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Patchbays

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PPP-000_Thumb.jpg

PPP-000
$22.49
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Hosa
PPP-000

Patch Bay Module Rack Frame, 1 U
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XPATCH
$39.00
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ART
XPATCH

Three Channel XLR Balanced Patch Bay

The ARTcessories XPatch organizes your cables and provides a convenient, easily accessible central location to make audio connections. It also saves wear and tear on the connectors of your audio equipment because all connections are now made and changed at your patch bay.

Features:
  • Three channels of balanced direct signals
  • High quality passive interface
  • XLR connectors (female on front, male on rear)
  • All connections made via reliable PCB wiring
  • Rugged extruded aluminum case
  • Three year warranty
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TPATCH
$39.00
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ART
TPATCH

Eight Point Balanced Patch Bay

The ARTcessories TPatch is a compact 8-point balanced patchbay that organizes your cables into a convenient central location on your studio desktop. Designed for maximum flexibility, the TPatch has 1/4-inch TRS phone connectors user selectable normal and half-normal modes.

The compact black-anodized all aluminum case and it's passive design allow the TPatch to provide years of trouble free service.
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MXL-369
$41.99
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Hosa
MXL-369

Patch Bay Module, 3-point, XLR3F to XLR3M

The MXL-369 Patch Bay Module by Hosa Technology provides 3 channels of XLR throughput for any situation. It is ideal for making hard-to-reach, rear-panel microphone mixer inputs easier to reach.

Features:
  • Rolled-steel chassis for rugged durability and ease of repair
  • Gold-plated contacts for corrosion resistance and superior signal transfer
  • Shielded, Oxygen-Free Copper conductors for enhanced signal clarity
Hosa’s Modular Patch Bays are designed for use as either stand-alone units or mounted in a PPP-000 Patch Bay Module Rack Frame as a component of a multi-function patch bay. The PPP-000 (sold separately) holds up to 4 modules and fits any 19-inch rack.

Also Available: PHB-350 ¼ in TRS Patch Bay Module

Connector(s): XLR3F to XLR3M
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MHB-350
$43.61
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Hosa
Patch Bay Module, 8-point, 1/4 in TRS to Same

The MHB-350 Patch Bay Module by Hosa Technology provides 8 channels of balanced phone throughput for any situation. It is ideal for routing balanced signals to and from mixers, recorders, and outboard gear.

Features:
  • Rolled-steel chassis for rugged durability and ease of repair
  • Nickel-plated jacks for efficient signal transfer
  • Reversible channel modules for half-normalled or de-normalled operation
Hosa’s Modular Patch Bays are designed for use as either stand-alone units or mounted in a PPP-000 Patch Bay Module Rack Frame as a component of a multi-function patch bay. The PPP-000 (sold separately) holds up to 4 modules and fits any 19-inch rack.

Also Available: MXL-369 XLR Patch Bay Module
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COOLSWITCH
$50.00
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ART
COOLSWITCH

A/B-Y Switch
A/B-Y switching works two ways. It lets you switch a common source signal (guitar, bass or keyboard) between two amplifiers or amp channels. Or conversely, it lets you switch two source signals (ie, two different guitars) into the same amplifier. A good quality A/B-Y switcher will also provide LEDs or other indicators to show whether A, B or Y routing is in effect. The Y routing combines both the A and B outputs in parallel so that two amplifiers can be driven at once. The CoolSWITCH provides full A/B-Y switching functionality, plus parallel Common in/out jacks.
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PB48
$59.99
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Nady
PB48

Stereo 48-point modular patchbay

Features:
  • Versatile, no-solder patchbay provides 48 points in a single rack space (1U)
  • Normalled, half-normalled and isolated configurations
  • ¼” TRS for both balanced and unbalanced signals
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PX3000
$75.99
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Behringer
Multi-Functional 48-Point 3-Mode Balanced Patchbay

Dismantling a stage after a gig is much easier when cables are organized. BEHRINGER's ULTRAPATCH PRO PX3000 is just what you need to conserve space in the studio or on stage, keeping your cables orderly and tangle-free.

This 48-point patchbay features high-quality, fully-balanced 1/4" TRS jacks. The multi-functional PX3000 is the ideal way to gain control over the cable runs in your studio. Crawling around under your desk searching for cables will become a thing of the past.

