2 LOCATIONS TO SERVE YOU
WARREN, MI
(586) 582-0871 		GARDEN CITY, MI
(734) 427-7177
Online Sales: (800) 357-8991
Welcome Guest
LiveZilla Live Help

Pro AudioBrands

Drums & Percussion
Gooseneck Lights
Guitars & Bass
Headphones
Microphones
PA Mixers
PA Packages
PA Racks, Cases & Bags
Power Amplifiers
Power Conditioners
Signal Processors
AM/FM Tuners
Analog and Digital Converters
Compressors
Crossovers
DB Displays
DSP Processors
Direct Boxes
EQ's
Effects Processors
Feedback Eliminators
Instrument Tuners
Multi-Function
Patchbays
Pre-amps & Phantom Power
Signal Processor Accessories
Sonic Maximizers
Zone Controllers
Speakers & Subwoofers
Specials
Stands

Recently Viewed Categories

Multi-Function

Sort By: Name | Price
SONIC-SWEET_Thumb.jpg

Sonic Sweet
$99.99
Compare
BBE
SONIC SWEET

Building on the success of the D82 Sonic Maximizer plug-in, the Sonic Sweet is a suite of professional plug-ins useful for every facet of digital audio production, giving your projects a high-quality finishing touch to every stage of production, from tracking to editing, mixing to mastering.

D82 Sonic Maximizer
The D82 is the latest Sonic Maximizer application in a easy-to-use plug-in that restores natural clarity and depth to the sound image.

Controls:
Lo Contour - regulates the amount of phase-compensated
low frequencies
Process - regulates the amount of phase-compensated high
frequencies Output
Level - adjusts output level from -12dB to +12dB

H82 Harmonic Maximizer
The H82 Harmonic Maximizer is a Multi-band enhancer that generates harmonics for adding emphasis to frequencies, from low-end punch to top-end sizzle.

Controls:
Lo Tune - selects range of low frequencies for harmonic enhancement
Lo Mix - adjusts level of harmonic enhancement
Hi Tune - selects range of high frequencies for harmonic enhancement
Hi Mix - adjusts level of harmonic enhancement
Output Level - adjust output level from -12dB to 0dB

L82 Loudness Maximizer
The L82 Loudness Maximizer is an effective, easy-to-use Mastering/Dynamics Limiter that fattens up tracks for a polished, professional feel.

Controls:
Sensitivity - adjusts input sensitivity level from 0dB to -30dB
Release - adjusts release time from 0-100ms
Output Level - adjusts output level from -12dB to 0dB
ACOUSTI-MAX_Thumb.jpg

Acousti-Max
$199.99
Compare
BBE
ACOUSTI-MAX

In the four years since BBE last offered its award-winning 386 acoustic preamp, BBE’s design and engineering teams studied the recording and sound reinforcement needs of serious acoustic players. The result is the Acoustimax, a foot-pedal-style (or “stompbox- style”) acoustic preamp which raises the bar for amplified acoustic instrument sound quality.

Applications:
  • Recording studio
  • Live concerts
Features:
  • Three band, recording-console quality eq with a sweepable mid-range band
  • Low-frequency notch filter
  • Phase reversal
  • Ground lift
  • Line level out
  • Dedicated tuner out
  • TRS effects loop
  • Pre/post switchable-balanced DI output with pad
  • Hardwire bypass
  • Non-slip rubber bottom
  • 12v power supply included
GS76R-Game-Show_Thumb.jpg

GS76R Game Show
$280.00
Compare
Rolls
GS76R Game Show

The GS76R is a teaching aid for quizzing students on subjects or ideas. Contestants try to "Buzz In" with correct answers first, thereby blocking out other contestants. The master Controller unit is composed of eight numbered Indicator LEDs and one Ready LED on the top and a small buzzer, eight modular telephone input jacks on the rear, and along with the power jack, one modular telephone "JOIN" jack on the front. This jack allows the controller to be connected to another GS76R controller providing for up to sixteen total contestants. With each Controller comes a total of eight Contestant Remote switches with a modular telephone connecting jack and cable, and the signal button. The GS76R Game Show comes complete with AC power supply.

Features:
  • Uses standard reversing telephone cords
  • JOIN jack; joins two GS76R's for up to 16 contestants
  • Makes audible BUZZ with contestant answer
  • Comes complete with 8 remotes, 8 cords, Controller and Power Adapter.
DEQ2496_Thumb.jpg

DEQ2496
$326.99
Compare
BEHRINGER
Ultra-High Precision 24-Bit/96 kHz Equalizer, Analyzer, Feedback Destroyer and Mastering Processor

The DEQ2496 is a highprecision digital 24-bit/ 96 kHz EQ/RTA mastering processor, ideal for sophisticated live sound trouble-shooting or audiophile mastering. Whether you’re putting the finishing touches on recorded material or creating an optimal live sound for a multi-way PA, the DEQ2496 is built to provide meticulous control.

Equalization? Dynamics? Feedback correction? Yes, yes, yes. You can have it all with the DEQ2496. Automatic FFT analysis with Auto EQ? We added that too.

The DEQ2496 is a whole rack of flexible equalization, dynamics and time correction functions designed to fix problems and generally optimize sound quality.
  • Dual 31-band Graphic Equalizers (stereo linkable)
  • Dual 31-band Virtual Paragraphic Equalizers (stereo linkable)
  • Dual 10-band Parametric EQ’s per stereo side
  • Dynamically-activated EQ
  • Feedback Destroyer with Learning Mode
  • Stereo Imager
  • Compressor/Expander
  • Limiter
  • Digital Delay
  • RTA/SPL/FFT Analyzer with Auto EQ function
Dual 31-band Graphic Equalizers, 31-band Virtual Paragraphic Equalizers and 10-band Parametric
Naturally the DEQ2496 has phase-neutral digital graphic EQ…but in addition we’ve added a function that allows you to change the bandwidth of each frequency from standard 1/3 to as much as 59/3. Or, if you prefer the old-school approach to variable bandwidth, we’ve included 10-band parametrics that can be fine-tuned in increments down to 1/60 of an octave.

Dynamically-activated EQ
Dynamic EQ automatically raises or lowers a defined frequency range based on volume level. It’s literally a combination of an equalizer (with frequency center and bandwidth controls) and a dynamics processor (with ATTACK, RELEASE, THRESHOLD and RATIO parameters). DEQ opens up a world of both creative mastering and PA problem solving possibilities. We’ve given you total control with multiple filter types including bandpass mode. And of course you can store DEQ settings for recall at any time manually or via MIDI.

Feedback Destroyer with Learning Mode
With the digital capabilities we’ve just listed, it’s easy to see why we were able to include a highly-effective Feedback Destroyer (FBD) feature — it’s essentially a dynamicallyactivated parametric EQ that “watches” the whole frequency spectrum in 1/60-octave bands and then instantly identifies and notches out feedback. FBD can be run in AUTO mode to compensate for movements of performers on stage, or in SNGLE mode that locks onto individual frequencies and then varies the amount of attenuation and bandwidth depending on feedback stimulus — more suited to fixed microphone installations. We also included a LEARN mode that generates short audio pulses, raises their gain until feedback occurs and then locks into potential trouble-causing band centers.

Stereo Imager (WIDTH)
While usually considered a mastering technique, the ability to widen the stereo image can be useful in live sound work, too. When you hear it in action, we think you and your audience will be impressed. The DEQ2496 WIDTH processor provides control over STEREOWIDTH (how clearly the two sides of the stereo image are separated from each other), ASYMMETRY (relative volume of left/right stereo signal), ROTATION (panning of stereo + mono in the stereo image), and a multipart SHUFFLE function than can generate an additional low-frequency Stereowidth effect.

Compressor/Expander and Limiter
The DEQ2496 has a comprehensive set of dynamics processing tools that can be used as two independent channels or stereo linked. Everything you’d find on a dedicated compressor/ expander is here including variable rations from 1:1.1 to 1:100, ATTACK times from 0 to 200ms, 0-3dB variable knee and 20 to 4000ms RELEASE, all adjustable from a coarse/fine adjustment scale. The built-in separate LIMITER has Threshold, Hold and Release functions.

