Mix and match up to 4 TC-Helicon vocal effect pedals together conveniently, simply and with less cable clutter than ever before with this essential audio and power accessory kit. Ideal for VoiceTone Singles. The kit includes:
12V power supply
3xDC daisy-chaining connectors
3x short XLR cables
With the included 12 volt power supply and DC interconnect cables, there are many different options for connecting your TC-Helicon effects.
The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
Features:
Compact overdrive pedal with warm, smooth overdriven sounds
Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
Tone control provides precise adjustment of drive sound
BOSS 5-year warranty
Input Impedance: 470 k ohms, Output Impedance 10 k ohms or greater: Connectors, INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 6 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Option: AC Adaptor (PSA-Series)
If you need a dose of digital magic to add to your sound, tap into the BEHRINGER MINIFEX FEX800. This cool, compact member of our MINI family is waiting to bring a whole new dimension to your sound.
Get Effected This small stereo multi-effects processor has 16 effects presets, including reverb, delay, chorus, flanger, phaser, rotary speaker, pitch shifter and multi-effects. There is an intuitive FX Preset control with LED program indication. Versatile Edit and Tap/Select functions provide control over a wide range of effects parameters.
The Ins and Outs The FEX800 has two modes of operation: mono and stereo. It features balanced 1/4" and XLR inputs and outputs. A stereo input level control with digit LED input meter provides precise level indication. The FEX800 has dedicated mix, balance and output level controls for accurate level adjustment. If you're using the FEX800 live, an optional footswitch connector provides easy on/off switching. High-quality potentiometers, illuminated switches and low-noise audio operational amplifiers offer exceptional sound performance.
MINI Is Mighty The FEX800 is the simple, portable and affordable way to add an exciting new dimension to your sound. And of course, all MINI Series models can be stacked to create an ultra-compact signal processing solution. Find out today why musicians, home recording enthusiasts and sound technicians love the FEX800. Check one out today at your nearest BEHRINGER dealer.
Features:
Ultra-compact stereo multi-effects processor for podcast, studio and stage applications
16 awesome FX presets in 24-bit resolution including reverb, delay, chorus, flanger, phaser, rotary speaker, pitch shifter and multi-effects
Intuitive FX Preset control with LEDs indicating the selected program
Versatile Edit and Tap/Select functions to control a wide range of FX parameters
Stereo Input Level control with accurate 6-segment LED Input meter for precise level indication
Dedicated Mix Balance and Output Level controls for perfect effects level adjustment
Additional footswitch connector for easy FX on/off control
All Mini Series models can be stacked on top of each other to create an ultra-compact signal processor solution
High-quality components and exceptionally rugged construction ensure long life
We introduced polyphonic tuning to the world and since then guitarists everywhere have welcomed this next-generation way of tuning with open arms. PolyTune Mini is the world’s smallest polyphonic tuner and it will fit on any pedal board. Sometimes size actually does matter and in such cases, PolyTune Mini is the perfect solution as no other pedal tuner in the world will take up so little space, which means more room for other pedals.
PolyTune Mini shows you the tuning state of all strings simultaneously by simply strumming your guitar, allowing you to get back to playing in a matter of seconds. PolyTune Mini is among the most precise tuners in the world, tuning with +/- 0.5 cent precision in chromatic mode and +/- 1 cent accuracy in polyphonic mode. Also, it automatically switches between chromatic and polyphonic modes depending on whether you strum all strings at once or pick each string individually.
Further, PolyTune Mini features Drop-D and Capo modes as well as True Bypass for zero tone coloration and a super-bright LED display.
PolyTune Mini – Tiny Meets Awesome Tuning used to be a necessary evil. The last barrier before you could get truly rocking. But now, tuning is ready to get blasted into the 21st century with PolyTune Mini – a downright tuning miracle! The original PolyTune was the world's first polyphonic tuner - a multiple patents pending, game-changing total tuning turnaround that will have future guitarists wondering how we ever got by without it.
PolyTune Mini Main Features:
Ultra-small Footprint – Will Fit on Any Pedal Board
PolyTune – Tune All Strings Simultaneously
+/- 0.5 Cent Tuning Accuracy
True Bypass w/ Silent Tuning
Super-bright LED Display
Up to 5 Semitones Flat Tunings
Drop-D and Capo Tuning
It couldn't be done - until we did it. The magic lies in a never before seen approach to tuning aimed at speed, accuracy and ease of use. With PolyTune Mini, you simply strum all strings on your guitar at once, and it will immediately tell you which strings need tuning! This cutting-edge tuning technology revolutionizes the way you tune and accomplishes what has been deemed 'impossible' until now: tuning all strings simultaneously! It really is as simple as strum - tune - rock, and this quantum leap forward allows you to get in tune fast, and back to doing what you love: playing. Crowds don't want to wait around, they want to rock, and, let's face it, so do you.
Chromatic champion Besides the Polyphonic tuner, PolyTune Mini has a chromatic tuner that can hang with the best current tuning technology out there, with an amazing 0.5 cent accuracy. But we are never satisfied with the current norm, and added some features to make this tuner's chromatic section stand out from the crowd. Let's start with the two separate chromatic tuning modes, which cater to your individual preferences and needs. Needle mode is for those that are used to the classic view on a tuner. If you want a little more real-time information, we have included stream-mode, which measures even the slightest pitch variation and instantly feeds the info back to you via a rotating motion on the display.
Tuning Magnet Key to both these great chromatic modes is an ultra-fast and precise response, which is achieved via the use of the unique tuner magnet feature. This slows down the needle once you get close to the desired pitch, making it much easier to get the job done quickly.
MonoPoly Whether you want to use the polyphonic tuner to get in tune, or prefer to go the chromatic route, this pedal has you covered. PolyTune Mini features "MonoPoly", a jaw-dropping new technology that recognizes whether you play one or more strings and instantly replies with the appropriate poly- or monophonic tuning mode
Total Recall Of course, all of these amazing features would not mean a thing if they were a pain to use or set up. So, we added some traits to ensure this tuner is calibrated to the guitarist. Unlike most other tuners, PolyTune stores your preferences. From pitch reference to tuning mode, it hangs on to this information even after it is powered down, making sure you only have to set how you want things to happen once. The next time you power up again, it will show you the settings, so you instantly know Everything is exactly how you want it to be.
We can't make tuning fun. But we can sure make it a whole lot easier. We want to do our part for the guitar community and truly innovate the life of guitarists. And with PolyTune Mini's extraordinary features and cutting-edge technology, we feel we have accomplished just that. We are passionate guitarists ourselves and we work every single day to make all our lives easier and more rocking. We did it for multi-effects with G-Force, G-Major2, Nova System and G-System, we did it for stomp boxes with the Nova series, and now PolyTune is here to give tuning a much needed kick in the A440!
Tuning Range: A0 (27.5Hz) - C8 (4186 Hz) Tuning Accuracy: +/- 0.5 cent Reference Pitch: 440 Hz Input Impedance: 1 MOhm (pedal on) Power Supply: AC adapter (9V DC), - sold separately Current Draw: 40 mA (typical use) Dimensions (WxDxH): 51 mm x 93 mm x 45 mm Weight: 160 g/10.6 oz Included items: 2 pcs. rubber feet
The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.
Features:
Classic "blues" guitar tones with tube amp simulation
Warm distortion and overdrive
Responds to nuance and volume changes
AC adaptor or 9V battery operation
BOSS 5-year warranty
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Equivalent Input Noise Level: -118 dBu (IHF-A, Typ.) Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 9 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Option: AC Adaptor (PSA-Series)
The CE-5 Chorus Ensemble is BOSS' ultimate compact chorus pedal, covering a wide frequency range and featuring high- and low-cut filters. This lets users create any kind of chorus effect--from a mild, natural chorus to the clear and penetrating stereo chorus effect popular in contemporary music.
