high and low tone-shaping frequencies controlled by additional simple +/- 15 dB trim controls.
Features:
Eight channels (four mono channels plus two stereo channels)
TRS balanced inputs (dual inputs for stereo channels 5/6 and 7/8)
Two additional XLR inputs on stereo channels
3-Band EQ on mono channels / 2-Band EQ on stereo channels
9-band graphic EQ for each output with shelving EQ for precise control
300 watts per channel 4 ohm (Assignable Left/Right or Main/Monitor)
24-Bit Digital Effect Processor
Effects Bypass Footswitch Jack
Mute switch (channels 1-8) for quick change-over between band and DJ
Dual RCA Tape/CD In and Rec Out jacks
All metal chassis
Made in Canada
Number of Channels: 8 Mono Channel EQ: Low, Mid, High Stereo Channel EQ: Low, High Channel Effects: All Channels Monitors Effects: Yes Balance Controls: Ch. 5 - 8 Pan Controls: Ch. 1 - 4 Channel Overload Protection: No Inputs - XLR (bal): 6 Inputs - 1/4": 8 Inputs - RCA (unbal): 1 pair Mute Switches: Global 1 - 6 Activity / Solo LED: No Clip /Mute LED: All Channels Phantom Power: 48V + LED Indicator Internal Effects: 24 Bit stereo, 16 Effects with Parameter Pot Auxiliary Sends: Effect - Monitor Effects Send: Yes Effects Return: Internal Effects Return to Main: Yes Effects Return to Monitor: Yes Reverb / Effects Footswitch: Yes Record Outputs: Stereo RCA Pair Max Gain to Line Out -Mic Input (dB): 84 Max Gain to Line Out -Line Input (dB): 82 Master EQ -1 (type /Channels /Range - dB): Graphic 9 band (160hz - 6.3khz) +2 band Shelving Monitor EQ -1 (type /Channels /Range - dB): Graphic 9 band (160hz - 6.3khz) +2 band Shelving Main Outputs ( Line Level): 2 x 1/4inch TRS Main Amp Inputs (Line Level): 2 x 1/4inch TRS Monitor Outputs (Line Level): 1 x 1/4inch TRS Outputs - Amp A - 1/4" Jacks: 2 Outputs - Amp A - Speakon 4-pin: 1 Outputs - Amp B - 1/4" Jacks: 2 Outputs - Amp B - Speakon 4-pin: 1 Mixer - Signal to Noise Ratio (dB): 105 Mixer - Frequency Response (Tone and EQ Flat,+/-2dB): 20 - 20,000 Mixer - Input Referred Noise to line out, @ 150 Ohms (dBv): -119 Mixer THD (Main out w/ -10dB input): 0.01 Amp A - Power Output @ 8 Ohms (0%1"THD, 1kHz): 250 Amp A - Power Output @ 4 Ohms: 300 Amp A - Power Output -other: 200 @ 2 ohms Amp B - Power Output @ 8 Ohms (0%1"THD, 1kHz): 250 Amp B - Power Output @ 4 Ohms: 300 Amp B - Power Output -other: 200 @ 2 ohms THD - 1kHz (dB): 0.01 THD - 20Hz-20kHz (dB): 0.5 Hum and Noise (un / Aweight -dB): -101 / -107 Typical crosstalk -1 kHz (dB): better than -60db Input Impedance - Bal/Unbal (Ohms): 20k / 10k ohms Input Sesitivity (Vrms Sine): 1.4 CMRR @ 60Hz (min/typ): -37db / -60db Max Votage Gain (dB): 29 Power Consumption (typ/max): 200VA / 600VA Protection: Thermal, Short Circuit, Impedance Overload Cooling: 1 x 92mm Fan Transformer Type: SMPS Finish: Grey and Black Powder Coat Chassis Construction: Steel and Aluminum Rackmount: No Other Features: Tiltback or Upright Wedge Angles Dimensions (DWH, inches): 10.0 x 15.5 x 10.5 Dimensions (DWH, cm): 25.4 x 39.4 x 26.7 Weight (lbs/kg): 16 / 7.2
The MP6D2 six channel powered mixer solves problems! 325 Watts at 4 Ohms means that you get better than 160 Watts of power to each of your 8-ohm speakers. This means more power where you need it!