Digital Delay
You can delay either the DEQ2496’s Main or AUX outputs anywhere from 0 to 300ms and can process left and right channels independently. Not only can you specify time delay in feet or meters but simultaneously compensate for ambient temperature which affects sound speed!

RTA/SPL/FFT Analyzer with Auto EQ function
The DEQ2496 features an FFT real time analyzer for precise graphic display of 61 frequency bands. You can monitor main or digital inputs and outputs, AUX/ digital out or a feed from an RTA microphone and display the results in a multitude of ways including funky retro VU meters. You get all of the usual peak/hold, display rate and scale features you would expect from a professional measurement tool, plus our user-definable AEQ (Auto EQ function), which allows you to analyze and adjust your system’s frequency response automatically (perfect for “roughing out” initial room adjustments). In Graphic EQ mode, you can choose between UNCORRECTED response, which shows the mutual influence of adjacent bands, or select TRUE response to apply a specially developed algorithm that displays the actual results of the equalizer setting.

Easy to set up and use
The DEQ2496 has balanced inputs and servo balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/ PDIF inputs and XLR and optical output. Configuration is intuitive, with on-screen block diagram displays and you get a separate RTA mic/line input with phantom power, a professional wordclock input and MIDI connections for full remote control, as well as preset dumps and system updates. You can maintain up to 64 comprehensive user presets at a time and of course dump and load as needed. You can also save and recall individual modules such as DEQ, PEQ, WIDTH or DYN. These subsets of complete presets let you maintain most of a preset’s settings but vary a few (such as graphic EQ) without having to generate a whole new preset.

Built tough for the road, precise for the studio
The DEQ2496 features high-quality 24-bit/96 kHz A/D and D/A converters and two high-performance 32/40-bit floating-point digital signal processors for incredible sonic resolution and 113 dB dynamic range. The internal switch-mode power supply assures maximum flexibility (100-240V~), noise-free audio, superior transient response, lowest possible power consumption and freedom from power surge damage.

Compare features. Compare prices. Own ULTRACURVE
Quite frankly, we believe that the DEQ2496 is the best multi-function processor value in the pro audio industry. Why pay much more for a status name?

Features:
  • Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
  • Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
  • 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
  • Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
  • Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
  • State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
  • Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
  • 64 user memories for complete setups and/or individual module configurations
  • Separate mic/line input with phantom power for RTA and Auto-EQ applications
  • Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
  • Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
  • Open architecture allowing future software updates via MIDI
  • "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
DCX2496_Thumb.jpg

DCX2496
$326.99
Compare
BEHRINGER
Ultra High-Precision Digital 24-Bit/96 kHz Loudspeaker Management System

The ULTRADRIVE PRO DCX2496 is the ultimate digital loudspeaker management system with an unheard-of audio quality and feature list. It is an indispensable tool for the precise set-up of multiple loudspeaker systems or arrays. Installation contractors, live-sound engineers, cinemas/discotheques/concert hall operators will quickly learn to love this model’s rich features. Signals can be split in various ways to assure precise sound by using the optimal frequency range of each loudspeaker.

Start with its 3 analog inputs (one suitable as a digital stereo AES/EBU input) and 6 analog outputs. You get maximum flexibility in just one rack space. Superb high-end AKM® 24-bit/96 kHz A/D and D/A converters give you ultimate signal integrity and an extreme dynamic range of 113 dB. Easy connection of external digital signals with sampling rates from 32 to 96 kHz is a breeze with the integrated sample rate converter. There are precise dynamic EQs for level-dependent equalization and extremely musical parametric EQs, selectable for all inputs and outputs, and “Zero“-attack limiters on all output channels guarantee optimal signal and loudspeaker protection.

You also get four different mono and stereo output operating modes, all with individual crossover filter types (Butterworth, Bessel and Linkwitz-Riley) with selectable roll-off characteristics from 6 to 48 dB/octave. The delays for all inputs and outputs are adjustable. This allows you to manually or automatically correct for room temperature, phase and arrival time differences. An additional sum signal is easily derived from the A/B/C inputs.

Now that remote control is such a hot topic, you’ll be glad that the future-proof ULTRADRIVE PRO software enables single or multi remote control via PC through RS-232 and RS-485 interfaces. And the link option via RS-485 network interface enables cascading of several ULTRADRIVE PROs. A Windows®-based editing software is available for download free of charge. No matter what the future brings, its open architecture assures easy software updates. A PCMCIA slot allows you to store all your settings and recall them anytime you change the location—virtually taking your ULTRADRIVE PRO with you.

But don’t be fooled by the ULTRADRIVE PRO’s sleek design. Its high-power 32-bit SHARC®-DSP and ultra-high resolution CRYSTAL®/AKM® A/D & D/A converter provide outstanding audio performance—and the servo-balanced, gold-plated XLR connectors for all inputs and outputs guarantee excellent connectivity for the years to come.
The DCX2496 remote editor software V1.16a for Windows®2000 or Windows XP® is now available for download.

This version ensures stable operation of the editor software when using an external USB-RS232 adapter. Note - this version no longer runs under Windows® 98

DCX2496 operating software v.1.16 provides the following features:

Ability to select many more EQs than before (i.e. processor performance has been optimized).

About 15% more processing power available.
DCX2496 operating software v.1.15 provides the following features:
Improved system reliability and efficient communication interface between your PC and DCX2496.

Fast and easy remote control of one or several ULTRADRIVE PROs.
Quiet crackling on outputs during simultaneous PC communication was eliminated; the communication is now absolutely inaudible.

Please note: The actual firmware update requires the last version of the editor software, which can also be downloaded here.

Features:
  • 3 analog inputs (one suitable as digital stereo AES/EBU input) and 6 analog outputs for maximum flexibility
  • High-end 24-bit/96 kHz A/D and D/A converters for ultimate signal integrity and wide dynamic range (113 dB)
  • Integrated sample rate converter for easy connection of external digital signals with sampling rates from 32 to 96 kHz
  • Precise Dynamic EQs for level-dependent equalization and extremely musical Parametric EQs, selectable for all inputs and outputs
  • Several types of EQs (LP/BP/HP) for each input and output
  • "Zero"-attack Limiters on all output channels for optimal speaker protection
  • Four different mono and stereo output operating modes
  • Individual crossover filter types (Butterworth, Bessel and Linkwitz-Riley) with selectable roll-off characteristics from 6 to 48 dB/octave
  • Adjustable Delays for all inputs and outputs—allow manual or automatic correction for room temperature, phase and arrival time differences
  • Additional Sum signal derived from the A/B/C inputs offers a fourth internal input signal
  • Free ULTRADRIVE PRO software enables total control via PC through RS-232 and RS-485 interfaces (download at www.behringer.com)
  • Link option via RS-485 network interface enables cascading of several ULTRADRIVE PROs
  • 60 user-defined internal presets storable via PC software or on PCMCIA card
  • Servo-balanced, gold-plated XLR connectors for all inputs and outputs
  • Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
DS-26_Thumb.jpg

DS-26
$349.99
Compare
BBE
DS-26

The DS26 loudspeaker management system is a comprehensive sound reinforcement tool that offers 2 input/6 output connectivity, graphic and parametric equalizers, crossovers, limiters and time delays.

The DS26 can also be controlled from a PC via the DS26’s RS232 connection with the included software.