Features:
Ultra-high quality compact chorus pedal for guitarists and keyboardists
High- and Low-cut filters for shaping tonality of the chorus
Offers Effect Level, Rate, Depth and Filter knobs for complete control
Mono input and Stereo outputs for connection to dual amps or for studio use
Produces a range of chorusing effects, from subtle to extreme
BOSS 5-year warranty
Input Impedance: 1 M ohms Output Impedance: 1 k ohms Recommended Load Impedance: 10 k ohms or greater, Residual Noise Level: -93 dBu (IHF-A, Typ.) Connectors: INPUT Jack, OUTPUT Jack A (mono)/ B, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 22 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Option: AC Adaptor (PSA-Series) Size and Weight ( incl. battery ):
The CH-1 Super Chorus pedal delivers a clean classic chorus sound with crystal-clear highs and a unique stereo effect, variable between left and right speakers.
Features:
Classic BOSS chorus pedal with clean, brilliant sound for guitar and keyboards
Effect Level, EQ, Rate and Depth knobs allow for precise shaping of sound
Features Mono input and Stereo outputs for connection to dual amps
BOSS 5-year warranty
Input Impedance: 1 M ohms Output Impedance: 10 k ohms or greater Residual Noise Level: -95 dBu (IHF-A, Typ.) Connectors: INPUT Jack, OUTPUT Jack A (mono)/ B, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 22 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Option: AC Adaptor (PSA-Series) Size and Weight ( incl. battery ):
The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.
Features:
Compact compression/sustainer pedal with high-quality circuitry
Compresses loud signals and boosts softer signals for a smooth overall sound
Onboard Level, Tone, Attack and Sustain controls for precise tonal shaping
Low-noise design for super-quiet operation
BOSS 5-year warranty
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Equivalent Input Noise Level: -110 dBu (IHF-A Weighted, Typ.) Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 11 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Option: AC Adaptor (PSA-Series) Size and Weight ( incl. battery ):
The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.
Features:
Compact noise suppression pedal for eliminating noise and hum in guitar and bass effects and amplifier setups
Unique noise detection circuit preserves the natural attack and envelope of an instrument's sound
Threshold and Decay knobs allow for shaping the elimination/suppression as desired
BOSS 5-year warranty
Input Impedance: 1 M ohms Output Impedance: 10 k ohms or greater Equivalent Input Noise Level: -110 dBu or less (IHF-A, Typ.) Connectors: INPUT Jack, OUTPUT Jack, RETURN Jack, SEND Jack, DC In, Out Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 20 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Option: AC Adaptor (PSA-Series)
The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
Features:
Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
"Rate" control allows for higher speed adjustment than classic PN-2
"Wave" control alters LFO waveform from triangle to square
"Depth" control determines the strength of the effect
BOSS 5-year warranty
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Residual Noise Level: -90 dBu (IHF-A Weighted, Typ.) Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 20 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Option: AC Adaptor (PSA-Series)
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.
Features:
Compact chorus pedal especially designed for bass guitar
Applies chorus sound to the high frequencies without altering low frequencies
Recreate the sound of blues from Nashville to Chicago and all points between.
The Akai Professional Blues Overdrive is an essential ingredient in the Analog Custom Shop product line. Blues Overdrive’s heavy-duty polished stainless-steel housing is deceptively simple in appearance, wonderfully deep in appealing, warm tone. True-bypass switching is combined with adjustable Level and Drive knobs for just the right amount of precision control.
Overdrive pedals may be difficult to master, however, with only two knobs Blues Overdrive allows guitarists to easily dial in a precise combination of volume and overdrive effect. Subtle adjustments allow guitarists to sculpt a tone that is customized to their rig, band or specific song. Warm up your sound, add some grit and play with the emotion-stirring Blues Overdrive from Akai Professional’s Analog Custom Shop.
Blues Overdrive is powered by the included 9-volt battery or 9v DC adapter (sold separately).
Features:
Dynamic overdrive response to incoming signal, from subtle to saturated
Vintage circuit design with boutique sound quality
True Bypass for retaining a pure signal when the effect is disengaged
Phase Shifter, from the Akai Professional Analog Custom Shop, is one of the more esoteric pedals in the product line. Phase includes A and B frequency toggle-switches and a Rate knob in heavy-duty polished stainless-steel housing. True-bypass switching and three control mechanisms provide precision control.
Phase Shifter provides an instantly recognizable swirling sound. The Rate knob sets how often the oscillation effect waveform repeats as well as the resulting pitch and depth of the signal. The A and B frequency toggle-switches can be set in four different ways. Combining these four settings with subtle changes to the Rate knob results in a range of lush, atmospheric ambience that swirls around as much or as little as desired.
Phase is powered by the included 9-volt battery or 9v DC adapter (sold separately).
Features:
Four distinct modes to match the character of multiple vintage phasers
Great for keyboards as much as guitars
Warm, classic sound
True Bypass for retaining a pure signal when the effect is disengaged
Color your sound with 256 rich Alesis DSP programs.
Essential Effects NanoVerb™ 2 puts effects that musicians use all the time: reverb, delay, chorus and more at your fingertips with front-facing, easy-to-use controls all in a compact housing that will fit any set up.
Every musician and engineer knows that a pro-grade reverb is crucial to adding space and depth to your sound. As with the original NanoVerb, the heart of NanoVerb 2 is its stunning reverb effects. NanoVerb 2's updated, natural-sounding reverbs comprise half of it's effects dial; choose from lush and expansive hall, plate, spring or tape reverbs, and let NanoVerb 2 create just the right space and depth to enhance your studio tracks or live performance.
NanoVerb 2 isn't just about reverb, it's packed with other must-have effects to expand and enrich your vocals, guitar, keyboard or whatever else you choose to plug in. True stereo delay, chorus, tremolo, flange and rotary speaker effects are all within easy reach with NanoVerb 2, making it an essential signal processor for nearly any situation.
16 Program Settings for 256 Effects A solid effects box should give you more than just a few choices on a knob. NanoVerb 2 delivers the goods with 16 different program settings for each of its 16 effects giving you 256 unique effect algorithms. Simply turn to the effect you need, then dial through the program settings to find the one that fits your sound. In addition, we took a no-compromise approach to what you will hear when you plug in and choose a setting. NanoVerb 2's 52-bit DSP resolution ensures remarkable sonic quality that allows you to use it for any effects application from guitar to studio recording.
Other easy-to-use controls include a Mix knob to control how much effect is on the signal, from clean to saturated, and Input & Output knobs to make sure you have control of your level from beginning to end. An easy-to-read, bi-color LED on front lets you know that your signal is present and if it's clipping. A bypass input on the back allows you to attach an optional footswitch for ultimate command over NanoVerb 2 during performances or recording.
NanoVerb 2 puts vital effects in a compact, user-friendly package. With it's broad range of applicable uses, NanoVerb 2 is the perfect addition to any studio or live set up. Plus, it fits just about any budget so you can afford to put two or three NanoVerb 2's in your rack, dedicated to multiple sources.
Features:
16 programs, with 16 variations each, for a total of 256 presets
Analog wet/dry mix control
Adjustable input and output gains
Minimized signal patch for optimal sound quality
Signal/clip LED control for easy visual monitoring
Can create stereo effects from mono input signal
Rugged, compact design for years of reliable performance
Bypass control with footswitch, sold separately
Includes:
NanoVerb 2 effects processor
Power supply
Quick start guide
Presets: 256
Effect Types: Hall 1, Hall 2, Hall 3, Spring 1, Spring 2, Tape, Plate 1,
Plate 2, Tremolo, Chorus, Flanger, Delay, Delay/Reverb, Flanger/Reverb,
Chorus/Reverb, Rotary
Wet-Dry Mix: Yes, analog
Maximum Delay Time: 1,000 ms
Frequency Response: 20Hz – 20kHz
DSP Resolution: 52-bit
Overload Warning: LED
Inputs: 2x 1/4" TS
Outputs: 2x 1/4" TS
Bypass: 1/4" for footswitch (sold separately)
Power: 9V
Dimensions: 7.76" x 5.12" x 1.73" (197 x 131 x 44 mm)
Weight: 1.26 lb (0.76 kg)
Compressor, from the Akai Professional Analog Custom Shop, is the ideal solution to sculpting a defined guitar tone. Compressor combines Level and Sensitivity knobs in a heavy-duty polished stainless-steel housing with classic custom graphics evoking the true sound of guitar glory.
