LMB-3

The LMB-3 affords complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass.

Features:

• Full control of bass guitar's dynamic range via threshold level and ratio knobs
• Enhancer provides increased bass clarity and presence
• AC adaptor or 9V battery operation
• BOSS 5-year warranty

CL151

The CL151 GLC is a unique dynamics processor with the added benefit of a microphone preamp. The unit features smooth, soft-knee compression and limiting, and noise gating for quiet operation. Gating is indicated by a front panel LED, and gain reduction is indicated via a 5-LED ladder.

Features:

• Mic preamp with 12 volts of phantom power available
• Soft-knee compression/limiting
• Noise gating
• XLR mic and 1/4" line input
• Side Chain for detector circuit access
• 1/4" balanced output

DU30

• Squeeze your sound to increase sustain or create harder attacks
• Wide range of compression sounds from one pedal.
• True Bypass for retaining a pure signal when the effect is disengaged

• Compressor pedal
• 9V battery
• Quick start guid

• Exceptional assortment of 16 popular, one-of-a-kind preset digital compressor ROM programs including AGC Pure, Acoustic, Master, Clean, Dance, Kick Drum, Mixdown, Jumping Up, and eight classic stereo settings with 16 user-selectable parameter variations for each algorithm
• Unique digital AGC and proprietary algorithms provide real dynamic compression for adding punch to weak signals, new dimensions to your sound and useful limiter functions
• Advanced state-of-the-art digital processing with 18-bit Sigma-Delta AD/DA conversion, high speed 12.5MIPs operation, and 52-bit accumulator resolution ensures first-class/high-quality audio with negligible distortion, full bandwidth 20-20KHz response, and low noise/high dynamic range
• Convenient front panel I/O signal gain controls, bypass switch, program and variations select controls
• Rear panel ¼” I/O stereo and bypass jacks (for optional footswitch)
• Versatile + 4/-10dBu input signal level stereo/mono operation, high gain mono input for plugging instruments in direct
• 9 volt AC adapter supplied
• Road worthy, ultra portable, all-metal 1/3 rackmountable or tabletop housing

• Stereo Compressor/Limiter
• 1/8” stereo / RCA Inputs and Outputs
• Automatic program limiting
• Output Level control
• Threshold control

• Automatically ducks music under announcements
• Perfect for restaurants and small clubs
• Clean, Quiet Mic Preamp

• Two independent compressor/limiter/gates in a road-tough steel single-rack-space (1U) housing
• Utilizes unique circuitry combining hard and soft knee compression styles; provides excellent inaudible and music program compression as well as effective dynamics processing
• Advanced operating features include fully automatic or manually variable attack/release times, compression ratio, and threshold control
• Dual 12-stage gain reduction and 8-stage input/output metering
• Dual-mono or stereo operation; servo-balanced inputs (with automatic hum/noise reduction) and outputs
• Built-in adjustable dynamic enhancer (selectively replaces high-end loss even with severe compression due to high-energy/low-end content)
• IRC (interactive ratio control) expander/gate—automatically adjusts expansion per program material, eliminating noise floor during quiet sections or music pauses
• TRS side-chain applications, including de-essing, emphasizing/de-emphasizing designated instruments during recording, eliminating feedback in live applications, and ducking
• Shielded internal power supply and voltage selector for switching between ~115VAC (60 Hz)/~230VAC/(50Hz)

• Mic preamp with 12 volts of phantom power available
• Soft-knee compression/limiting
• Noise gating
• XLR mic and 1/4" line input
• Side Chain for detector circuit access
• 1/4" balanced output

• Stereo compressor/expander/limiter/gate for complete dynamics management
• Minimized signal path for optimal sound quality
• Intelligent Knee for musical performance with soft and hard-knee envelopes
• Intelligent Ratio adjusts expansion based on input signal
• Intelligent Gain auto-adjusts output
• Adjustable attack and release time for manual control
• Couple switch for a one-touch selection between two mono channels and stereo-linked operation
• Sidechain send and return for use in an external effects loop
• Switchable low-cut filter minimizes audio-program pumping triggered by kick drum
• Gain-reduction LEDs and switchable input/output-level LED meters for visual monitoring of critical values
• Bypass switches on both channels

• 3632 Compressor
• Power cable
• Quick start guide

• Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
• New gate timing algorithms ensure the smoothest release characteristics
• Program-adaptive expander/gates
• Great sounding dynamics control for any type of program material
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
• Stereo or dual-mono operation
• Balanced inputs and outputs on 1/4" TRS and XLR connectors
• Side Chain insert
• Classic dbx "Auto" mode