The PX3000’s three modes function as follows:
NORMAL interconnects the two rear jacks of one channel; inserting a plug into one of the front jacks interrupts the connection of the rear jacks.
THRU interconnects each rear jack with its corresponding front jack.
HALF NORMAL interconnects the two rear jacks of one channel; inserting a plug into the lower front jack interrupts the connection of the rear jacks.

One Smart Solution
The ULTRAPATCH PRO PX3000 makes it easy to stay organized and conserve space. Plug into this incredibly useful audio solution and see how it streamlines your stage and studio. Your knees will thank you!

Features:
  • Professional patchbay eliminates cable clutter in your studio and adding order and clarity
  • Fully balanced high-quality ¼” TRS connectors
  • 3 modes, easily selectable per channel via top-side switches
  • "Normal" interconnects the two rear jacks of one channel; inserting a plug into one of the front jacks interrupts the connection of the rear jacks
  • "Thru" interconnects each rear jack with its corresponding front jack
  • "Half Normal" interconnects the two rear jacks of one channel; inserting a plug into the lower front jack interrupts the connection of the rear jacks
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
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P16
$79.00
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ART
P16

XLR Balanced Patch Bay

Ideal for any live PA rack, studio rack or fixed installation where easy access to XLR inputs are required, the P16 brings all rear-mounted XLR inputs from various devices to one, convenient single space rackmountable location. The P16 saves wear and tear on the connectors of expensive audio equipment by bringing all commonly used connections to the external patch bay.

All-steel chassis, black anodized finish and secure, high-quality XLR connections front and back with internal connections made via PCB wiring ensure long term reliability from the passive ART P-16 Balanced XLR rackmount patch bay.

Features:
  • 16 channels of balanced direct signals
  • High quality passive interface
  • XLR connectors (female on front, male on rear)
  • All connections made via reliable PCB wiring
  • 19-inch 1U-high rack mount with rugged, fully shielded black all-steel enclosure
  • Reversible rack ears for added system flexibility
  • Three year warranty
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PDR-369
$96.00
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Hosa
PDR-369

Patch Bay, 12-point, XLR3F to XLR3M
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P48
$99.00
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ART
P48

48 Point Balanced Patch Bay

The ART P48 48-point balanced patchbay is the best solution for organizing cables while optimizing connectivity in any studio or live PA rack. Designed for maximum convenience, each pair of TRS 1/4-inch balanced I/O can be configured for normal or half-normal operation.

The fully shielded steel 19-inch 1U rackmount chassis has reversible rack ears for maximum flexibility. The P48 is covered by ART's comprehensive 3-year warranty.
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PB-48
$99.95
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DBX
48-Point Patch Bay

Well, it's not very glamourous, but everybody needs a patchbay. And as for the PB-48, it is a patchbay that just works, all the time, every time. It comes in two flavors: half-normalled or de-normalled, with 48 1/4" points on the front panel, connected to 48 1/4" points on the rear. The PB-48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup. See, not glamorous, but it works great.
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MGA70752
$119.99
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Magma
MGA70752

Switchbox V2

Digital DJ patchbay to switch between 2 Serato and/or Traktor systems

The new MAGMA SWITCHBOX .V2 Digital-DJ makes it easier than ever to transition between two DJ's, without having to unplug the decks and mixer to connect a new soundcard. It provides a hustle-free changeover in the DJ-Booth, enabling two DJ interfaces (any model) to be connected simultaneously to a mixer (even a two channel battle mixer). It features a three-way selector switch to assign the signal from the decks to either interface to switch between two digital DJ setups, or send it directly to the mixer (THRU).

In addition to switching between two soundcards, the MAGMA SWITCHBOX .V2 features connections for two turntables and two CD players. A Mode switch enables either system to be controlled via CD or vinyl. Forget the days of unplugging one deck at a time when you finish your set, and reaching behind the mixer to fish for your cables. You can now patch into the system without getting in the way of the previous DJ finishing his set. When you are ready to play your first record, just select a deck from the MAGMA SWITCHBOX .V2 and you are good to go. When you are done with your set, you can unplug at anytime without interrupting the next DJ.