With just two knobs, Analog Custom Shop’s Compressor provides precise control over the input signal resulting in a more balanced overall output. Level controls how much of the compression effect is applied while Sensitivity determines when the effect kicks in. Careful adjustments between these two parameters results in signal clarity not otherwise achievable.
Compressor is powered by the included 9-volt battery or 9v DC adapter (sold separately).
Features:
Squeeze your sound to increase sustain or create harder attacks
Wide range of compression sounds from one pedal.
True Bypass for retaining a pure signal when the effect is disengaged
Flanger, from the Akai Professional Analog Custom Shop, is a great example of a classic sound improved. Flanger includes Rate, Depth, Manual and Res knobs in heavy-duty polished stainless-steel housing. True-bypass switching and four adjustable knobs provide precision control.
At first glance Flanger looks a breeze but once explored reveals a perfect storm of sound. The Rate knob sets how often the oscillation effect waveform repeats as well as the resulting pitch and depth of the signal. Depth sets the intensity of the flange effect, ranging from a mellow stir to an intense swirling maelstrom. Manual and Res work in combination to both delay and increase the intensity of the overall effect.
In the right hands, Flanger unlocks a key to the instantly recognizable, cradle-rocking sound of 80’s hard rock.
Flanger is powered by the included 9-volt battery or 9v DC adapter (sold separately).
Features:
Rich 100% analog flanging
Depth, resonance, speed and manual controls
True Bypass for retaining a pure signal when the effect is disengaged
Stash the PANDORA mini in your guitar case, and reach for it whenever you have a spare minute! This micro-sized practice tool is stuffed with 158 types of amps and effects. Just plug in your guitar, plug in your headphones, and get going. You can use up to seven effects at once, and you can store your own sounds to 200 user programs (there are even 200 preset programs too). In fact, you can even plug your MP3 player into the AUX input to jam along. Of course, the Korg PANDORA mini also comes with 100 different rhythm patterns and a built-in metronome, so you can work out an idea whenever you like. Other helpful features on the PANDORA mini include a backlit LCD that helps you see, an auto-tuner with muting, four memory buttons for one-touch recall of your favorite programs, and sound-editing software support so you can manage your sounds on your computer.
Beyond all that, the Korg PANDORA mini can be powered two ways. First, you can use batteries, so it's perfect for practicing anytime, anywhere. Second, you can use a USB connection to power it, so you can rock for hours into the night next your Mac or PC.
Features:
Ultra-compact pocket-size multi-effect designed for both guitar and bass
Powered by "REMS" modeling technology
200 preset programs (including song presets)
200 user programs locations for storing your own sounds
158 types of amazing amps and effects
Use up to seven effects at once
100 different rhythm patterns plus a built-in metronome; ideal for composing and practice.
AUX input for jamming along to your favorite songs on CD, MP3, etc.; Ability to change the pitch of the Aux input by +/- one octave
TAP button makes it easy to set the delay time or the tempo of the Rhythm
Four program memory buttons allow one-touch recall of your favorite programs
Auto-tuner with muting
Backlit LCD screen ensures good visibility, even in dim locations
Stylish body, available in either black or white
Sound editing software; edit sounds and manage programs from your computer
Two-way powerbatteries or USB bus power
Type: Multi-FX Number of Effects: 109 Amp Modeling: Yes Number of Models: 26 Amp Models, 23 Cabinet Models Analog Inputs: 1 x 1/4", 1 x 1/8" Aux In Digital Inputs: No Digital Input Analog Outputs: 1 x 1/4", 1 x 1/8" Headphone Out Digital Outputs: No Digital Output Other Inputs: No Other Inputs Other Outputs: USB Computer Connection: Yes Power Supply Included: No Batteries: 1 x AA Height: 1.18 inches Depth: 2.2 inches Width: 3.15 inches Weight: 2.82 oz.
Stash the PANDORA mini in your guitar case, and reach for it whenever you have a spare minute! This micro-sized practice tool is stuffed with 158 types of amps and effects. Just plug in your guitar, plug in your headphones, and get going. You can use up to seven effects at once, and you can store your own sounds to 200 user programs (there are even 200 preset programs too). In fact, you can even plug your MP3 player into the AUX input to jam along. Of course, the Korg PANDORA mini also comes with 100 different rhythm patterns and a built-in metronome, so you can work out an idea whenever you like. Other helpful features on the PANDORA mini include a backlit LCD that helps you see, an auto-tuner with muting, four memory buttons for one-touch recall of your favorite programs, and sound-editing software support so you can manage your sounds on your computer.
Beyond all that, the Korg PANDORA mini can be powered two ways. First, you can use batteries, so it's perfect for practicing anytime, anywhere. Second, you can use a USB connection to power it, so you can rock for hours into the night next your Mac or PC.
Features:
Ultra-compact pocket-size multi-effect designed for both guitar and bass
Powered by "REMS" modeling technology
200 preset programs (including song presets)
200 user programs locations for storing your own sounds
158 types of amazing amps and effects
Use up to seven effects at once
100 different rhythm patterns plus a built-in metronome; ideal for composing and practice.
AUX input for jamming along to your favorite songs on CD, MP3, etc.; Ability to change the pitch of the Aux input by +/- one octave
TAP button makes it easy to set the delay time or the tempo of the Rhythm
Four program memory buttons allow one-touch recall of your favorite programs
Auto-tuner with muting
Backlit LCD screen ensures good visibility, even in dim locations
Stylish body, available in either black or white
Sound editing software; edit sounds and manage programs from your computer
Two-way power: batteries or USB bus power
Type: Multi-FX Number of Effects: 109 Amp Modeling: Yes Number of Models: 26 Amp Models, 23 Cabinet Models Analog Inputs: 1 x 1/4", 1 x 1/8" Aux In Digital Inputs: No Digital Input Analog Outputs: 1 x 1/4", 1 x 1/8" Headphone Out Digital Outputs: No Digital Output Other Inputs: No Other Inputs Other Outputs: USB Computer Connection: Yes Power Supply Included: No Batteries: 1 x AA Height: 1.18 inches Depth: 2.2 inches Width: 3.15 inches Weight: 2.82 oz.
BOSS is pleased to offer another “Authentic BOSS” Compact Pedal; the AC-3. How many times have you been onstage or in the studio with your electric guitar, and wished that you’d brought an acoustic along? For musicians who travel light, hauling an extra guitar to the gig isn’t always the most attractive option. BOSS AC-3 to the rescue! This new-generation compact pedal employs COSM modeling technology to transform any electric guitar into a variety of beautiful acoustic guitars.
Features:
BOSS’s most advanced acoustic-guitar modeling in a compact pedal
Four simulation modes: Standard, Jumbo, Enhanced, and Piezo-equipped
Top and Body knobs for fine-tuning the virtual-body resonance
Built-in reverb, optimized for acoustic-guitar simulation
Advanced Modeling BOSS’s COSM Acoustic-Modeling technology is beautifully showcased in this small but powerful pedal, which simulates an acoustic guitar much more precisely and realistically than previous technology allowed. Derived from BOSS top-of-the-line AD-8, the AC-3 simulates the sound of an acoustic guitar with incredible precision. Four simulation modes are provided: Standard, Jumbo, Enhanced, and Piezo-equipped; the latter supplies that famous “cut through the mix” direct piezo sound. Previous compact acoustic-guitar modeling-pedals were promising, but now the bar has been raised with AC-3.
Fine Control Top and Body controls are provided for shaping the characteristics of the four acoustic models. Create the perfect acoustic-guitar sound quickly and easily with simple knob twists, or add depth and space to the sound with the AC-3’s built in digital reverb. It’s like getting two pedals in one.