• Basses
• Guitars

• NOS CA3080 OTA (Operational Transconductance Amplifier)
• True Hard-wire bypass
• Blue LED status indicator
• Easy access battery compartment
• 5-Year Warranty

• Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
• New gate timing algorithms ensure the smoothest release characteristics
• Program-adaptive expander/gates
• Great sounding dynamics control for any type of program material
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
• Stereo or dual-mono operation
• Balanced inputs and outputs on 1/4" TRS and XLR connectors
• Side Chain insert
• Classic dbx "Auto" mode

• VCA-Less Vactrol Opto-Compression Design
• Mastering Quality Audio Signal Path with Tube Gain Stage
• Enhanced Link Mode - While in stereo link mode, channel 1 level control acts as a master output level and channel 2 becomes a balance control between them, - optimizing the Pro-VLA II for use as a mastering tool
• Variable Threshold, Ratio & Output Controls
• LED Backlit VU Input/Output Level Metering
• LED Metering Indicates Both Average Level And Peak Hold
• Accurate Ten Segment LED Gain Reduction Metering
• +4dBu/-10dBu Mode Switch Optimizes Pro-VLA II For Interface with Professional OR
• Consumer Grade Components
• Active Balanced XLR And ¼-Inch Inputs & Outputs
• Toroidal Transformer Reduces Mechanical & Electrical Hum

• Two Independent Gates
• Two Independent Compressors
• Two Independent Output Level controls
• True Master / Slave operation in Link Mode
• -10 dBV / +4 dBu Input Sensitivity Switch
• +4 dBu and Overload Indicators
• Balanced XLR & ¼" TRS Connectors
• Internal Universal Power Supply (100-240 VAC)

• OverEasy or classic hard knee compression with dbx's ultra-musical program dependent attack and release times
• Compression ratio variable from 1:1 through infinity :1 to negative compression
• Precision dual RMS LED display monitors input or output and gain reduction over a wide range and calibrates for different operating levels
• Over 60dB of gain reduction available
• Exclusive Infinity+ compression allows negative compression
• Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load
• Optional output transformer capable
• Strappable with another 160A for true RMS stereo summing operation

• Selectable auto (classic dbx) or manual (variable Attack and Release) compression
• Contour switch removes unwanted low frequency information from detector circuit
• Selectable Overeasy or Hard Knee compression modes
• PeakStopPlus limiting for setting maximum allowable level with minimal distortion
• SC Ext and SC Mon for setting up and monitoring external devices for gating function
• True differentially balanced gold-plated XLR and 1/4" inputs and outputs
• True RMS level detection
• Precision metering of input level, output level, and gain reduction
• True stereo or dual mono operation
• Switchable +4dBu or -10dBV operation per channel

• Threshold - allows you to set the level at which the compressor starts affecting the gain
• OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.
• Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.
• Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.
• Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.
• Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.
• PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.
• Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.

• Four independent channels of operation, stereo linkable in two pairs
• PeakStopPlus limiting control for setting maximum allowable level regardless of compressor settings
• Independent Threshold and ratio controls
• Switchable OverEasy or Hard Knee compression
• Classic dbx compression
• Differentially balanced gold-plated XLR and 1/4" inputs and outputs
• True RMS level detection
• Precision metering of input level, output level, and gain reduction
• Dual True stereo or quad mono operation
• Switchable +4dBu or -10dBV operation per channel

RP533 Tube Multi-Processor

The RP533 uses all the powerful circuitry included in other popular Bellari rack-mounts, in a single channel unit. Each process, except the preamp, can be individually bypassed. The RP533 is ideal for vocals, instruments, or any application where signal preamplification and dynamics processing is required, all with warm and inviting sounds.

• Display in milliseconds, feet, or meters with 0.01 ms resolution
• 2.00 to 999.99 ms Delay Range per channel
• Calculates temperature compensation to the speed of sound

• Display in frames per second or milliseconds
• Compatible with NTSC and PAL / SECAM frame rates
• 0.5 frame resolution up to 23.5 frames

• Side-Chain metering
• Internal Low- and High-Cut Filters
• Internal / External switch
• Listen switch

• Super fast manual attack and release
• High-Drive Jensen output transformers
• Hard-knee/OverEasy switchable
• Ultra-low distortion compression for unheard of clarity even under extreme gain reduction
• Program-dependent "Auto," Patent-pending AutoVelocity Manual, or fully variable attack and release modes

• Patent-pending AutoVelocity circuit
• 127dB of Dynamic Range
• High-Drive output transformer circuit drives 1000 ft. of Belden cable at +30dBu with only .007% THD
• Switchable between Hard-knee and OverEasy Compression
• Program-dependent "Auto," AutoVelocity or fully variable attack ad release manual modes