The MAGMA SWITCHBOX .V2 also enables Ping-Pong or Tag Team Style at which 2 or more DJs are alternating after each song. So if there are 2 DJs performing with each of their laptops (e.g.: DJ A: Traktor Scratch und DJ B: Serato), the turntables (or CD-players) can easily be routed towards the desired audio source.

Features:
  • Designed by Skullyleo
  • Hustle-free connection of two digital DJ-systems/interfaces (like Serato &Traktor Scratch) to a usual DJ-set (also 2 channel mixer)
  • Provides switching between the signal of two interfaces without RCA re-patching for simple DJ changeovers
  • Provides switching between the signal of two interfaces without RCA re-patching for simple DJ changeovers
  • Each turntable or Cd-player can be connected independently to either the mixer (regular phono or CD) or to one of the two DJ-systems. Meaning 4 different signals (Interface A, Interface B, Phono and CD) can simply be assigned and played on each of both mixer channels.
  • Both digital systems can be controlled with Timecode Vinyl as well as with Timecode CDs
  • No buzzing because of star-shaped ground arrangement
  • Passive: no power supply required
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PRA-8
$124.99
Compare
Nady
PRA-8

Microphone Pre-amps

Features:
  • Eight totally independent world-class preamps in one single rack (1RU) through package with servo-balanced XLR inputs and ¼” TS outputs for each preamp
  • Highest quality components and advanced design with ultra-linear, high bandwidth operational amps for no-compromise crystal clear audio; exceptionally low noise and negligible distortion
  • Individual gain control and Peak LED indicator on each channel with up to 75dB of gain
  • +48V Phantom Power with individual Phantom On/Off switches and Phantom Power On LED indicators for each channel
  • Rugged construction for maximum long-term reliability
  • Shielded internal dual regulated power supply with ~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector
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PHB-350
$126.49
Compare
Hosa
PHB-350

Patch Bay, 48-point, 1/4 in TRS to Same
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SD-2418
$139.99
Compare
Nady
SD-2418 - Rack Gear

Features:
  • Splits balanced mono signal into eight separate balanced mono signals or stereo pair into four separate stereo pairs
  • Indispensable signal routing tool for live sound and recording applications requiring signal splitting and distribution with level matching to different equipment
  • Individual gain controls (up to +6dB gain) for all eight outputs; 2-4,1-8 split mode select switch and display; dual balanced inputs (Ch. A/B) with Link outputs for optimum signal routing flexibility in hookup
  • Wide dynamic range for optimum signal integrity and transparency
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ARTT8
$149.00
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ART
ARTT8

8 Channel Transformer / Isolator

The T8 (Transformer Eight) a high quality totally passive audio interface that uses 8 transformers to separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The T8's audio transformers have flat and wide frequency response and handle high signal levels while maintaining an isolated balanced output. This gives the T8 a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 Ohms to 100k Ohms.

Connection versatility sets the T8 apart from other isolation boxes. The T8 provides balanced XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs simultaneously. The T8 fits easily into virtually any audio system and is a clean patch point between all types of systems.

The T8s mounting ears are reversible so you can have either the XLRs on the front or The 1/4" and RCA phono jacks on the front. This maximizes flexibility in cabling your system. Whether you need an interface between a computer based audio workstation and your monitor system, isolation on long cable runs in a fixed installation, isolation of multiple signal sources from your recording equipment, or in many cases, just a safer connection between two audio systems, the T8 can accommodate.

It's full feature set, rugged construction, and high-end specifications make the T8 the obvious choice for Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application

Features:
  • High-quality, passive audio interface
  • 8 high performance transformers
  • XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs.
  • Reversible rack mount ears
  • Separate input and output signal grounds reduce hum
  • Audio transformers have an extremely flat and wide frequency response
  • Very clean and neutral sound with a wide variety of signal sources
  • Can be used for signal taps or as a signal splitter
  • Use as a safer connection between two audio systems (ie: Computer workstation or monitor system)
  • 19" 1U black all steel case
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P16-D
$149.99
Compare
Behringer
16-Channel Digital ULTRANET Distributor

The Behringer Powerplay P16 system is the easy, affordable way to give your musicians and vocalists what they really want—“more me!” P16-M Personal Mixers lets each performer take control of what they hear, allowing the engineer to concentrate on providing the audience with the best possible listening experience. Fast and easy to set up, a basic system can be installed and configured in a matter of minutes—and the system can be expanded to adapt to changing needs.