Reverb Included Add depth and sweetness to the sound with the AC-3’s built in digital reverb. It’s like getting two pedals in one!
Versatile Output Paths Two sets of outputs are provided for connecting the AC-3 to a standard guitar amp and to a direct input device such as a PA, recorder, or an acoustic-guitar amp configuration such as a Roland AC-60.
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Recommended Load Impedance: 10 k ohms or greater Controls: Pedal Switch, MODE Switch, BODY Knob, TOP Knob, LEVEL Knob, REVERB Knob Indicator: CHECK Indicator (Serves also as battery check indicator) Connectors: INPUT Jack, G.OUT Jack, LINE OUT Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery (6F22/ 9 V), AC Adaptor (PSA Series: Optional) Accessories: Owner's Manual, Dry Battery; 6F22/ 9 V (Carbon), Leaflet (“USING THE UNIT SAFELY,” “IMPORTANT NOTES,” and “Information”) Options: AC Adaptor PSA-Series
Next-Generation Modeling Guitar Amplifier with 480 Virtual Combos and USB Audio Interface
If a lack of money and floor space is all that's been standing between you and a home recording studio full of badass vintage guitar amps and eff ects pedals, get ready to love the V-AMP 3. This red rocker comes loaded with 32 amp models, 15 speaker cabinet models and 16 classic effects.
Any Classic You Like The V-AMP 3's 32 amp models are organized into four groups: CLEAN, BLUES, METAL and ROCK. Just twist the dedicated dial to plug into unbelievably authentic simulations of the greatest British and American tube amps from the 1950s to today. You even get models of uncommon—yet renowned—boutique tube amps! When you select an amp model, a speaker cabinet model is automatically selected. But if you'd prefer a diff erent model, just go to EDIT>CABINETS, then use the BANK UP/DOWN buttons to navigate through all 15 options.
Just like on an actual guitar amp, you've got a three-band EQ, GAIN, REVERB, VOLUME and MASTER VOLUME dials. By holding the TAP button, the TREBLE dial becomes a PRESENCE control. This enables the adjustment of a high-frequency fi lter that can add or remove a "shimmer" from the V-AMP 3's tone.
Top Tone—In Full Effect The V-AMP 3 gives you fl anger, chorus, compression, delay and 12 other beautiful digital eff ects to apply to your sound. Adjust the eff ect's level in the mix via the EFFECTS dial. To adjust eff ect parameters, you can rhythmically press the TAP button to alter delay times or LFO speeds, or hold down the TAP button and twist the EFFECTS knob to access e.g. feedback or depth. By using a MIDI pedal, such as the BEHRINGER FCB1010, you can access an additional Wah Wah eff ect. You can adjust the fi lter characteristic by entering EDIT mode, selecting the DRIVE menu and turning the EFFECTS knob while holding the TAP button.
Presenting the Presets All of these elements have been combined into 125 different presets divided into 25 banks, accessible through the BANK UP/ BANK DOWN buttons. Within each bank, you can press buttons A through E to explore its different presets. You can also create and save your own presets. Start by selecting a preset, then making any changes you wish: amp, EQ, effect, etc. The preset LED will begin to flash, indicating that the V-AMP 3 is ready to save your settings. To do this, hold the preset button down for about two seconds. Once the LED stops flashing, you have saved the modified preset. On top of all this, the V-AMP 3 also features a built-in tuner and noise gate. In essence, it's a Swiss Army Knife for the home recording enthusiast or gigging guitarist who can't seem to settle on one amp.
Stunning in the studio The V-AMP 3 features several confi gurations that make it an invaluable asset in the studio. Access the confi guration menu by pressing the B and D buttons at the same time. Then use BANK UP and BANK DOWN to select a confi guration.
When using headphones, the V-AMP 3 will switch into Studio Mode 1 (S1). This stereo mode works well for both monitoring and recording with effects, amp and speaker modeling. It doesn't apply the additional three-band EQ to the signal, but most recording programs have their own EQ. In Studio Mode 2 (S2), the V-AMP 3 sends a signal with amp and speaker simulation, but only the right output has eff ects. You can either record both left and right outputs to separate tracks, or record the "dry" left output while monitoring the right output.
Stellar on Stage The V-AMP 3 has three live configurations. When performing live with this device, you can either run it to an amp on stage, run directly to the mixing board, or both. Live Mode 1 is the best choice for running the outputs directly to the mixer, because it applies amp and speaker simulation, eff ects and an additional 3-band EQ.
Use Live Mode 2 to run the V-AMP 3 into the effects return inputs of 2 different guitar amps. This configuration does not feature speaker simulation, allowing the amplifier's natural speaker sound to go unaltered. In this scenario, the amps would be mic'd on stage to get the sound to the house speakers, and having a dedicated monitor would be less important. In Live Mode 3, you can send the left output to an amp's eff ects return for onstage volume, while the right output sends signal to the main mixer for inclusion in the main house mix. Also note that you can press the TAP key while turning the GAIN knob to adjust the input sensitivity to match the output of your guitar's pickups. If the CLIP LED lights, the input's sensitivity should be reduced.
Veni, MIDI, Vici The V-AMP 3 comes fully equipped to fit right into a MIDI (Musical Instrument Digital Interface) setup. It can be controlled in real time from a computer, or via a MIDI foot controller during a live performance. Its MIDI connectors are international-standard 5-pin DIN connectors. You will need dedicated MIDI cables (not included).
The MIDI IN jack receives MIDI controller data. It can be adjusted in EDIT mode by pressing the A button and then using the arrow keys. MIDI OUT/THRU sends data to a computer. You can transmit both preset data and parameter changes. Some people even use the V-AMP as a remote control for parameters of their DAW or VST instruments, which is more handy than using the mouse alone. If set to MIDI THRU, the V-AMP 3 does not send its own MIDI information, but passes on the signal received at the MIDI IN connector.
So Much Sound, So Little Hassle It's hard enough finding another virtual guitar amplifier with this much versatility, let alone one as economical as the V-AMP 3. This go-anywhere, do-anything wonder will leave you reeling in your own creativity, with cash to spare for other gear you'll need along the way to becoming a sonic titan both live and in your home studio.
Features:
4 all-new plus 28 improved amp models multiplied by 15 speaker cabinet simulations give you a total of 480 virtual combos
USB audio interface included, featuring stereo I/O, optical S/PDIF out, direct monitoring and separate control for phones out
No-latency guitar-to-PC recording—edit and monitor your sound on your V-AMP 3 and record straight to your PC
Studio quality multi-effects including reverb, chorus, flanger, phaser, rotary, auto-wah, echo, delay, compressor and various effects combinations
125 memory locations pre-arranged for many popular styles and embedded in the acclaimed intuitive V-AMP user interface
Tap-tempo function and many other parameters directly accessible on the unit
Presence control adjusts a high-frequency filter, simulating the negative feedback of tube amps
Preamp bypass function allows use as a stereo effects processor without amp modeling
Stereo Aux input lets you play along to a cue from your PC, CD, MP3 or drum computer for practice, teaching and home-recording applications
Balanced stereo Line output can be configured for many recording and live applications
Adjustable auto-chromatic tuner plus effective global configurations and equalization easily adopts the V-AMP 3 to any situation outside your home studio
MIDI implementation includes program changes, control changes and SysEx, allowing complete MIDI remote control or automation with your preferred DAW
High-quality components and exceptionally rugged construction ensure long life
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Features:
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
"Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS 5-year warranty
A “Talking” Pedal The AW-3 Dynamic Wah is the first compact wah pedal to incorporate human voice-type sounds through a new “Humanizer” Mode. Of course, you can also choose from standard up-and-down wah effects, plus a Tempo Mode and resonant synth-like Sharp Mode.
Endless Possibilities Choose from both fixed and auto wah settings using the Manual control or pedal for tempo input. By connecting an optional expression pedal, the AW-3 can also be used for Pedal Wah effects. A dedicated Bass input permits direct processing of bass guitars.