Features:
  • 2 inputs and 6 outputs
  • 5-band parametric equalizer for each output
Output features:
  • crossover filters
  • 5-band parametric equalizer
  • Selectable high and low shelving filters
  • Fully featured limiter and delay
  • Full metering provided for inputs and outputs
  • Mute and access buttons allowing quick set up and gain adjustment
Other features include:
  • Choice of 12, 18 or 24dB/octave roll-off
  • Butterworth, Bessel or Linkwitz-Riley responses
  • Independent control of each high and low pass filter
  • The DS26 can also be controlled from a PC via the DS24’s RS232 connection
  • Along with XLR input/output connectors, DS26 comes complete with selectable line voltages between 90 and 250 VAC operations.
PX_Thumb.jpg

Driverack PX
$399.95
Compare
DBX
Powered Speaker Optimizer

Powered speakers are a beautiful thing. Everything you need bundled into one simple, tidy, portable package. Just grab ‘em and go, right? Well, you may think your powered speaker system is complete, but you’re missing half the picture. DriveRack PX is the other half. In another dbx industry first, we’ve created a processor specifically tailored for powered speakers. Utilizing our highly-acclaimed DriveRack technology, the PX picks up where your powered speakers leave off.

The DriveRack PX Powered Speaker Optimizer has everything you need to get the most out of your stereo powered speaker system. It even includes stereo or mono subwoofer support. With the included dbx M2 measurement mic, Auto-EQ corrects for audible deficiencies in the room environment. Our patented Advanced Feedback Suppression (AFS) kills nasty feedback, allowing problem-free operation at higher sound levels, while our patented Subharmonic Synthesizer extends bass response for enhanced bottom end. With all that, you also get classic dbx compression and the protection offered by our graceful PeakPlus limiting. Your ears, your audience, and your powered speakers will forever thank you.

In spite of all that sophistication, rest assured we won’t overcomplicate the simplicity of your rig. Our exclusive Setup, Auto-EQ, and AFS Wizards, and out-of-the-box support for a host of JBL and other popular powered speakers, make setup a snap. Louder, cleaner, better sound than you thought possible from your powered speakers.

Features:
  • Stereo Feedback Elimination with 12 feedback notch filters
  • Dual 28-band Graphic EQ
  • Classic dbx Compressor
  • 120A Subharmonic Synthesizer
  • Stereo Multi-band Parametric EQ
  • Stereo PeakPlus Limiters
  • Pink Noise Generator
  • Auto-EQ with 28-Band RTA
  • JBL and other popular powered speakers included in Setup Wizard
  • dbx M2 Measurement Mic and zippered pouch included
  • Front panel RTA-Mic XLR input with phantom power
  • 25 User Programs / 25 Factory Programs
  • 2 Channel XLR Input
  • 2 Channel XLR Output
  • 2 Channel XLR Sub Output
  • 24-Bit ADC/24-Bit DAC, >110 dB Dynamic Range
  • dbx Type IV Conversion System
  • Full Graphic LCD Display
T1-ToneMatch-audio-engine_Thumb.jpg

T1 Tone Match Audio Engine
$449.00
Compare
Bose
SAVE $50.00 Now ONLY $449.00

SALE Runs from 5/1/12 TO 6/30/12


T1 ToneMatch audio engine

  • Digital multichannel mixer designed for use with Bose L1 sound systems
  • Features over 100 proprietary ToneMatch presets for instruments and microphones
  • Includes Bose zEQ, storable scenes and a suite of studio-class effects
  • Presets and firmware updates available free online
Powerful multichannel sound tools for Bose L1 systems, with controls so advanced they adapt to you and your instrument. Four-channel engine features proprietary ToneMatch presets, intelligent zEQ and a large suite of professional-quality effects and processors.

The T1 ToneMatch audio engine is designed to enrich the sound of musicians using any Bose L1 system. Its powerful features and tone-shaping tools quickly bring you closer to the true sound of your voice and instruments. This versatile digital mixer helps you sound your best in live performances. It expands the input capacity of your L1 system and gives you instant access to a host of proprietary EQ presets, standard effects and processors.

Hundreds of sonic refinements—instantly
The ToneMatch audio engine puts our largest library of customized presets at your command. These ToneMatch presets instantly optimize instruments and microphones for any L1 system, all at the touch of a button.

Different presets can be independently assigned to the engine's four channels. For example, select Audix® OM5 mic presets for channels 1 and 2, Taylor® guitar for channel 3 and Lakland® bass for channel 4—all at the same time.

Our engineers often work with manufacturers directly to expand the ToneMatch preset library. Updates are available to you free, with easy downloading via the engine's USB port.

Intelligent equalization: zEQ
Fine-tune your sound system with greater accuracy. Bose intelligent zEQ redefines low, mid and high ranges for each ToneMatch preset. When you need to cut or boost specific frequency ranges for different instruments and mics, zEQ gives you the power.

Suite of effects and dynamics processing
Globally assign one of five different reverbs to each mic/line channel. You can also choose from three delay types, ten additional effects, and seven dynamics processors—and assign them independently to each channel.

Custom scenes
Store your customized settings for specific gigs with the Scenes feature. The engine comes with five predefined Bose scenes and ten you can define. Fast, one-touch scene recall helps you make quick work of repeat setups.

Easy connections
Simply link the engine to a Bose L1 Model II system via the included digital cable—and rev it up. A sleek bracket is also included to attach the engine to the loudspeaker. When connecting the T1 ToneMatch audio engine to an L1 Compact or Model I system, an analog cable and a T1 power supply are required.

Features:
T1 ToneMatch audio engine features proprietary Bose audio technologies for live sound

Integrated ToneMatch audio engine and audio technologies provide four independent channels featuring our largest library of ToneMatch instrument and microphone presets, proprietary zEQ and a complete suite of studio-class effects and sound processors.
Engine includes over 100 ToneMatch presets for popular instruments and mics

Proprietary ToneMatch presets optimize L1 system to match intended natural sound of specific instruments and vocal mics. Over 100 presets are organized into quick-access banks and can be independently assigned to each channel. Free ongoing updates via USB connection between your computer and ToneMatch audio engine.
Bose zEQ adjusts range of tone controls to match vocals and instruments

Proprietary zEQ automatically adjusts the range of tone controls to match your voice or instrument, making it easier to fine tune your sound. Conventional mixers may have fixed EQ ranges that don't accurately affect desired frequencies when adjusted. But zEQ appropriately redefines low, mid and high frequency ranges of specified sources.

Single-band ParaEQ centers on frequency you specify for each independent channel. Valuable tool for reshaping problematic frequencies in certain venues.

Five reverb types (small, medium, large, plate and cavern) available for global assignment, with individual channel controls for decay time, mix level and brightness.

Three delay types (analog, digital and tape) can be independently assigned to selected channels, with control over feedback time and mix level for each channel. For example, you can select tape delay for your vocal on channel 1 and analog delay for your guitar on channel 2.

Ten modulation effects (three chorus types, two flange types, four phaser types and one vintage tremolo effect) can be independently assigned to selected channels, with control over designated parameters for each channel.

Seven dynamics processing types (three compressors, limiter, de-esser, kick gate and noise gate) can be assigned to independent channels.

Scenes allow you to store, recall and edit "snapshots" of all key ToneMatch audio engine settings at any given time. This feature helps simplify setup when you're using an L1 system repeatedly in different venues. The engine includes five predefined Bose scenes, five My scenes and five Shared scenes you can give to other L1 owners.

Chromatic tuner for convenient tuning of instruments.

Large backlit display with intuitive layout and easy-to-read text for modes and settings.

Rotary encoder for quick access to modes, effects and parameters, including ToneMatch presets, zEQ, ParaEQ, reverbs, delays, modulators, dynamics processing, scenes and tuner. Features clean, circular layout.

Aux mode (channels 1 – 3) send channels' dry, pre-fader or post-fader audio to aux output for connection to additional L1 systems or recording devices. Independent level controls for optimal signal output.

Channel volume, mute and FX mute (1 – 4/5) for adjusting individual channel volume, muting individual channels and muting all effects on selected channels.

Master volume adjusts overall level of master output.

Phantom power applies +48V power to input channels 1 – 3 to drive specific microphones.

ToneMatch cable transfers audio signals and provides power to ToneMatch audio engine from L1 Model II power stand. Use the optional T1 power supply for connections to L1 Model I and Compact systems.