All important multiple clip indicators make getting a great sound a snap by detecting distortion throughout the signal path. Other features include six XLR inputs, four balanced 1/4" inputs, dual RCA inputs on Ch. 5 & 6 for use with CD/Tape players, effects-to-monitors knob, 9-band graphic EQ, phantom power, line outputs, monitor output, record output, and effects send jack. The compact format MP6D2 also features a rugged all plywood enclosure and metal chassis that makes it ready for the road. Feature for feature, the MP6D2 is the best value in it's class!!
Number of Channels: 6 Mono Channel EQ: Low, High Stereo Channel EQ: N/A Channel Effects: All Channels Inputs - XLR (bal): Ch. 1 - 6 Inputs - 1/4": Ch. 1 - 4 Inputs - RCA (unbal): 2 Pairs Clip /Mute LED: All Channels Phantom Power: 24 V + LED indicator Internal Effects: Digital 24 Bit; 16 Effects + parameter control Effects Send: 1 Internal/External Effects Return to Main: Yes Effects Return to Monitor: Yes Reverb / Effects Footswitch: Yes Record Outputs: 1 Mono RCA Pair Max Gain to Line Out -Mic Input (dB): +55 Max Gain to Line Out -Line Input (dB): +40 Master EQ -1 (type /Channels /Range - dB): Graphic / Mono / 9 Band 63 Hz - 16,000 Hz Main Outputs ( Line Level): 1x 1/4 inch (TRS) Main Amp Inputs (Line Level): 1x 1/4 inch (TRS) Monitor Outputs (Line Level): 1x 1/4 inch (TRS) Outputs - Amp A - 1/4" Jacks: 2 Mixer - Signal to Noise Ratio (dB): 100 Mixer - Frequency Response (Tone and EQ Flat,+/-2dB): 20 Hz - 20,000 Hz Mixer - Input Referred Noise to line out, @ 150 Ohms (dBv): -117 Mixer THD (Main out w/ -10dB input): less than 0.05% Amp A - Power Output @ 8 Ohms (0%1"THD, 1kHz): 208 Amp A - Power Output @ 4 Ohms: 325 THD - 1kHz (dB): less than 0.05% THD - 20Hz-20kHz (dB): less than 0.1% Hum and Noise (un / Aweight -dB): -96 Typical crosstalk -1 kHz (dB): less than -60 Input Impedance - Bal/Unbal (Ohms): 2200/10K Input Sesitivity (Vrms Sine): 1.4 V CMRR @ 60Hz (min/typ): 54 dB /66 dB Max Votage Gain (dB): 27 Power Consumption (typ/max): 270 VA / 550 VA Protection: Thermal / Load / DC Cooling: Passive Heat Sink Transformer Type: Toroidal Finish: Blue/Black Carpet, Scratch Resistant Front Panel Chassis Construction: Heavey Gauge Metal with Plywood Cabinet Dimensions (DWH, inches): 10 x 21 x 9.25 Dimensions (DWH, cm): 25.4 x 53.3 x 23.5 Weight (lbs/kg): 27 / 12
600W Professional Digital Key Control Mixing Amplifier w/DSP Reverb
We proudly present the worlds first Vocal Mixing Amplifier with Dual Digital Processors... the DA-9800 RV! Singers and KJ's can now create the "ideal" vocal sound by blending the Digital Echo effect with the new DSP Reverb, adding a near 3D sound to their Microphone Channels! For music, a handy built-in Sonic Enhancer will transform the sound of your music from a "background" sound to an "outward and lively" sound. Also, with the built-in Studio Quality Digital Key Controller, users can change the key of their music 15-steps for a total of 7 whole notes, so no more missing out on songs that aren't in your natural vocal range! The DA-9800RV is soon to be the industry standard and the unit singers ask for when they want the best!