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Recommended Load Impedance: 10 k ohms or greater Residual Noise Level: -92 dBu (IHF-A, Typ.) Connectors: GUITAR IN Jack, BASS IN Jack, OUTPUT Jack, EXP/CTL Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 50 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Options: AC Adaptor (PSA-Series), Expression Pedal (Roland EV-5), Footswitch (FS-5U),
From fat crunch to ultra high-gain distortion, the ST-2 Power Stack delivers famous BOSS distortion with a stunning amount of power that’s akin to coveted tube amps and professional amp stacks. The SOUND knob simultaneously blends gain amount and sound character, so you can quickly dial up anything from vintage crunch and punchy drive to full-assault distortion. To add further detail to your tone, simply tweak the onboard two-band EQ to taste. The ST-2 is one very unique distortion pedal, calling on BOSS’ years of amp modeling research to bring you real stack sounds in a compact stompbox.
Features:
Original distortion sound reminiscent of tube-based stack amplifiers
Provides a wide range of tones, from vintage crunch to ultra high-gain modern distortion
Faithful and accurate response to picking nuances and volume changes
SOUND knob controls both gain level and sound character
Two-band EQ with dedicated BASS and TREBLE knobs
Road-tough BOSS construction
Tower of Power The ST-2 delivers the playing feel and power that are hallmarks of stack amps. It was derived from BOSS’ extensive analysis of the sound and characteristics of a vast number of classic guitar amps. This distortion effect delivers authentic tone and expression that responds naturally to picking nuances and volume changes on your guitar. But emulation is only the beginning, as the ST-2 has the ability to go beyond the sound of real amps.
Crunch, Drive, Ultra High Gain The ST-2 lets you enjoy a rich, clean tone when playing soft, and smoothly transition into a fat crunch as you play harder — great for rock ballads or songs that require dramatic tone shifts. Imagine the powerful, driving sound of a stack amplifier. An authentic classic-rock tone is here as well, with crisp overtones. Turn up the SOUND knob for a heavy-metal tone. The ST-2 allows extreme high gain, but offers a powerful low-end and sharp edge at the same time.
SOUND Knob The SOUND knob is a controller that is uniquely BOSS. Simply set it to the tone type you’re looking for. The SOUND knob not only changes gain but sound character as well, from brisk crunch and spectacular drive to earth-shaking ultra high gain.
Road-Tough BOSS BOSS compact pedals are world-famous for their great sound as well as their road-tough construction, consistency, and reliability. The ST-2 inherits this BOSS-proven design, offering guitarists a solidly constructed pedal that’s built to withstand decades of demanding use.
Nominal Input Level: -20 dBu Input Impedance: 1 M ohm Nominal Output Level: -20 dBu Output Impedance: 1 k ohm Recommended Load Impedance: 10 k ohm or greater Power Supply: DC 9 V: Carbon-zinc battery (9 V, 6F22), Alkaline battery (9 V, 6LR61), AC Adaptor (optional) Current Draw: 36 mA (DC 9 V), Expected battery life under continuous use: Carbon: 3 hours, Alkaline: 10 hours, These figures will vary depending on the actual conditions of use. Accessories: Owner's Manual, Alkaline battery (9 V, 6LR61) Option: AC adaptor (PSA series)
Fender amps of the ’50s and ’60s are beloved and coveted by guitarists around the world. Thanks to BOSS’ technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Bassman.
Features:
Recreates the legendary tone of the 1959 Fender Bassman amp
Additional BRIGHT IN provides a brighter sound, similar to the original Bassman
Presence, Treble, Mid and Bass EQ controls
Road-tough BOSS metal construction
Perfect pre-gain pedal for adding or retaining Fender tone color
Nominal Input Level: -20 dBu Input Impedance: 1 M ohm Nominal Output Level: -20 dBu Recommended Load Impedance: 10 k ohms or greater Controls: Pedal switch, PRESENCE knob, MIDDLE knob, BASS knob, TREBLE knob, GAIN knob, LEVEL knob Indicator: CHECK indicator (Serves also as battery check indicator) Connectors: INPUT jack, BRIGHT IN jack, OUTPUT jack, AC adaptor jack (DC 9 V) Power Supply: DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional) Current Draw: 36 mA (DC 9 V) Expected battery life under continuous use: Carbon: 3 hours, Alkaline: 10 hours * These figures will vary depending on the actual conditions of use. Accessories: Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), Dry Battery 006P/9V (6LR61) Options: AC Adaptor (PSA series)
Your Attention Please! VoiceTone X1 brings a modern “down and dirty” quality to live vocals with tinny megaphones and sharp vocal distortion effects under singers’ control.
Creates modern-sounding megaphone and intense distortion effects
Filtered telephone sounds also onboard
High quality signal path and tough enclosure
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
X1 Factors:
3X Megaphone/Telephone effects
2 Distortion types
3 Amp effects
Drive control (modifies distortion)
Filter control (smart EQ band limiting)
Whether you need to punctuate a word, phrase or an entire song with an effect, VoiceTone X1 intensifies your vocals with its wide range of filtered and distorted sounds. Simply load one of the pre-set styles, tap the footswitch and you’re ready to go. From there, the Drive and Filter controls can be modified to suit your voice or the song. Kick it on, kick it off, you’re in control!
As simple as plugging in your mic Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldn’t need to unfold the manual unless you’re making a fire. Strong family genes
Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing you’d expect from our flagship vocal processors like VoiceLive 2.
All new Mic Control feature The revolutionary and patent pending Mic Control circuit is built into each VoiceTone single pedal. This allows TC-Helicon’s MP-75 Modern Performance Vocal microphone‘s thumb switch to turn your VoiceTone single’s effect on and off. Picture having the freedom to kick-in your vocal effect while working the stage, not gazing at your feet. It gets really cool when you chain multiple VoiceTone singles pedals together and control each one independently or turn them all on or off in combination
Control Transducer Type Drive Filter Footswitch on/off Mic Control on/off
Construction Two part dies cast metal Rubberized base
Analog Inputs Connectors, balanced: Mic.: XLR Mic Input Level @ 0 dBFS: -42dBu to +1dBu EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu Mic input SNR: >104 dB
Analog Outputs Output Impedance, Bal./Unbal.: 200/100 Ohm Output Full Scale: +1 dBu Dynamic Range: >104 dB, 20 Hz to 20 kHz Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control USB for firmware and control Mic Control using TC-Helicon MP-75
Power Power Supply (Supplied): 12V .4A Power Consumption: 5.6W
Safety EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements Operating Temperature: 32°F to 122°F (0°C to 50°C) Storage Temperature: -22°F to 167°F (-30°C to 70°C) Humidity: Max. 90 % non-condensing
Included with VoiceTone X1 Region specific power supply USB cable User guide 1 year warranty parts and labor
The second in the new Legend Series is the FDR-1, based on the Fender 1965-era Deluxe Reverb — a coveted tube amp known for its natural touch-responsive and distinctive snappy overdriven sound. In conjunction with Fender, BOSS designed this stompbox to recreate the legendary tone of the 1965 Fender Deluxe Reverb amp. Features include the same controls on the original Deluxe Reverb: Level, Gain, Treble, Bass, Vibrato and Reverb. The FDR-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Deluxe Reverb.