Mounting bar and carriage for securely attaching ToneMatch audio engine to L1 Model I or Model II loudspeaker.

Cover and carrying case help protect engine when storing and transporting.
DS-48_Thumb.jpg

DS-48
$449.99
Compare
BBE
DS-48

The DS48 loudspeaker management system is a comprehensive sound reinforcement tool that offers 4 input/8 output connectivity, graphic and parametric equalizers, crossovers, limiters and time delays.

The DS48 can also be controlled from a PC via the DS48’s RS232 connection with the included software.

Features:
  • 4 inputs and 8 outputs with 10 configuration templates
Choice of operating and crossover modes includes:
  • 4 x 2-way
  • 2 x 3-way + 2 aux
  • 2 x 4-way
  • 1 x 5-way + 3 aux
  • Mono dist.
  • Stereo dist.
  • LCRS w/ mono subs
  • 4 x 4 processor; and muted/flat startup.
Other features:
  • High performance limiters on each output
  • Release and threshold parameters
  • Variable high and low pass filters with choice of 6dB, 12dB,18dB, 24dB, 48dB Butterworth, Linkwitz- Riley or Bessel frequency response curve.
  • Independent control of each high and low pass filter
  • XLR input/output connectors
  • Selectable line voltages between 90 and 250 VAC operations
DriveRack-PA+_Thumb.jpg

DriveRack PA+
$499.95
Compare
DBX
Complete Loudspeaker Management System
The best just got even better! The DriveRack PA, far and away the world's most popular loud speaker management system has now become the DriveRack PA+; the best has indeed gotten better. Showcasing all the features that users around the world have come to expect, including easy setup, rock-solid reliability and unparalleled sound quality, the new version has gone to great lengths to earn its "plus." With more settings, more control and enhanced circuitry, the sound you seek is right at your fingertips.

Although the DriveRack PA+ is loaded with functions and features, it is easy to set-up and use. The dbx exclusive Set Up Wizards walk you through system set up with easy to follow step-by-step instructions. Just pick your speakers and amps from the built-in list on the PA+ and then let the Auto Level Wizard fine tune the level settings of each speaker. You can then let the Auto EQ Wizard help you further optimize your sound. Finish up by using the AFS Wizard, which automatically sets filters to eliminate any feedback during performances. Within minutes, your system will sound like it was tuned by a pro! No experience required. Get the most out of your PA with the DriveRack PA+, the worldwide standard in loudspeaker management.

Features:
  • Setup Wizard Steps Through Speaker and Amp Selection and Levels
  • Auto EQ Wizard with 28-Band RTA Tunes Your System For The Venue
  • AFS Wizard Helps Eliminate Feedback
  • Stereo Feedback Elimination with 12 feedback notch filters
  • dbx 120A Sub-harmonic Synthesizer
  • Classic dbx Input Compression
  • JBL Speaker and Crown Power Amp Tunings included
  • USB Firmware and Speaker Tunings Field Updatable With Harman HiQnet System Architect
  • Full time RTA function
  • Front-Panel Output Mutes
  • Pink Noise Generator (used with Auto EQ and Auto Level Wizards)
  • Linked Stereo DSP Processing for ease of use
  • 24-Bit ADC/24-Bit DAC, >113 dB Dynamic Range
  • 2-Channel XLR Input and 6-Channel XLR Output
  • 2x3, 2x4, 2x5, 2x6 Crossover Configurations
  • Dual 28-band Graphic EQ- Linked or Dual Mono
  • Stereo Multi-band Parametric EQ
  • Stereo Output Limiters
  • Output Alignment Delay
  • Power on/off Mute Circuitry
  • Front-panel RTA-M XLR input with phantom power
  • 25 User Programs/25 Factory Programs
  • Full Graphic LCD Display
  • Front Panel Input and Output Meters
RPM-2_Thumb.jpg

RPM 2
$639.00
Compare
Rane
RPM 2 Multiprocessor

The RPM 2 is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.

The RPM 2 provides two balanced, line-level analog inputs and two balanced analog outputs, each I/O having its own 100% user-defined signal processing path.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure Preset recall or remote level control using a potentiometer on a wall, the RPM 2 keeps the user interface easy and inexpensive.

Euroblock connectors are provided for audio and logic I/O. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is an RJ-45 Ethernet connector for computer control, and an IEC AC power input.

This ain't no Internet appliance! For example, the RPM 2's 215 MIPs translate into 150 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.

Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE compliant, the RPM 2 is compatible with any installation mandating agency compliance.

Depending on which remote is selected for the application, the end user is presented easy access to a variety of functions such as preset recall and level adjustment. These are all easily mapped in Drag Net. All remotes mount in a standard U.S. electrical box with a minimum depth of 2-1/4 inches, and covered with a standard Decora® plate cover.

Using any of the RPM series Versatile Input Port (VIP) voltage-controlled level inputs, the VR 2 provides a simple “pot-on-a-wall” solution, and the LRS 4 and MRS 4 provide 4-way radio button “switch-on-a-wall” solutions. Only three wires are required for connection.
RP533-Tube-Multi-Processor_Thumb.jpg

RP533 Tube Multi-Processor
$700.00
Compare
Rolls

RP533 Tube Multi-Processor

The RP533 uses all the powerful circuitry included in other popular Bellari rack-mounts, in a single channel unit. Each process, except the preamp, can be individually bypassed. The RP533 is ideal for vocals, instruments, or any application where signal preamplification and dynamics processing is required, all with warm and inviting sounds.
NAC-100-WH_Thumb.jpg

NAC-100-WH
$711.00
Compare
QSC
NAC-100-WH

The NAC-100 is a network audio controller allowing the system designer to create custom, graphical user interfaces using QSControl.net version 3.1 (or higher) systems. Bridging the gap between simple switch closure or potentiometer controls on one hand and sophisticated (and expensive) touch panel or computer-hosted control on the other, the NAC-100 will be at home in hospitality, convention, transportation, entertainment, worship and educational facilities. Since the NAC-100 operates via PoE (Power Over Ethernet), wiring consists of a single CAT-5 cable terminating to an RJ45 connector.

Operation and screen navigation is accomplished by means of five push-buttons arranged in an intuitive left/right, up/down configuration plus a rotary encoder. When multiple NAC-100 controllers control a single system, changes made from one unit will be reflected on the displays of others. System control can range from simple control over a single audio channel to recall of global presets. Creation of the custom user screens is accomplished within the QSControl.net environment. For applications in which room diagrams, corporate logos or other graphical elements are desired, the NAC- 100 can support up to 16 full-color, bitmapped images. Graphics and text are displayed on a 3.5 inch (8.9 cm), backlit, color display with 320 x 240 pixel resolution. Available in black or white, the NAC-100 may be mounted directly to a wall surface. The rear panel of the unit includes holes conforming to the hole patterns of numerous domestic and international electrical boxes.

Features:
  • Easily create intuitive user interfaces from within QSControl.net™
  • Capable of displaying custom bitmapped graphics
  • 16-bit, 3.5 inch (8.9 cm), backlit graphics display
  • Five navigation/ control switches and rotary encoder
  • Simple, single-wire connection using PoE (Power Over Ethernet)
  • Available in white
NAC-100-BK_Thumb.jpg

NAC-100-BK
$711.00
Compare
QSC
NAC-100-BK

The NAC-100 is a network audio controller allowing the system designer to create custom, graphical user interfaces using QSControl.net version 3.1 (or higher) systems. Bridging the gap between simple switch closure or potentiometer controls on one hand and sophisticated (and expensive) touch panel or computer-hosted control on the other, the NAC-100 will be at home in hospitality, convention, transportation, entertainment, worship and educational facilities. Since the NAC-100 operates via PoE (Power Over Ethernet), wiring consists of a single CAT-5 cable terminating to an RJ45 connector.