Features:
300W + 300W max power output (4 ohms)
150W + 150W continuous power output (4 ohms)
4 speaker output for increased sound coverage
15-step DSP Key Controller with Auto Reset
Digital Echo with Repeat and Delay controls
DSP Reverb for exceptional sounding vocals
Sonic enhancer with High/Low frequency controls
6 Microphone Inputs with Bass and Treble controls
Shipping Dimensions: 18" (L) x 20 1/2" (W) x 9" (H)
World's First Vocal Mixing Amplifier Designed for P.A. Speakers! If you are a working KJ, you know the importance of a solid, dependable power amplifier. Most vocal mixing amplifiers are designed for home use or to work with small KTV boxes, so they usually are built with fewer power amp ICs and are simply unreliable when powering large P.A. speakers. VocoPro had many requests from club KJs for a solid P.A.- style mixing amplifier. Our answer is the HV-1200, a true high power PA vocal mixing amplifier. The HV-1200 utilizes our proven VP-600 PRO power amplifier designed with five-way protection circuitry, making this a high power workhorse. It's also a first class mixer using VocoPro's own DSP Echo / Reverb board for the highest standard in vocal effects. There is even a built in compressor to prevent distortion from excessive vocals on all microphone channels. So if you work hard for your gig, why not get an amplifier that will work as hard as you.
Features
300W + 300W RMS Power Output
600W + 600W Max Power Output
5-Way Protection Circuitry Ensures Proper Power System Performance
±8 Step Digital Key Controller for Adjusting the Musical Key to Fit Your Vocal Range
7-Band Graphic Equalizer to Fine Tune the Sound of Your Source Audio
Master Level Music, Mic & Effect Controls
4 RCA A/V Input Channels
Built-in Compressor for Preventing Audio Peaks on Mic Channels
Digital Reverb & Echo Vocal Effects for Professional Sounding Vocals
4 Microphone Channels with 1/4" and XLR Input Jacks and 3-Way Tone Controls
Vocal Cancel & Vocal Eliminator Audio Modes for Removing Vocals from Source Audio
Music & Microphone Loop Channels for External Effects Integration
The point of a powered mixer is power, right? That's why there are real FR Series High-Current amplifiers inside every Mackie PPM Series mixer. They crank out real wattage at any impedance, sound good even when pushed into clipping, and are legendary for their reliability.
We also built in the industry's first 32-bit digital EMAC effects contained in a powered mixer. Developed specifically for PPM mixers, our EMAC is equivalent to many outboard effects processors, and offers 16 user-controllable, stunning effects. And since graphic equalizers are always in a powered mixer's output path, we insanely over-engineered ours with expensive, discrete components, eliminating the phase distortion that plagues our competitors.
IMMACULATE MIXING Above all else, the PPM Series mixers sound great. Often copied, but seldom duplicated, our high-headroom, low-noise mic preamps are legendary the world over for their superior sound quality. That's why we use them in the PPM Series—clean, quiet, superb. Each preamp channel has its own input Trim control, which provides up to 40dB microphone gain, 20dB line-level gain, or a full 20dB of attenuation to "pad" those really hot signals. Channels also feature level-set LEDs for easy visual input gain adjustment—just speak, sing, or yell into the mic and adjust the Trim control until the little green LED blinks. Time to dial in a little channel EQ...
MACKIE QUALITY THROUGHOUT The PPM 808S has everything you'll need for the gig. Each of the six stereo channel strips feature XLR mic and 1/4" TRS line inputs, TRS insert jacks, monitor and effects send, 3-band EQ, and an input Trim control with individual level-set LEDs. And you won't need external effects, thanks to our EMAC 32-bit precision digital effects processor—which sounds great and is as easy to use as a stompbox. There's even an Effects to Monitor control, so you can give your stage monitors a "wet" mix, totally independent of the Mains. The output section boasts two of our 600-watt FR (Fast Recovery) power amps, dual 9-band graphic equalizers, 75Hz rumble reduction filters, a switchable soft-knee compressor, and output level metering.
ACTIVE 3-BAND EQUALIZATION Speaking of "fuzzy-box" manufacturers, we never limit your equalization options to bass and treble. All of the PPM Series mixers feature our world-famous 3-band EQs on each channel, with usable center frequencies as follows: 12kHz shelving high-frequency EQ (±15dB), 2.5kHz peaking mid-frequency EQ (±12dB), and 80Hz shelving low-frequency EQ (±15dB). LOADED WITH EXRA FEATURES... The PPM's onboard phantom power supply means you can use high-quality condenser microphones, as well as your favorite dynamic mics. Outputs include a 1/4" TRS mixer line output, a 1/4" TRS monitor line output, and left and right RCA tape/line outputs. And because we know you don't want to give up an entire channel for a CD player, we've provided RCA Tape In jacks, with a dedicated level control, for your favorite external playback device (tape, CD, iPod, etc.).