Features:
Recreates the legendary tone of the 1965 Fender Deluxe Reverb guitar amp
Level, Gain, Treble, Bass, Vibrato and Reverb controls
Road-tough BOSS metal construction
Perfect pre-gain pedal for adding or retaining Fender tone color
Nominal Input Level: -20 dBu Input Impedance: 1 M ohm Nominal Output Level: -20 dBu Output Impedance: 2.2 k ohms Recommended Load Impedance: 10 k ohms or greater Controls: Pedal switch, GAIN knob, LEVEL knob, TREBLE knob, BASS knob, VIBRATO knob, REVERB knob Indicator: CHECK indicator (Serves also as battery check indicator) Connectors: INPUT jack, OUTPUT jack, AC adaptor jack (DC 9 V) Power Supply: DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional) Current Draw: 40 mA (DC 9 V) Expected battery life under continuous use: Carbon: 2.7 hours, Alkaline: 9 hours * These figures will vary depending on the actual conditions of use. Accessories: Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), Dry Battery 006P/9V (6LR61) Options: AC Adaptor (PSA series)
MojoMojo Overdrive is the overdrive pedal that will breathe life, magic and that certain something into your sound, making your playing stand out. Guitarists everywhere are always looking for that little extra push over the cliff, a touch of magic to their sound that gives just that extra bit of bite, body and tone. MojoMojo Overdrive will give you that flash of perfection every time you engage it, providing a crisp and clear overdrive with a rock-solid bottom end.
A sweet blues lead, an extra chunky rhythm tone or a soaring solo, it's all there - and then some. MojoMojo Overdrive is equipped with separate bass and treble controls and a bass-response voice toggle that prevents your bass frequencies from ever disappearing when you step on the pedal. For maximum mojo, MojoMojo Overdrive features true bypass, an easy-access battery hatch, a small footprint and the highest-grade components.
Fine design Designing MojoMojo Overdrive was both very simple and very complex. We knew what we wanted from the start: A pedal that sounds like an amp, a very open character and little compression. We wanted the pedal to be alive, have an attitude and pick up on the subtleties of your playing in a dynamic way. To add to the challenge, we didn't go for the sound of any old amp, MojoMojo Overdrive needed to give you that sweet, glassy and purely musical cranked tweed sound. We basically set out to capture lightning in a bottle with a clarity that even allowed for complex chords to stand out. We wanted to deliver the magic, spine-shivering feeling of an amplifier working hard and delivering pure valve tone.
Also, we recognized that adding an overdrive isn't simple for tone-conscious guitarists. Anyone can slam a pedal onto their board and hope for the best, but we know what it's like to spend countless hours sculpting your own sound. And when adding an overdrive, the last thing you want is for the tone to change. We set out to deliver a pedal that adds new stages of crunch, but leaves your tone alone, just like a great overdrive pedal should. In other words, MojoMojo Overdrive is like adding another channel to your amp and it will sound like it always belonged there.
So far for the simple part. The complex part came in designing the pedals. We are excited to say we solved the puzzle, and that the result is simply astounding.
Ride the lightning One of the reasons why we've achieved such a dynamic pedal is the fact that we use a special circuit that ramps up the voltage to more than 3-4 times the amount of your typical drive pedals. However, we don't use this added gain to squeeze more overdrive/distortion out of the pedal, but to dramatically increase the headroom and dynamics.
The result? The most alive overdrive you have ever heard, a pedal that defines all that is magic about overdriven sounds and a pedal that responds to your playing in dynamic and ultra-musical ways. It cleans up when you want it to and when you really dig in, MojoMojo Overdrive is right there with you. The word ‘pedal' doesn't even begin to describe this little box of wonder, it needs to be tried to be believed.
MojoMojo Overdrive Features
True Bypass - zero loss of tone
Drive, Level, Bass and Treble controls - total control of your overdrive sounds
Voicing switch - for an awesome mid-shift
Easy battery access - makes changing batteries fun! (well, almost)
Small footprint - save precious pedalboard space
High-quality components - only the best will do when it comes to tone
Road-ready design - ready to follow you wherever your playing takes you
The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass.
Features:
World’s first compact pedal with true Polyphonic Octave effects
New Drive mode adds distortion to octave notes for a fatter, more aggressive tone
Includes the original OC-2 mode, capable of producing notes one and two octaves down
Poly Octave effect adjustable to play within a specific note range
Bass input for adapting octave sound to bass guitars
BOSS 5-year limited warranty
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Recommended Load Impedance: 10 k ohms or greater Residual Noise: -96 dBu (IHF-A, Typ.), All knobs at center position Controls: Pedal switch, DIRECT LEVEL knob, OCT1 LEVEL knob, CONTROL knob, MODE knob Connectors: GUITAR IN jack, BASS IN jack, OUTPUT (MONO) jack, DIRECT OUT jack, AC adaptor jack (DC 9 V) Power Supply: DC 9 V: Dry battery (9 V type), AC Adaptor (PSA-series: optional) Current Draw: 50 mA (DC 9 V) Accessories: Owner's Manual, Dry battery (9 V type) S-006P/9 V (6F22/9 V) Options: AC Adaptor (PSA-Series)
Live Sound Engineer in a box Like a personal audio engineer, VoiceTone T1 reacts to your voice and applies studio dynamics and EQ to bring out your best tone.
Studio vocal tone without the hassle
High quality multi-band EQ
Smoothing compressor & de-esser
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 Microphone
Adaptive EQ and Dynamics For Your Voice VoiceTone T1 adapts studio-quality compression, de-ess and EQ to your individual voice to bring out your most exciting vocal tone. The multiband EQ compares your vocal frequencies to an ideal target and brightens and removes mud accordingly while the compressor works to keep your voice sounding smooth whether you’re right on the mic or farther away.
As simple as plugging in your mic Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldn’t need to unfold the manual unless you’re making a fire. Strong family genes
Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing you’d expect from our flagship vocal processors like VoiceLive 2.
All new Mic Control feature The revolutionary and patent pending Mic Control circuit is built into each VoiceTone single pedal. This allows TC-Helicon’s MP-75 Modern Performance Vocal microphone‘s thumb switch to turn your VoiceTone single’s effect on and off. Picture having the freedom to kick-in your vocal effect while working the stage, not gazing at your feet. It gets really cool when you chain multiple VoiceTone singles pedals together and control each one independently or turn them all on or off in combination.
Control Tone Shape amount Compress amount Warmth on/off Footswitch on/off Mic Control on/off
Construction Two part dies cast metal Rubberized base
Analog Inputs Connectors, balanced: Mic.: XLR Mic Input Level @ 0 dBFS: -42dBu to +1dBu EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu Mic input SNR: >104 dB Guitar Input impedance: 1 MOhm Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu Guitar Input SNR: >115dB
Analog Outputs Output Impedance, Bal./Unbal.: 200/100 Ohm Output Full Scale: +1 dBu Dynamic Range: >104 dB, 20 Hz to 20 kHz Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control USB for firmware and control Mic Control using TC-Helicon MP-75
Power Power Supply (Supplied): 12V .4A Power Consumption: 5.6W
Safety EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements Operating Temperature: 32°F to 122°F (0°C to 50°C) Storage Temperature: -22°F to 167°F (-30°C to 70°C) Humidity: Max. 90 % non-condensing
Included with VoiceTone T1 Region specific power supply USB cable User guide 1 year warranty parts and labor
The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.
Features:
Compact pedal with versatile vintage and modern BOSS phasing
New "Rise" and "Fall" modes create unidirectional phasing
Includes classic multi-stage phasers with selectable stages
Realtime control of Rate, Filter, and Tempo via optional expression pedal
Tap tempo sync of phasing effects
BOSS 5-year warranty
“Rise” and “Fall” Effects: In addition to standard up and down cycles, the new PH-3 Infinite Phaser can produce entirely upward or downward moving sounds through its new Rise and Fall effects. There’s also 4-, 8-, 10-, and 12-stage phasers, plus a Step effect.
Total Control: Syncing the PH-3’s phasing effects can be achieved by simply tapping the pedal to the tempo desired. Or, for maximum control, connect an optional expression pedal to control both rate and filter in real time as you play.