Tech-Free Zone
The P16-M’s simple user interface makes it easy for even non-techies to dial-in the perfect monitor mix. For example, let’s say the electric guitar is too loud in the lead vocalist’s mix; they simply press the appropriate channel button (the one labeled E. GTR) and turn the Volume control to lower the guitar level in their mix. They can also adjust Pan (left to right mix), EQ (Bass, Mid with sweepable Freq control and Treble), and much more. All of these adjustments can be made without affecting anyone else’s personal mix.

Easy Installation
A basic installation consists of one P16-I Input Module, which connects to the main mixing console, and up to six P16-M Personal Mixers, creating a system big enough to equip a typical recording studio, a small to medium-sized band, or a worship team. You’ll also need a few standard audio and CAT5 cables. The optional P16- MB mounting bracket allows the P16-M Digital Personal Mixer to be attached to any standard microphone, music or drum stand. The system can easily be expanded via the P16-D Digital ULTRANET Distributor, six of which can be combined to drive up to forty-eight P16-M Personal Mixers.

Features:
  • Distribution Hub for P16-I for system expansion
  • 1 ULTRANET input feeds 8 ULTRANET outputs (RJ-45)
  • Provides bus-power and 16-channel signal transmission for all 8 outputs
  • Up to six P16-D ULTRANET Distributors can be combined for a total of forty-eight P16-M Personal Mixers
  • Status LED indicators for RJ-45 input and 8 RJ-45 outputs
  • Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Extremely rugged construction ensures long life even under the most demanding conditions
  • Conceived and designed by BEHRINGER Germany
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LAMC1
$149.99
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Tascam
LAMC1

Balanced audio I/O for MDCD1

The optional LA-MC1 balanced analog input/output board can be installed into an MD-CD1
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ARTS8
$239.00
Compare
ART
ARTS8

Eight Channel Mic Splitter

The ART S8 can be used to split eight balanced low impedance microphone signals into sixteen balanced low impedance microphone signals (eight pairs).

Each channel of the S8 provides one direct output and one transformer isolated output from a single microphone. Applications include sending the direct outputs to the main or Front-of-House mixer, and the second isolated outputs being sent to a monitor or recording mixer. The direct outputs pass phantom power from the main mixer to the microphones for use with condenser microphones.

The S8 includes a ground-lift switch on each isolated output to reduce noise due to ground loops between connected equipment. For versatility the S8 also features an attenuator pad switch on each input that can be used to connect preamplified signals to the two microphone-level outputs on each channel. Typical preamplified signals would originate from instrument preamplifiers, mixers, keyboards, et cetera.

Features:
  • Ideal solution for splitting microphone sources to feed multiple mixing consoles
  • Fully transformer isolated
  • Passes phantom power from main mixer
  • Individual ground lift on each channel
  • Individual pad switch on each channel
P16-I_Thumb.jpg

P16-I
$249.99
Compare
Behringer
16-Channel 19'' Input Module with Analog and ADAT Optical Inputs

The Behringer Powerplay P16 system is the easy, affordable way to give your musicians and vocalists what they really want—“more me!” P16-M Personal Mixers lets each performer take control of what they hear, allowing the engineer to concentrate on providing the audience with the best possible listening experience. Fast and easy to set up, a basic system can be installed and configured in a matter of minutes—and the system can be expanded to adapt to changing needs.

Tech-Free Zone
The P16-M’s simple user interface makes it easy for even non-techies to dial-in the perfect monitor mix. For example, let’s say the electric guitar is too loud in the lead vocalist’s mix; they simply press the appropriate channel button (the one labeled E. GTR) and turn the Volume control to lower the guitar level in their mix. They can also adjust Pan (left to right mix), EQ (Bass, Mid with sweepable Freq control and Treble), and much more. All of these adjustments can be made without affecting anyone else’s personal mix.

Easy Installation
A basic installation consists of one P16-I Input Module, which connects to the main mixing console, and up to six P16-M Personal Mixers, creating a system big enough to equip a typical recording studio, a small to medium-sized band, or a worship team. You’ll also need a few standard audio and CAT5 cables. The optional P16- MB mounting bracket allows the P16-M Digital Personal Mixer to be attached to any standard microphone, music or drum stand. The system can easily be expanded via the P16-D Digital ULTRANET Distributor, six of which can be combined to drive up to forty-eight P16-M Personal Mixers.

