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Microphone Accessories

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Microphone Accessories

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A85F
$19.60
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Shure
Line Matching Transformer

The Shure A85F is a low- to high-impedance microphone-matching transformer that provides 24 dB of signal increase gain. It has balanced female XLR and unbalanced high impedance male 1/4'' phone plug connectors, and may be used in reverse. The A85F is typically used to connect a balanced low-impedance microphone output to an unbalanced high impedance input on a mixer or recorder.

NOTE: Not for connection to the balanced line-level output of a mixer.
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A95U
$49.00
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Shure
Line Matching Transformer (Male LXR to 1/4" Male Plug/Female Jack)

The Shure A95U is a reversible transformer that matches low- or high-impedance microphones to high- or low-impedance inputs. The transformer permits use of very long microphone cables with high-impedance microphones. However, when connecting a high-impedance microphone, limit the cable length between the microphone and the transformer to 4.6 m (15 foot). The cable from the transformer to the low-impedance input can be any desired length.

The transformer prevents high-frequency loss, level loss, and pickup of noise and hum. The A95U comes furnished with a Male XLR connector on the low-impedance end, with a 1/4 inch phone plug and phone jack adapter on the high-impedance end.
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A95UF
$49.00
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Shure
Line Matching Transformer (XLR to 1/4" Male Plug/Female Jack)

The Shure A95UF is a reversible transformer that matches low-impedance microphones to high-impedance inputs or high-impedance microphones to low-impedance inputs. The transformer permits use of very long microphone cables with either low-impedance or high-impedance microphones. The only requirement is to limit the cable to 4.6 m (15 ft) between the high-impedance end of the transformer and the low-impedance microphone or microphone input. The transformer prevents high-frequency loss, level loss, and objectionable pickup of noise or hum.

The A95UF is furnished with a Female XLR professional audio connector on the low-impedance end, and with both a standard 1/4-inch male phone plug and female phone jack adapter for the high-impedance end. Typical applications include connecting a balanced low-impedance microphone to an unbalanced high-impedance input on a mixer or recorder, and connecting a balanced mixer output to an unbalanced high-impedance input on a recorder.
A96F_Thumb.jpg

A96F
$63.00
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Shure
Camcorder Interface

The Shure A96F transformer connects microphones with an XLR-type connector to the 3.5 mm inputs found on camcorders and other recording devices. It increases the signal level from the microphone, provides a balanced input, and prevents distortion due to the DC bias voltage typically found in camcorder microphone inputs.

The A96F can be modified for microphones rated at 150 ohms. This modification is only necessary if the output level from the A96F is insufficient for your recording device. It features a female XLR connector on the microphone end and .6 meter (2 ft) cable with 3.5 mm phono plug on the recorder end.
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BETA 52A
$189.00
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Shure
Kick Drum Microphone

The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels.

The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

Features:
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
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BETA 91A
$239.00
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Shure
Half-Cardioid Condenser Microphone

Condenser: Lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by battery or phantom power supply.

The Shure Beta 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).

Features:
  • Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
  • Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
  • Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
  • Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
  • Requires no external mounting or accessories for ease of use and storage
  • Furnished with zipper pouch
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BETA 54
$349.00
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Shure
Headworn Vocal Microphone

The Shure BETA 54 is a subminiature, electret condenser headworn microphone. It provides uncompromised sound quality and reliability with minimal visibility in applications such as broadcast, theater, and touring. Despite the small size, the condenser element delivers full, clear, and natural reproduction of speech and vocals.

The microphone features a durable, low-profile wire frame headband which is fully adjustable for stability and comfort. A plastic carrying case protects the microphone and its accessories.

A wireless version is available as the WBH54.

Features:
  • Supercardioid polar pattern provides maximum gain-before-feedback and ambient rejection
  • Extended frequency response tailored for vocal performances
  • Able to handle extremely high sound pressure levels (SPL)
  • Snap-fit foam windscreens stay in place during intensive movement
  • Available with an in-line preamp or with a TA4F connector for wireless applications
  • WBH54: Choice of black or tan finish to suit your performance environment
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BETA 53
$349.00
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Shure
Headworn Microphone

The BETA 53 is a fully adjustable omnidirectional condenser headworn vocal microphone, designed for applications where unconspicuous appearance and incredible sound quality are required. Its lightweight, adjustable, modular headband, flexible wireframe and soft earpieces provide a comfortable fit while still allowing the Beta 53 to be positioned as close to the left or right corner of the mouth as possible, assuring maximum voice pickup.

The BETA 53 microphone features an extended frequency response and high SPL handling ability. It is uniquely designed to provide the sound quality and performance consistency required for environments such as professional theater, event production, trade shows and seminars.

A wireless version is available as the WBH53.

Features:
  • Comfortable, latex-free Dynaflex earforms that hide behind the ears
  • Thin, non-reflective wireframe that is easily hidden underneath hair
  • Ultra-thin detachable microphone boom mount for right or left positioning
  • Interchangeable frequency response caps (mild or high, two pieces each)
  • Two foam windscreens included
  • Clothing clip for securing cable
  • Corrosion resistant
  • Easy to clean
  • Durable carrying case for protective storage
  • Available with either TA4F connectors or tinned leads (no connector) for full wireless system compatibility
  • Includes In-Line Preamplifier
  • WBH53: Available in either black or tan

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