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Recommended Load Impedance: 10 k ohms or greater Residual Noise Level: -92 dBu (IHF-A, Typ.) Connectors: INPUT Jack, OUTPUT Jack, EXP/CTL Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor Current Draw: 50 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Options: AC Adaptor (PSA-Series), Expression Pedal (Roland EV-5), Footswitch (FS-5U)
Powerful dual engine digital sound processor (DSP) offers a full complement of 60 of the latest, most useful/breathtaking effects presets including hall and room reverbs, gates, echo/vibrato/chorus/flanging delays, pitch shifting, and concert/stage re-creations
Intuitive and easy to operate — all parameters can be selected and/or edited via the jog wheel knob or external MIDI remote control (via Program Change messages) with 60 user program locations for personal edits storage
24-bit A/D and D/A converters for ultra-high headroom and resolution
Internal 44.1KHz sampling rate for unsurpassed audio
Servo-balanced inputs and outputs with XLR and ¼” TRS connectors
Input and output Level Switches add +4 dB or attenuation -10 dB
Remote MIDI program change and bypass control
4-segment, ultra-precise stereo input level LED display
3-digit program and parameter LED display
Front Panel Selectable Preset/User/MIDI/Bypass controls
Input level Control, variable
Rugged construction for maximum long-term reliability
Shielded internal dual regulated power supply with ~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector
Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.
Features:
BOSS' best flanging effects in a compact pedal
New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
Momentary mode turns flanging on instantly
Tap tempo adjustable via pedal
Independent Guitar and Bass inputs and stereo outputs
BOSS 5-year warranty
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Recommended Load Impedance: 10 k ohms or greater Delay Time: 0.3 mS to 14.4 ms (GUITAR IN), 0.3 ms to 6.3 ms (BASS IN) LFO Speed: 100 mS to 18 S Residual Noise: -95 dBu (IHF-A Typ.) Controls: Pedal Switch, MANUAL Knob, RES (resonance) Knob, DEPTH Knob, RATE Knob, MODE Knob Indicator: CHECK Indicator (Serves also as tempo and battery check indicator) Connectors: GUITAR IN Jack, BASS IN Jack, OUTPUT A (MONO) Jack, OUTPUT B Jack, AC adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry battery (9 V type), AC Adaptor (PSA-series: optional) Current Draw: 40 mA (DC 9 V) Accessory: Dry battery (9 V type) S-006P/9 V (6F22/9 V), Owner's Manual Option: AC Adaptor: PSA-Series Size and Weight ( incl. battery ):
A classic reborn — the legendary sound of the 1963 Fender Spring Reverb returns as a modern stompbox. BOSS and Fender USA have collaborated to create the FRV-1, a stunning recreation of the legendary ’63 Fender Reverb via COSM technology. The FRV-1 puts that timeless tube-driven reverb sound under your foot in a tough, reliable compact pedal.
A timeless classic — the Fender Spring Reverb is the sound that launched the surf-music phenomenon, and is a staple of rockabilly, country, and blues. Later, it became commonplace in grunge and other modern genres. Now the same legendary sound can be had in an affordable, rugged compact pedal.
Features:
Recreates the legendary sound of the 1963 Fender Reverb via COSM technology
Easy operation with three classic controls for Dwell, Tone, and Mix for creating sounds from buttery warmth to sparkling twang
Cool, retro appearance
Road-tough BOSS metal construction
Nominal Input Level: -20 dBu Input Impedance: 1 MO Nominal Output Level: -20 dBu Output Impedance: 1 kO Recommended Load Impedance: 10 kO or greater Power Supply: DC 9 V: Dry battery 6F22 (9 V) type (carbon)/Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional) Current Draw: 37 mA (DC 9 V), * Expected battery life under continuous use: Alkaline: 10.5 hours. These figures will vary depending on the actual conditions of use. Dimensions: mm: 73 (W) x 129 (D) x 59 (H), inches: 2-7/8 (W) x 5-1/8 (D) x 2-3/8 (H) inches Weight: 420 g / 15 oz (including battery) Accessories: Owner's Manual, Dry battery/9 V type (6LR61) Option: AC adaptor (PSA series)
This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control.
Features:
Compact delay pedal with superb BOSS sound quality
Provides 3 delay time modes and a Delay Time control for quick adjustment of exact delay time between 12.5ms - 800ms
Hold function repeats delay sound indefinitely for interesting effects
BOSS 5-year warranty
Input Impedance: 1 M ohms Output Impedance: 10 k ohms or greater Residual Noise Level: –95 dBu (IHF-A, Typ.) Connectors: INPUT Jack, DIRECT OUTPUT Jack, MAIN OUTPUT Jack AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type, AC Adaptor Current Draw: 45 to 65 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Options: AC Adaptor (PSA-Series)
The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.
Features:
Produces extreme, low-end distortion for modern metal and hard rock
Gain Boost circuit creates huge distortion and sustain regardless of level
New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
Tone control adjusts balance between high and low frequencies
BOSS 5-year warranty
Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Equivalent Input Noise Level: -110 dBu (IHF-A, Typ.) Controls: Pedal Switch, GAIN BOOST Knob, DIST (distortion) Knob, TONE Knob, BOTTOM Knob, LEVEL Knob Indicator: CHECK Indicator (Serves also as battery check indicator) Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry battery, AC Adaptor (PSA-series: optional) Current Draw: 18 mA (DC 9 V) Accessory: Dry battery (9 V type) S-006P/9 V (6F22/9 V) Option: AC Adaptor: PSA-series
High-Performance 3D Multi-Engine Effects Processor
Get even more mind-expanding power for your keyboard, bass, guitar or vocals with the VIRTUALIZER PRO 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio-grade stereo and 3D effects that will add a head-spinning new dimension to your sound, both live and in the studio. The FX2000 employs BEHRINGER RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and wave-adaptive VIRTUAL ROOM reverb algorithms. Reverbs & Delays Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.
Reverbs include:
CATHEDRAL
GOLD PLATE
SMALL HALL
ROOM
STUDIO
CONCERT
STUDIO
STAGE
SPRING REVERB
AMBIENCE
EARLY REFLECTIONS
Specialty reverbs include:
REVERB – reverb is synthetically turned off after a predetermined amount of time
REVERSE REVERB – reverb envelope is reversed—it slowly gets louder
Delays include:
STEREO DELAY – delay is processed across the entire stereo image
TAPE ECHO – simulates classic tape echo devices, pre-dating the advent of digital delays
PING PONG – delay signal is “bounced” from left to right at an adjustable tempo
Much More than Just Reverb and Delay The FX2000 has some of the best-sounding reverb and delay programs, but that’s not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation.
Modulation and Pitch Shifter FX:
STEREO FLANGER (originally generated by playing back two synchronized “reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels)
VINTAGE FLANGER simulates a guitar fl anger stomp box
JET STREAM FLANGER sounds like a classic analog flanger
STEREO CHORUS (combines a slightly detuned signal with the original)
ANALOG CHORUS simulates a guitar chorus stomp box
VINTAGE CHORUS imitates a classic analog studio chorus
ULTRA CHORUS creates the sound of an eight person chorus
STEREO PHASER (combines a second, phaseshifted signal to the original)
VINTAGE PHASER represents a guitar phaser stomp box
DUAL PHASER processes the left and right channels separately
ROTARY (simulation of the rotating speakers typically used on an organ) – Slow or Fast
PITCH SHIFTER (changes the pitch of the original signal) – can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
VIBRATO – the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
TREMOLO (common vintage guitar amplifier effect) – a fast or slow periodic variation in volume
AUTO PANNING – signal is automatically sent from one side of the stereo image to the other, either once or multiple times
Dynamic FX:
COMPRESSOR – reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
EXPANDER – effectively broadens the dynamic range of source signals while reducing background noise
GATED REVERB – helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals
ANA. KOMPR/LIM. — similar to COMPRESSOR but with Limiting functionality
ULTRAMIZER – analyses incoming signal and automatically applies compression across two independent frequency bands
DENOISER – eliminates or reduces noise and other interference
DE-ESSER – reduces or removes sibilance (Ssss sound) from signal
WAVE DESIGNER – allows you to influence the envelope by adjusting Attack and Release of the signal
Psychoacoustic FX:
EXCITER – adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
ENHANCER – functions much like a dynamic pitch equalizer
ULTRA BASS – sub-harmonic processor combined with bass exciter and limiter
STEREO IMAGER – divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image
ULTRA WIDE – creates a broader stereo image
BINAURALIZER – also creates a broader stereo image and compensates for crosstalk between both speakers
Filter/EQ FX:
AUTO FILTER – influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite
LFO FILTER - Controls the rate of oscillation effects
PARAMETRIC EQ – allows you to control the bandwidth, frequency and amplitude of a signal
GRAPHIC EQ – the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined
Distortion FX and Amp Simulations The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.