Operation and screen navigation is accomplished by means of five push-buttons arranged in an intuitive left/right, up/down configuration plus a rotary encoder. When multiple NAC-100 controllers control a single system, changes made from one unit will be reflected on the displays of others. System control can range from simple control over a single audio channel to recall of global presets. Creation of the custom user screens is accomplished within the QSControl.net environment. For applications in which room diagrams, corporate logos or other graphical elements are desired, the NAC- 100 can support up to 16 full-color, bitmapped images. Graphics and text are displayed on a 3.5 inch (8.9 cm), backlit, color display with 320 x 240 pixel resolution. Available in black or white, the NAC-100 may be mounted directly to a wall surface. The rear panel of the unit includes holes conforming to the hole patterns of numerous domestic and international electrical boxes.

Features:
  • Easily create intuitive user interfaces from within QSControl.net™
  • Capable of displaying custom bitmapped graphics
  • 16-bit, 3.5 inch (8.9 cm), backlit graphics display
  • Five navigation/ control switches and rotary encoder
  • Simple, single-wire connection using PoE (Power Over Ethernet)
  • Available in black
RPM-2m_Thumb.jpg

RPM 2m
$719.00
Compare
Rane
RPM 2m Multiprocessor

The RPM 2m is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.

The RPM 2m provides two balanced, mic/line level analog inputs and two balanced analog outputs, each I/O having its own 100% user-defined signal processing path. An AES3 digital output is included, bringing the total number of outputs to four.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure preset recall or remote level control using a potentiometer on a wall, the RPM 2m keeps the user interface easy and inexpensive.

Euroblock and XLR connectors are provided for audio input/output. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is an RJ-45 Ethernet connector for computer control, and an IEC AC power input.

All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 105 dB throughput dynamic range and double-precision 48-bit internal DSP 'math,' the RPM 2m offers the best DSP algorithms and audio performance available.

This ain't no Internet appliance! For example, the RPM's 215 MIPs translate into 150 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.

Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Current Preset, Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE compliant, the RPM 2m is compatible with any installation mandating agency compliance.

Depending on which remote is selected for the application, the end user is presented easy access to a variety of functions such as preset recall and level adjustment. These are all easily mapped in Drag Net. All remotes mount in a standard U.S. electrical box with a minimum depth of 2-1/4 inches, and covered with a standard Decora® plate cover.

Using any of the RPM series Versatile Input Port (VIP) voltage-controlled level inputs, the VR 2 provides a simple “pot-on-a-wall” solution, and the LRS 4 and MRS 4 provide 4-way radio button “switch-on-a-wall” solutions. Only three wires are required for connection.
DC-ONE-NA_Thumb.jpg

DC-ONE-NA
$895.00
Compare
Electro Voice
DC-ONE-NA

Two-In-Six-Out Loudspeaker Processor

Based on a two-in, six-out topology, the DC-One is designed primarily for users of small-to-medium sized sound systems in both mobile and installed applications. While the unit is an all-new development based on a powerful SHARC processor, it is 100 percent compatible with all settings from other Electro-Voice signal processors, including the Dx38 the best choice for achieving maximum performance with an EV loudspeaker system.

A large part of DC-Ones development was aimed at ensuring that users can easily handle its serious digital horsepower and high-end audio performance. Though free PC-Editor software is available, the DC-One can be easily operated via the front panel. Direct access buttons, six predefined configuration modes (one being free configuration), straightforward output delay settings, and true professional metering all allow for safe operation.

DC-One's unique "front-panel access control" allows the user to select a personal library of accessible presets (out of 60 factory and 20 user presets). In addition, the user can determine which individual parameters in each preset are locked (e.g. factory predefined output parameters) or editable (e.g. master EQ or delay settings).

The DC-One has a 19-inch chassis that is deep enough to match typical amplifier depths, a front panel USB connector for the PC-Editor, and accepts either analogue or digital (AES-EBU) input signals; a six-dB input pad is available. The RS232 on the rear also provides eight contact closures for preset changes, or allows two units to be linked for larger systems. The PC-Editor software, as well as firmware updates allowing additional functions
RPM-22_Thumb.jpg

RPM 22
$999.00
Compare
Rane
RPM 22 Multiprocessor

The RPM 88, RPM 44, and RPM 22 are 100% drag and drop configurable DSP-based devices, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows. Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system you need without signal flow restrictions. Familiar Windows file management tools and Shortcuts are incorporated into Drag Net, allowing complete project management within a single interface.

The RPM 22 provides two balanced, studio-grade analog inputs (selectable mic or line level), and two balanced analog outputs. The RPM 88 and RPM 44 offer the same high-quality analog I/O, in 8 and 4 channel configurations respectively. A two-channel AES3 digital input and two-channel AES3 digital output are also provided on each, making the RPM 22 a true 4-input, 4-output device. All I/O, including the AES3 I/O, has its own, 100% user-defined signal processing path. The RPM's analog inputs feature software-controllable mic preamps with an equivalent input noise (EIN) of -128 dBu, satisfying even the most demanding audio applications.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the RW 485 Remote Interface Port and Versatile Input and Output logic Ports. Whether your application requires contact closure Preset recall, remote level control using a potentiometer on a wall, or multi-zone source selection and smart, reconfigurable volume controls, Drag Net and the RPM 22 keep the user interface easy and inexpensive.

Euroblock connectors are provided for audio I/O, logic I/O and the RW 485 port. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel are standard XLR-type connectors for the AES3 I/O, an RJ-45 Ethernet connector for computer control and an IEC AC power input.

All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 106 dB throughput dynamic range and double-precision 48-bit internal DSP 'math,' the RPM 22 offers the best DSP algorithms and audio performance available. These ain't no Internet appliances! For example, the RPM 22's 200 MIPs translate into 125 fully parametric EQ filters, should you need multiple 15 band parametrics and nothing else.

Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-segment LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal UL recognized, CSA and CE certified power supply, the RPM 22 is compatible with any installation mandating agency compliance.

Remote Controls
Depending on which remote is selected for the application, the end user is presented easy access to a variety of functions such as source selection, preset recall, and level adjustment. These are all easily mapped in Drag Net. All remotes mount in a standard U.S. electrical box with a minimum depth of 2-1/4 inches, and covered with a standard Decora® plate cover. Because of the display width, the SR 3 is the only remote that can’t fit next to itself in a 2-gang electrical box, but will fit next to any other remote.
Smart Remotes

Smart Remotes are compatible with the RPM 88’s Remote Interface Port, and electrically compatible with standard RS-485 interfaces. The various modes and parameters (e.g., Backlight Timer) are set directly when connected to a live device. Configurations can be created offline and saved as Storage files or user templates for subsequent upload to the remote at the job site. It is possible to assign a single remote to one or more parameters – to control a mono or stereo zone level, for example. It is also possible to assign multiple remotes to control the same parameter, as in a primary / secondary arrangement. Remotes linked in this manner automatically track each other’s changes, remaining in synch at all times. Smart Remotes require shielded CAT 5 cable with two twisted pairs.

VIP Remotes
Using any of the RPM series Versatile Input Port (VIP) voltage-controlled level inputs, the VR 2 provides a simple “pot-on-a-wall” solution, and the LRS 4 and MRS 4 provide 4-way radio button “switch-on-a-wall” solutions. Only three wires are required for connection.
RPM-26z_Thumb.jpg

RPM 26z
$999.00
Compare
Rane
RPM 26z Multiprocessor

The RPM 26z is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.

The RPM 26z provides two balanced, line-level analog inputs and six balanced analog outputs. A two channel AES3 digital input is also provided making the RPM 26z a true 4-input, 6-output device. All I/O, including the AES3 input, has its own 100% user-defined signal processing path.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure Preset recall or remote level control using a potentiometer on a wall, the RPM 26z keeps the user interface easy and inexpensive.

Euroblock connectors are provided for audio and logic I/O. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is a standard XLR-type connector for the AES3 input, an RJ-45 Ethernet connector for computer control, and an IEC AC power input.

All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 104 dB throughput dynamic range and double-precision 48-bit internal DSP 'math,' the RPM 26z offers the best DSP algorithms and audio performance available.