Features:
  • Converts 16 analog inputs into 24-bit digital audio to be transmitted via standard CAT5e cable
  • 2 x 8-channel ADAT optical inputs with auto detect and priority select
  • 16 balanced, high-headroom TRS audio inputs
  • State-of-the-art 24-bit A/D converters for premium audio quality
  • 4-position gain switches per channel pair (-10, 0, +4, +22 dB)
  • Digital inputs support 44.1 and 48 kHz sample rates
  • Ultra-low system latency of less than 1 millisecond
  • Signal Present and Clip LEDs per channel plus ADAT status LEDs
  • Standard CAT5e connection delivers power and signals for up to 6 Personal Mixers
  • ULTRANET expansion network connector (RJ45)
  • Internal autorange power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Extremely rugged construction ensures long life even under the most demanding conditions
  • Conceived and designed by BEHRINGER Germany
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ARTS8-3WAY
$279.00
Compare
ART
ARTS8-3WAY

Eight Channel Three-Way Mic Splitter

The S8-3WAY eight channel three way microphone splitter is ideal for live sound, recording and broadcast applications where microphone and XLR balanced line level input signals have to go to multiple mix locations.

Each channel provides one XLR input, one XLR direct output with two additional transformer isolated XLR outputs for a total of 3 balanced outputs from each single microphone input signal.

Typical uses would include sending 8 direct signals through the S8-3WAY to a main Front-of-house mixer, with additional feeds going to a monitor mix station while transformer balanced isolated feeds are sent to remote recording desk or used for a broadcast feed.

The ART S8-3WAY features the same high-quality musical sounding transformers used in the popular ART S8, and is housed in a standard 1U space rack-mountable steel chassis designed for years of reliable operation.

Features:
  • High quality passive interface
  • Eight high performance transformers
  • One direct and two transformer isolated output per channel
  • Balanced XLR input and 3 balanced XLR per channel
  • Extremely wide frequency response
  • Extremely low voltage insertion loss
  • Reversible rack ears for added system flexibility
  • Live Sound, Permanent/Fixed install, Studio applications
LA81MKII_Thumb.jpg

LA81MKII
$499.99
Compare
Tascam
TASCAM's update to their popular line amplifiers results in the LA-40mkIII, LA-80mkII and LA-81mkII. The new models include a ±12dB trim control for better matching of levels between components. A signal present LED proves useful during system design and troubleshooting. The new models are packaged in black rack cases with standard chassis depth for easier wiring. All of this is offered for a lower price than ever before.

The LA-80mkII is an eight-channel unbalanced to balanced line amplifier, where the LA-81mkII converts eight channels of balanced to unbalanced audio. The LA-40mkIII has four channels of unbalanced to balanced and another four channels of balanced to unbalanced out.
LA80MKII_Thumb.jpg

LA80MKII
$499.99
Compare
Tascam
TASCAM's update to their popular line amplifiers results in the LA-40mkIII, LA-80mkII and LA-81mkII. The new models include a ±12dB trim control for better matching of levels between components. A signal present LED proves useful during system design and troubleshooting. The new models are packaged in black rack cases with standard chassis depth for easier wiring. All of this is offered for a lower price than ever before.

The LA-80mkII is an eight-channel unbalanced to balanced line amplifier, where the LA-81mkII converts eight channels of balanced to unbalanced audio. The LA-40mkIII has four channels of unbalanced to balanced and another four channels of balanced to unbalanced out.
LA40MKIII_Thumb.jpg

LA40MKIII
$499.99
Compare
Tascam
TASCAM's update to their popular line amplifiers results in the LA-40mkIII, LA-80mkII and LA-81mkII. The new models include a ±12dB trim control for better matching of levels between components. A signal present LED proves useful during system design and troubleshooting. The new models are packaged in black rack cases with standard chassis depth for easier wiring. All of this is offered for a lower price than ever before.

The LA-80mkII is an eight-channel unbalanced to balanced line amplifier, where the LA-81mkII converts eight channels of balanced to unbalanced audio. The LA-40mkIII has four channels of unbalanced to balanced and another four channels of balanced to unbalanced out.
     

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Polytune Mini
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