Special FX:
VINYLIZER – adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
SAMPLER – allows you to record and playback up to five (5) seconds of program material
VOCODER – allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar “talking synthesizer” effect
VOICE CANCELER – removes mono vocal parts from stereo recordings for “instant Karaoke”
RESONATOR – simulates and oscillating system that amplifies a specific frequency
Our FX Combinations Go to 11 Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.
FX Combinations include:
Chorus & Reverb
Flanger & Reverb
Leslie & Reverb
Pitch & Reverb
Delay & Reverb
Tremolo & Reverb
Phaser & Reverb
Chorus & Delay
Flanger & Delay
Pitch & Delay
Tremolo & Delay
Enhanced User Editability Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
Features:
71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
Awesome modulation, dynamic, psychoacoustic and EQ algorithms
Authentic amp simulation, distortion and special effects
11 effect combinations with selectable serial / parallel configuration
Up to 7 adjustable parameters plus 2-band EQ per effect
24-bit A/D and D/A converters with 64/128-times oversampling
True stereo processing for realistic channel separation in stereo image
100 factory presets plus 100 user memory locations
Extensive MIDI implementation
Accurate LED level meters for perfect level setting and optimum performance
Servo-balanced XLR and ¼'' TRS inputs and outputs
High-quality components and exceptionally rugged construction ensure long life
The DS-2 Turbo Distortion features twin modes for an expanded range of distortion--taking users from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
Features:
Classic BOSS distortion tones with added Turbo modes
Turbo Mode I produces warm and mellow distortion with flat frequency response
Turbo Mode II provides biting distortion with a mid-range boost, perfect for leads
Built-in remote jack allows users to connect an external footswitch such as the FS-5L for instant, hands-free switching between modes
BOSS 5-year warranty
Input Impedance: 1 M ohms Output Impedance: 10 k ohms or greater Equivalent Input Noise Level: –120 dBu or less (IHF-A, Typ.) Connectors: INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack Power Supply: DC 9 V: Dry Battery 9 V type, AC Adaptor Current Draw: 12 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Option: AC Adaptor (PSA-Series)
Recreate the past and forge the future VoiceTone E1 offers singers the signature echo and slapback effects that evoke classic songs while putting effects control at their feet. Now, high quality, immersive echo effects for the stage are no longer just for guitarists.
Adds a wide range of echo effects for more depth in your vocals
Footswitch tapping can set echo times to song tempo
High quality signal path and tough enclosure
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
Powerfully easy From Rockabilly-style “tape slap” echo to trance-inducing long echo trails timed to your song’s tempo, VoiceTone E1 can excite your vocals and your audience more than ever before. And it’s so easy to use; leave it on one setting throughout your performance or change it up for different songs. When it’s time to talk to your audience, clear, dry banter is just a footswitch tap away. As simple as plugging in your mic
Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldn’t need to unfold the manual unless you’re making a fire. Strong family genes
Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing you’d expect from our flagship vocal processors like VoiceLive 2.
All new Mic Control feature The revolutionary and patent pending Mic Control circuit is built into each VoiceTone single pedal. This allows TC-Helicon’s MP-75 Modern Performance Vocal microphone‘s thumb switch to turn your VoiceTone single’s effect on and off. Picture having the freedom to kick-in your vocal effect while working the stage, not gazing at your feet. It gets really cool when you chain multiple VoiceTone singles pedals together and control each one independently or turn them all on or off in combination.
Control Delay Style Feedback Mix Analog on/off Footswitch on/off Mic Control on/off
Construction Two part dies cast metal Rubberized base
Analog Inputs Connectors, balanced: Mic.: XLR Mic Input Level @ 0 dBFS: -42dBu to +1dBu EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu Mic input SNR: >104 dB
Analog Outputs Output Impedance, Bal./Unbal.: 200/100 Ohm Output Full Scale: +1 dBu Dynamic Range: >104 dB, 20 Hz to 20 kHz Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control USB for firmware and control Mic Control using TC-Helicon MP-75
Power Power Supply (Supplied): 12V .4A Power Consumption: 5.6W
Safety EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements Operating Temperature: 32°F to 122°F (0°C to 50°C) Storage Temperature: -22°F to 167°F (-30°C to 70°C) Humidity: Max. 90 % non-condensing
Included with VoiceTone E1 Region specific power supply USB cable User guide 1 year warranty parts and labor
Natural harmony sound, ease of use and now, ultimate affordability are yours in VoiceTone H1. Pros and hobbyists alike can achieve fuller-sounding vocal performances with this sturdy vocal harmony pedal.
Adds one or two voices of realistic harmony to your voice
Both guitarists and non-guitarists can create musical harmonies
High quality signal path and tough enclosure
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
No Guesswork Required Guitarist/singers can take advantage of H1′s uncanny guitar-sensing ability to keep your harmonies in tune. For non-guitarists, H1 has a key selector so you can dial-in harmonies that fit lots of songs.
As simple as plugging in your mic Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldn’t need to unfold the manual unless you’re making a fire.
Strong family genes Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing you’d expect from our flagship vocal processors like VoiceLive 2.
All new Mic Control feature The revolutionary and patent pending Mic Control circuit is built into each VoiceTone single pedal. This allows TC-Helicon’s MP-75 Modern Performance Vocal microphone‘s thumb switch to turn your VoiceTone single’s effect on and off. Picture having the freedom to kick-in your vocal effect while working the stage, not gazing at your feet. It gets really cool when you chain multiple VoiceTone singles pedals together and control each one independently or turn them all on or off in combination.
Software version 1.0.00 VoiceLive Play GTX TC-Helicon Introduces VoiceLive Play GTX for Singing Guitarists Crop Tommy DeCarlo – Falling in Love with TC-Helicon tch-holiday-rebate-banner-570x282 TC-Helicon Makes the Season Bright with Free Vocal Performance Microphones! Singles bundle pack Tone, Harmony & Reverb – Total Control with VoiceTone Singles tch-ultimate-vocal-rig-banner-wppost-560px The Vocalist’s Ultimate Live Rig Competition Ft. Singing Success
KenTamplin1 Ken Tamplin Reviews the TC-Helicon VoiceTone H1
Seriously, the box rocks and the price rocks even harder, you’ve gotta check it out. It even tracks the key your guitar is in when you play so no worries on tuning down, changing keys when you are a little hoarse… you name it!
I give Voice Tone H 1 two thumbs way up!!
Control Key/Auto selection Harmony voicing Harmony Mix Footswitch on/off Mic Control on/off
Construction Two part dies cast metal Rubberized base
Analog Inputs Connectors, balanced: Mic.: XLR Mic Input Level @ 0 dBFS: -42dBu to +1dBu EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu Mic input SNR: >104 dB Guitar Input impedance: 1 MOhm Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu Guitar Input SNR: >115dB
Analog Outputs Output Impedance, Bal./Unbal.: 200/100 Ohm Output Full Scale: +1 dBu Dynamic Range: >104 dB, 20 Hz to 20 kHz Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control USB for firmware and control Mic Control using TC-Helicon MP-75
Power Power Supply (Supplied): 12V .4A Power Consumption: 5.6W
Safety EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements Operating Temperature: 32°F to 122°F (0°C to 50°C) Storage Temperature: -22°F to 167°F (-30°C to 70°C) Humidity: Max. 90 % non-condensing
Included with VoiceTone H1 Region specific power supply USB cable User guide 1 year warranty parts and labor