This ain't no Internet appliance! For example, the RPM 26z's 215 MIPs translate into 150 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.

Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Current Preset, Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE complient, the RPM 26z is compatible with any installation mandating agency compliance.
260_Thumb.jpg

Driverack 260
$999.95
Compare
DBX
DriveRack 260

There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx DriveRack products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues. The 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS).

The DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus limiters (to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system and complete DriveWare GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.

Features:
  • Feedback Elimination
  • 2.7 Seconds of Alignment and Zone Delay
  • RS-232 PC GUI control
  • Classic dbx Compression and Limiting
  • Graphic and Parametric EQ
  • Auto-EQ Function
  • Full Bandpass, Crossover, and Routing Configurations
  • Auto Gain Control
  • Pink Noise Generator and fulltime RTA
  • Setup Wizard with JBL speaker and Crown Power Amplifier Tunings
  • Security Lockout
  • Wall Panel Control Inputs
DLMS4080_Thumb.jpg

DLMS4080
$1,119.00
Compare
VTC

DLMS4080

The DLMS4080 is a self-contained, fully programmable, Digital Loudspeaker Management System capable of handling full control of the Elevation Series or any other loudspeaker system.

The four inputs and eight outputs can be routed in multiple configurations to meet any system requirement. Full system setup and configuration can be done in real time from the front panel or with the intuitive PC based graphic user interface (GUI) software via the on-board RS232, Ethernet or USB port when more complex system control is required.

Features:

  • 4 XLR inputs and 8 XLR outputs can be configured in any fashion
  • Top sound quality in its class
  • 8 band Parametric EQ and 31 band Graphic EQ on all inputs and outputs
  • Input and Output Crossovers with Bessel, Linkwitz-Reilly and
  • Butterworth slopes
  • Input Compressors and Output Limiters
  • Precise frequency control is achieved down to a 1Hz resolution
  • PC based editing software for onscreen control of all parameters
RPM-44_Thumb.jpg

RPM 44
$1,799.00
Compare
Rane
RPM 44 Multiprocessor

The RPM 88, RPM 44, and RPM 22 are 100% drag and drop configurable DSP-based devices, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows. Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system you need without signal flow restrictions. Familiar Windows file management tools and Shortcuts are incorporated into Drag Net, allowing complete project management within a single interface.

The RPM 44 provides four balanced, studio-grade analog inputs (selectable mic or line level), and four balanced analog outputs. The RPM 88 and RPM 22 offer the same high-quality analog I/O, in 8 and 2 channel configurations respectively. A two-channel AES3 digital input and two-channel AES3 digital output are also provided on each, making the RPM 44 a true 6-input, 6-output device. All I/O, including the AES3 I/O, has its own, 100% user-defined signal processing path. The RPM's analog inputs feature software-controllable mic preamps with an equivalent input noise (EIN) of -128 dBu, satisfying even the most demanding audio applications.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the RW 485 Remote Interface Port and Versatile Input and Output logic Ports. Whether your application requires contact closure Preset recall, remote level control using a potentiometer on a wall, or multi-zone source selection and smart, reconfigurable volume controls, Drag Net and the RPM 44 keep the user interface easy and inexpensive.

Remote Controls

Depending on which remote is selected for the application, the end user is presented easy access to a variety of functions such as source selection, preset recall, and level adjustment. These are all easily mapped in Drag Net. All remotes mount in a standard U.S. electrical box with a minimum depth of 2-1/4 inches, and covered with a standard Decora® plate cover. Because of the display width, the SR 3 is the only remote that can’t fit next to itself in a 2-gang electrical box, but will fit next to any other remote.

Smart Remotes

Smart Remotes are compatible with the RPM 88’s Remote Interface Port, and electrically compatible with standard RS-485 interfaces. The various modes and parameters (e.g., Backlight Timer) are set directly when connected to a live device. Configurations can be created offline and saved as Storage files or user templates for subsequent upload to the remote at the job site. It is possible to assign a single remote to one or more parameters – to control a mono or stereo zone level, for example. It is also possible to assign multiple remotes to control the same parameter, as in a primary / secondary arrangement. Remotes linked in this manner automatically track each other’s changes, remaining in synch at all times. Smart Remotes require shielded CAT 5 cable with two twisted pairs.

VIP Remotes

Using any of the RPM series Versatile Input Port (VIP) voltage-controlled level inputs, the VR 2 provides a simple “pot-on-a-wall” solution, and the LRS 4 and MRS 4 provide 4-way radio button “switch-on-a-wall” solutions. Only three wires are required for connection.
RPM-88_Thumb.jpg

RPM 88
$2,899.00
Compare
Rane
RPM 88 Multiprocessor

The RPM 88, RPM 44, RPM 22, RPM 26z, RPM 2m and RPM 2 are 100% drag and drop configurable DSP-based devices, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows. Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system you need without signal flow restrictions. Familiar Windows file management tools and Shortcuts are incorporated into Drag Net, allowing complete project management within a single interface.

The RPM 88 provides eight balanced, studio-grade analog inputs (selectable mic or line level), and eight balanced analog outputs. The RPM 44 and RPM 22 offer the same high-quality analog I/O, in 4 and 2 channel configurations respectively. A two-channel AES3 digital input and two-channel AES3 digital output are also provided on each, making the RPM 88 a true 10-input, 10-output device. All I/O, including the AES3 I/O, has its own, 100% user-defined signal processing path. The RPM's analog inputs feature software-controllable mic preamps with an equivalent input noise (EIN) of -128 dBu, satisfying even the most demanding audio applications.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the RW 485 Remote Interface Port and Versatile Input and Output logic Ports. Whether your application requires contact closure Preset recall, remote level control using a potentiometer on a wall, or multi-zone source selection and smart, reconfigurable volume controls, Drag Net and the RPM 88 keep the user interface easy and inexpensive.

Euroblock connectors are provided for audio I/O, logic I/O and the RW 485 port. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel are standard XLR-type connectors for the AES3 I/O, an RJ-45 Ethernet connector for computer control and an IEC AC power input.

All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 106 dB throughput dynamic range and double-precision 48-bit internal DSP 'math,' the RPM 88 offers the best DSP algorithms and audio performance available. These ain't no Internet appliances! For example, the RPM 88's 400 MIPs translate into 225 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.

Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-segment LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal UL recognized, CSA and CE certified power supply, the RPM 88 is compatible with any installation mandating agency compliance.
4820_Thumb.jpg

4820
$3,199.95
Compare
DBX
DriveRack 4820

Designed to provide incredible flexibility, sonic excellence and intuitive control for performance applications, the DriveRack 4820 is the next member of the hugely successful of the hugely successful DriveRack family. From the powerful 96 kHz DSP engine and standard analog and digital I/O, to the tamper-proof front panel, the 4820 provides all the processing, flexibility and control necessary for permanent installations.

The DriveRack 4820 is the next generation of the famous DriveRack family, and like its predecessor it is engineered to provide “Everything you need between the mixer and the power amps”. In keeping with this philosophy the 4820 includes four inputs and eight outputs with both analog and digital connectivity. The 96 kHz processing engine is capable of offering insert processing functions to customize the processing path for your application, in addition to the standard system processing functions all with extremely low latency and extended frequency response. From Signal Routing, EQ, and Bandpass Filters, to classic dbx Dynamics and Feedback Suppression all the processing is available and with the sonic excellence that you would expect from the world's leading system processing manufacturer. With all this processing power available, control is of paramount importance. The DriveRack 4820 provides a tamper-proof front panel, and is controlled by an easy-to-use GUI with optional wall panel controllers; so whether you application is Front of House system processing or Distributed system control, the DriveRack 4820 has what it takes.