Possibly the most important feature on the PPM Series mixers is its ingenious Break switch, which mutes channels 1-6, but allows whatever is connected to the Tape inputs to be heard. You'll be grateful we included this switch when some rock-star wannabe jumps on stage during the break, and starts singing "Paradise by the Dashboard Light."
ONBOARD 32-BIT DIGITAL EFFECTS The pièce de résistance of our PPM Series is its onboard EMAC 32-bit digital effects processor, which offers a plethora of dynamic digital effects. You can select any one of 16 custom-designed algorithms ranging from small room reverb to "out-of-this-world" phase shifting—and they're all controllable and easy to operate. Both the Monitor Master and Main Master rotary controls have corresponding EFX controls, so you can mix your effects into the monitors as well as the main outputs. BUILT ROAD-RUGGED All PPM mixers boast a rugged composite-molded case, which scoffs at the kind of abuse that would send those cheap "rat-fur-covered" wooden boxes crying for mama. We've been building state-of-the-art mixers and power amplifiers since day one. So it was just a matter of time, you might even say it was inevitable, that we'd combine the two.
Features:
Full featured 8-channel 1200 watt stereo powered mixer with onboard EMAC 32-bit digital stereo effects processor
Two 600-watt FR Series High-Current power amps
Power amps switchable as stereo Mains or Mains + Monitor
8 mic/line channels with master phantom power
Two stereo line inputs (on channels 7 and 8)
1/4" and XLR connectors on each input
1/4" Inserts on channels 1-6
Two Aux Sends (MON and EFX)
Ingenious "Break" Switch
Active 3-band EQ on each channel
9-band, audiophile-quality graphic EQ on Main and Monitor outputs
The new NX55P active speaker enclosure uses a combination of amplifier technologies to create the best combination of lightweight enclosure and high quality sound. Capitalizing on the already popular NX35’s molded cabinet technology and a totally re-engineered switching power supply, the 550 watt (program) bi-amped NX55P weighs in under 50lbs (19 kg)... the lightest in its class by a long shot.
Like all NX series enclosures,the NX55P is manufactured using tough, light weight low resonance variable density composite materials. In addition they are UV and moisture resistant. The NX55P enclosure itself has been molded for maximum versatility. The trapezoid box is ideal for mounting in arrays, or for use as a monitor. An improved wedge monitor angle has been incorporated into the new design.
The horn amplifier uses a two-tier class H linear technology, allowing the horn to produce loud clean transients to keep up with the high output of the woofer. The two-tier amplifier technology is a lower weight, more efficient amplifier with higher headroom and lower operating temperature. It is a perfect solution for powering the top end.
The NX55P can easily be used in any orientation, and close to walls, floors and in close arrays with multiple cabinets. Particular care was taken designing the components to reduce extraneous heat production.
The NX55P has a versatile direct input system and built-in mixer. The mixer allows the loudspeaker to be used directly with a microphone and / or line source. The loop output allows additional active cabinets to be driven from one cabinet’s mixer stage, or a series of cabinets to be driven from one source. If desired, the end user can combine multiple NX55P's using the mixer inputs on each cabinet and coupling the loop outputs. In this simple example you would have the ideal presentation system with two microphone inputs, two line inputs.
The microphone input has equalization and high pass filtering appropriate for vocal applications. The trim control allows looped cabinets to be individually adjusted in level. The NX55P has user defeatable 100Hz high pass filters allow either cabinet to be used more efficiently with any Yorkville active subwoofer.
The NX55P enclosure itself has been molded for maximum versatility. The trapezoid box is ideal for mounting in arrays, or for use as a monitor cabinet with well-protected inputs and controls.
We''ve also found an opportunity to tweak the electronics for maximum overall speaker performance and protection. Borrowing some ideas from our powerful and popular TX Series PA systems, the limiters used in the input and crossover stages are a complex combination of gain reduction and sweeping filters. As the NX55P is being pushed to its maximum input / output levels, it''s advanced filtering begins rolling off unnecessary subsonic frequencies.
The filter has remarkable response times (less than 70ms), allowing the system to constantly be returning itself to make sure the output is as clean, as loud and as clear as possible at any given moment. This is achieved without negatively affecting the overall sonic quality of the cabinet. This ensures that the essential part of any mix, like the vocals or solo instruments, comes out clean and clear at the extremes of power and woofer excursion. Extremely fast and accurate limiting is in place to protect the speaker components.
The NX55P has a built in mixer that allows the loudspeaker to be used directly with a tuned microphone and / or line sources such as mixer, CD player or laptop computer. The loop output allows additional powered cabinets to be driven from one cabinet''s mixer stage, or a series of cabinets to be driven from one source. If desired, the end user can combine a pair of the NX55P's using the mixer inputs on each cabinet and coupling the loop outputs. In this simple example you would have the ideal presentation system with two microphone inputs, two line inputs optimized for CD, cassette or laptop computer audio source, complete within two speaker cabinets. Many NX55P's can be linked together but a maximum of three "mixers" can be active at any one time. (Making three mic sources and six line sources available in any three or more cabinet array). The microphone input has equalization and high pass filtering appropriate for vocal applications. The trim control allows looped cabinets to be individually adjusted in level. This is valuable in applications where large numbers of cabinets are used such as clusters or in trade show applications. The NX55P has a selectable two position high-pass filter to limit extraneous low frequency rumble, or to crossover at the input so the loudspeaker can easily and effectively be used with subwoofers from a single full range source. Engaging the high pass filter also makes the NX55P a more efficient and effective vocal monitor.
The NX55P is an ideal loudspeaker for mobile presentation PA where high volume and superior sound quality is required. Multiple loudspeakers can easily be linked using mixer inputs from each loudspeaker to create a six input system... no external mixer required. (Up to three "mixer" sources can be used in any one system.)
A new shape makes the M1610-2 and M810-2 the most versatile compact powered mixers on the market. The convenience, lighter weight and small 'footprint' of a box mixer with the tilt-back visibility and channel control access of a desk mixer makes these new 'wedge' mixers an ideal high power, high quality powered mixer solutions. High-powered high-efficiency class-H power amplifiers, newly designed input strips, on-board DSP, a new, more effective master EQ section and ten very useful and usable input channels complete the new ‘wedge’ mixer packages.
The 800-watt M810-2 has two integrated 400-watt power amplifiers that can be assigned as stereo mains, or mono main and mono monitor. Each amplifier is attached to an innovative master EQ section designed specifically for these new mixers. The master EQ has a 9-band graphic EQ with additional high and low shelving EQ’s at either end of the frequency band. The nine graphic sliders are essentially all of the middle bands of a 15-band graphic EQ with the low and high frequency bands covered by separate shelving controls. This gives the user more control over the feedback-prone mid frequency bands; with high and low tone-shaping frequencies controlled by additional simple +/- 15 dB trim controls.
The M810-2 has 10 input channels. The first six channels have balanced XLR microphone and TRS balanced inputs, input trim control, three-band EQ, master volume and trim set light. The mono line inputs on channels 5 and 6 are pre-EQ'd for Hi-Z instrument level input, making them an ideal place to start when looking for that perfect live acoustic guitar or direct bass sound. When the input trim level is properly set, users will have ample overall gain while taking full advantage of the new clip elimination circuit which makes it virtually impossible to distort the input of the microphone and instrument channels.
Yorkville Box Mixers feature 15mm plywood and heavy-gauge metal construction to withstand all the rocking and rolling associated with life on the road. Inside we use high quality epoxy circuit boards coated with thick copper laminate and precision, low noise components. A large heatsink and a variable speed fan ensure that the mixers keep their cool. Of course MicroMIX™ mixers also come with Yorkville's standard two year (even if you break it!) transferable warranty in the USA and Canada. These are just a few of the characteristics which make MicroMIX™ mixers the "Best Bang for the Box".
Features:
10 Channels
400 watts per channel @ 4 ohm (Assignable Left/Right or Main/Monitor)