Features:
  • 48 and 96 kHz operation
  • 4 analog and AES/EBU inputs
  • 8 analog and AES/EBU outputs
  • Full Bandpass Filters, Crossover and Routing Configurations with Bessel, Butterworth, and Linkwitz-Riley filters
  • 31-Band Graphic and 9-band Parametric EQ on every output
  • 6-band Parametric EQ on every output
  • Loudspeaker Cluster and Driver Alignment Delays
  • Selectable DSP inserts on all inputs and outputs including Classic dbx Compression, Limiting and Advanced Feedback Suppression among others
  • Ethernet HiQnet networking control
  • Optional dbx ZC wall panel control
  • Optional Jensen I/O Transformers
4800_Thumb.jpg

4800
$3,999.95
Compare
DBX
DriveRack 4800

Designed to provide incredible flexibility, sonic excellence and intuitive control for performance applications, the DriveRack® 4800 is the new flagship of the hugely successful DriveRack family. From the powerful 96 kHz DSP engine and standard analog and digital I/O, to the QVGA display and multiple control surfaces, the 4800 provides all the processing, flexibility and control necessary for both installation and live use. The menu-based set-up procedure includes selectable DSP inserts on all inputs and outputs including classic dbx compression, limiting and advanced feedback suppression (AFS) among others.

The DriveRack 4800 is the next generation of the famous DriveRack family, and like its predecessor it is engineered to provide “Everything you need between the mixer and the power amps”. In keeping with this philosophy the 4800 includes four inputs and eight outputs with both analog and digital connectivity. The 96 kHz processing engine is capable of offering insert processing functions to customize the processing path for your application, in addition to the standard system processing functions all with extremely low latency and extended frequency response. From Signal Routing, EQ, and Bandpass Filters, to classic dbx® Dynamics and Feedback Suppression all the processing is available and with the sonic excellence that you would expect from the world's leading system processing manufacturer. With all this processing power available, control is of paramount importance. The DriveRack provides a full color display to speed manual operation; this combined with intuitive front panel controls, an easy to use GUI and optional wall panel controllers means that whether your application is tour sound or installation, the DriveRack 4800 has what it takes.

Features:
  • 48 and 96 kHz operation
  • Color QVGA Display
  • 4 analog and AES/EBU inputs
  • 8 analog and AES/EBU outputs
  • Optional Jensen I/O Transformers
  • Full Bandpass Filter, Crossover and Routing Configurations with Bessel, Butterworth, and Linkwitz-Riley filters
  • 31-Band Graphic and 9-band Parametric EQ on every input
  • 6-band Parametric EQ on every output
  • Loudspeaker Cluster and driver Alignment Delays
  • Selectable DSP inserts on all inputs and outputs including Classic dbx Compression, Limiting and Advanced Feedback Suppression among others
  • Ethernet HiQnet networking control
  • dbx ZC wall panel control
BASIS922az_Thumb.jpg

BASIS922az
$4,240.00
Compare
QSC
BASIS 922az

The BASIS platform meets the control, monitoring, signal transport and processing needs of amplification and loudspeaker systems over an Ethernet network. The BASIS 922az units combine three distinct QSC technologies within a single hardware unit. Amplifier and loudspeaker control, monitoring and protection, configurable DSP, and CobraNet audio transport are seamlessly integrated into one powerful single RU package.

Through QSControl.net, QSC's BASIS and next-generation RAVE and DSP products can be networked together and controlled from a single software interface. In addition, multiple networked computers can be set up to control and monitor all of the units simultaneously.

Fixed Latency DSP
Users of most other configurable DSP systems are familiar with a variable latency inherent in the processing configuration. Add more processing blocks and you also add delay, whether you want it or not. QSC's DSP engine is unique in having a short and fixed processing latency through the DSP subsystem. When the A/D and D/A converters are included, the total analog-to-analog latency of a single unit is a negligible 2.354 milliseconds. QSC's fixed latency DSP is configurable DSP that stays fast and predictable from one configuration to the next.

INPUTS:
Analog: 8 line level
CobraNet: 16 of 32

DSP:
24x24

OUTPUTS:
DataPort: 8(16 channels)
CobraNet: 32

Features:
  • Amplifier and loudspeaker control, monitoring and protection
  • Configurable DSP functions and signal paths
  • Fixed latency DSP engine
  • Ethernet controllable
  • CobraNet audio transport with new intuitive GUI
  • Two Ethernet ports – CobraNet and control can be run over a single cable or be divided between the two ports. The CobraNet port is 100Base-T. The control port is 10Base-T.
  • Each unit can store eight design configurations that can be changed on the fly
  • Snapshots can recall config or block and/or parameter settings
  • THX approved

DSP functions include, but are not limited to:
Matrix mixer – any size, up to 24 x 24
Automixers – gain sharing
Routers – any size, up to 24 x 24
Gain controls – any channel count, up to 24
Graphic equalizers
Filters – high-pass, low-pass, all-pass, shelf, parametric, parametric shelf, Butterworth high and low-pass, Linkwitz-Riley high and low-pass, Bessel-Thomson high and low-pass
Crossovers – Linkwitz-Riley, Butterworth, Bessel-Thomson in-phase, Bessel-Thomson symmetrical, 2-way, 3-way, and 4-way general purpose adjustable
Compressors, peak limiters, AGC's, gates, dynamics processor
Duckers – up to 8 channels, up to 60 seconds fade in and fade out times, priority mix
Pink noise, white noise, sine generators
Delays
Macros – user-definable custom blocks with password protection
BASIS922dz_Thumb.jpg

BASIS922dz
$4,240.00
Compare
QSC
BASIS 922dz

The BASIS platform meets the control, monitoring, signal transport and processing needs of amplification and loudspeaker systems over an Ethernet network. The BASIS 922dz units combine three distinct QSC technologies within a single hardware unit. Amplifier and loudspeaker control, monitoring and protection, configurable DSP, and CobraNet audio transport are seamlessly integrated into one powerful single RU package.

Through QSControl.net, QSC's BASIS and next-generation RAVE and DSP products can be networked together and controlled from a single software interface. In addition, multiple networked computers can be set up to control and monitor all of the units simultaneously.

Fixed Latency DSP
Users of most other configurable DSP systems are familiar with a variable latency inherent in the processing configuration. Add more processing blocks and you also add delay, whether you want it or not. QSC's DSP engine is unique in having a short and fixed processing latency through the DSP subsystem. When the A/D and D/A converters are included, the total analog-to-analog latency of a single unit is a negligible 2.167 milliseconds. QSC's fixed latency DSP is configurable DSP that stays fast and predictable from one configuration to the next.

INPUTS:
AES/EBU: 8 digital
CobraNet: 16 of 32

DSP:
24x24

OUTPUTS:
DataPort: 4(8 channels)
CobraNet: 32

Features:
  • Amplifier and loudspeaker control, monitoring and protection
  • Configurable DSP functions and signal paths
  • Fixed latency DSP engine
  • Ethernet controllable
  • CobraNet audio transport with new intuitive GUI
  • Two Ethernet ports – CobraNet and control can be run over a single cable or be divided between the two ports. The CobraNet port is 100Base-T. The control port is 10Base-T.
  • Each unit can store eight design configurations that can be changed on the fly
  • Snapshots can recall config or block and/or parameter settings
  • THX approved

DSP functions include, but are not limited to:
Matrix mixer – any size, up to 24 x 24
Automixers – gain sharing
Routers – any size, up to 24 x 24
Gain controls – any channel count, up to 24
Graphic equalizers
Filters – high-pass, low-pass, all-pass, shelf, parametric, parametric shelf, Butterworth high and low-pass, Linkwitz-Riley high and low-pass, Bessel-Thomson high and low-pass
Crossovers – Linkwitz-Riley, Butterworth, Bessel-Thomson in-phase, Bessel-Thomson symmetrical, 2-way, 3-way, and 4-way general purpose adjustable
Compressors, peak limiters, AGC's, gates, dynamics processor
Duckers – up to 8 channels, up to 60 seconds fade in and fade out times, priority mix
Pink noise, white noise, sine generators
Delays
Macros – user-definable custom blocks with password protection
BASIS922uz_Thumb.jpg

BASIS922uz
$4,761.00
Compare
QSC
BASIS 922uz

The BASIS platform meets the control, monitoring, signal transport and processing needs of amplification and loudspeaker systems over an Ethernet network. The BASIS 922uz units combine three distinct QSC technologies within a single hardware unit. Amplifier and loudspeaker control, monitoring and protection, configurable DSP, and CobraNet audio transport are seamlessly integrated into one powerful single RU package.

Through QSControl.net, QSC's BASIS and next-generation RAVE and DSP products can be networked together and controlled from a single software interface. In addition, multiple networked computers can be set up to control and monitor all of the units simultaneously.

Fixed Latency DSP
Users of most other configurable DSP systems are familiar with a variable latency inherent in the processing configuration. Add more processing blocks and you also add delay, whether you want it or not. QSC's DSP engine is unique in having a short and fixed processing latency through the DSP subsystem. When the A/D and D/A converters are included, the total analog-to-analog latency of a single unit is a negligible 2.354 milliseconds. QSC's fixed latency DSP is configurable DSP that stays fast and predictable from one configuration to the next.

INPUTS:
Analog: 8 universal mic/line
CobraNet: 16 of 32

DSP:
24x24

OUTPUTS:
DataPort: 4(8 channels)
CobraNet: 32

Features:
  • Universal inputs – mic/line with pre-amps and phantom power
  • Amplifier and loudspeaker control, monitoring and protection
  • Configurable DSP functions and signal paths
  • Fixed latency DSP engine
  • Ethernet controllable
  • CobraNet audio transport with new intuitive GUI
  • Two Ethernet ports – CobraNet and control can be run over a single cable or be divided between the two ports. The CobraNet port is 100Base-T. The control port is 10Base-T.
  • Each unit can store eight design configurations that can be changed on the fly
  • Snapshots can recall config or block and/or parameter settings
  • THX approved

DSP functions include, but are not limited to:
Matrix mixer – any size, up to 24 x 24
Automixers – gain sharing
Routers – any size, up to 24 x 24
Gain controls – any channel count, up to 24
Graphic equalizers
Filters – high-pass, low-pass, all-pass, shelf, parametric, parametric shelf, Butterworth high and low-pass, Linkwitz-Riley high and low-pass, Bessel-Thomson high and low-pass
Crossovers – Linkwitz-Riley, Butterworth, Bessel-Thomson in-phase, Bessel-Thomson symmetrical, 2-way, 3-way, and 4-way general purpose adjustable
Compressors, peak limiters, AGC's, gates, dynamics processor
Duckers – up to 8 channels, up to 60 seconds fade in and fade out times, priority mix
Pink noise, white noise, sine generators
Delays
Macros – user-definable custom blocks with password protection
BASIS904zz_Thumb.jpg

BASIS904zz
$5,205.00
Compare
QSC
BASIS 904zz

The BASIS platform meets the control, monitoring and processing needs of amplification and loudspeaker systems over an Ethernet network. The BASIS 904zz units combine three distinct QSC technologies within a single hardware unit. Amplifier and loudspeaker control, monitoring and protection, configurable DSP, and CobraNet audio transport are seamlessly integrated into one powerful single RU package.

Through QSControl.net, QSC's BASIS and next-generation RAVE and DSP products can be networked together and controlled from a single software interface. In addition, multiple networked computers can be set up to control and monitor all of the units simultaneously.

Fixed Latency DSP
Users of most other configurable DSP systems are familiar with a variable latency inherent in the processing configuration. Add more processing blocks and you also add delay, whether you want it or not. QSC's DSP engine is unique in having a short and fixed processing latency through the DSP subsystem. QSC's fixed latency DSP is configurable DSP that stays fast and predictable from one configuration to the next.

INPUTS:
CobraNet: 24 of 32

DSP:
24x24

OUTPUTS:
DataPort: 8(16 channels)
CobraNet: 32

Features:
  • Amplifier and loudspeaker control, monitoring and protection
  • Configurable DSP functions and signal paths
  • Fixed latency DSP engine
  • Ethernet controllable
  • CobraNet audio transport with new intuitive GUI
  • Two Ethernet ports – CobraNet and control can be run over a single cable or be divided between the two ports. The CobraNet port is 100Base-T. The control port is 10Base-T.
  • Each unit can store eight design configurations that can be changed on the fly
  • Snapshots can recall config or block and/or parameter settings
  • THX approved

DSP functions include, but are not limited to:
Matrix mixer – any size, up to 24 x 24
Automixers – gain sharing
Routers – any size, up to 24 x 24
Gain controls – any channel count, up to 24
Graphic equalizers
Filters – high-pass, low-pass, all-pass, shelf, parametric, parametric shelf, Butterworth high and low-pass, Linkwitz-Riley high and low-pass, Bessel-Thomson high and low-pass
Crossovers – Linkwitz-Riley, Butterworth, Bessel-Thomson in-phase, Bessel-Thomson symmetrical, 2-way, 3-way, and 4-way general purpose adjustable
Compressors, peak limiters, AGC's, gates, dynamics processor
Duckers – up to 8 channels, up to 60 seconds fade in and fade out times, priority mix
Pink noise, white noise, sine generators
Delays
Macros – user-definable custom blocks with password protection
BASIS914lz_Thumb.jpg

BASIS914lz
$5,205.00
Compare
QSC
BASIS 914lz

The BASIS platform meets the control, monitoring and processing needs of amplification and loudspeaker systems over an Ethernet network. The BASIS 914lz units combine three distinct QSC technologies within a single hardware unit. Amplifier and loudspeaker control, monitoring and protection, configurable DSP, and CobraNet audio transport are seamlessly integrated into one powerful single RU package.

Through QSControl.net, QSC's BASIS and next-generation RAVE and DSP products can be networked together and controlled from a single software interface. In addition, multiple networked computers can be set up to control and monitor all of the units simultaneously.

Fixed Latency DSP
Users of most other configurable DSP systems are familiar with a variable latency inherent in the processing configuration. Add more processing blocks and you also add delay, whether you want it or not. QSC's DSP engine is unique in having a short and fixed processing latency through the DSP subsystem. When the A/D and D/A converters are included, the total analog-to-analog latency of a single unit is a negligible 2.354 milliseconds. QSC's fixed latency DSP is configurable DSP that stays fast and predictable from one configuration to the next.

INPUTS:
Analog: 4 XLR line level
CobraNet: 16 of 32

DSP:
24x24

OUTPUTS:
DataPort: 8(16 channels)
CobraNet: 32

Features:
  • Amplifier and loudspeaker control, monitoring and protection
  • Configurable DSP functions and signal paths
  • Fixed latency DSP engine
  • Ethernet controllable
  • CobraNet audio transport with new intuitive GUI
  • Two Ethernet ports – CobraNet and control can be run over a single cable or be divided between the two ports. The CobraNet port is 100Base-T. The control port is 10Base-T.
  • Each unit can store eight design configurations that can be changed on the fly
  • Snapshots can recall config or block and/or parameter settings
  • THX approved

DSP functions include, but are not limited to:
Matrix mixer – any size, up to 24 x 24
Automixers – gain sharing
Routers – any size, up to 24 x 24
Gain controls – any channel count, up to 24
Graphic equalizers
Filters – high-pass, low-pass, all-pass, shelf, parametric, parametric shelf, Butterworth high and low-pass, Linkwitz-Riley high and low-pass, Bessel-Thomson high and low-pass
Crossovers – Linkwitz-Riley, Butterworth, Bessel-Thomson in-phase, Bessel-Thomson symmetrical, 2-way, 3-way, and 4-way general purpose adjustable
Compressors, peak limiters, AGC's, gates, dynamics processor
Duckers – up to 8 channels, up to 60 seconds fade in and fade out times, priority mix
Pink noise, white noise, sine generators
Delays
Macros – user-definable custom blocks with password protection
     

Sort By: Name | Price
 
 

BRAND STORE

 View All
 
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
 
New in Store
Polytune Mini
$89.99