The Apex-MP1 contains one Apex870B microphone and one SKS-2305 in an attractive cardboard carrying case with handle.
The low impedance, dynamic Apex70B is suitable for vocals as well as instrument and stage applications. It features an on/off switch and the same rugged metal construction as other Apex microphones including a one piece molded cartridge.
The SKS-2305 is an all chrome metal tripod base boom microphone stand and comes equipped with a mic clip for the Apex870B.
Features:
Ideal Economical Starter Pack for the Live Vocalist
The MXL 440/441 is a beautiful microphone ensemble designed to complement a wide variety of vocal and instrument applications. The 440 studio condenser microphone combines a FET preamp with an electrically-balanced output and delivers an uncompromised tonal quality perfect for all studio applications. The MXL 441 instrument microphone delivers the dynamic range required in the most demanding instrument applications and is perfect for use on the road as well as on acoustic instruments and overhead studio drums.
Features:
Complements a wide variety of vocal and instrument applications
Perfect for use on the road, acoustic instruments & overhead studio drums
Includes two mics, carrying case & mic stand adapters
440 Specs Tube Type: Pressure gradient condenser microphone Frequency Response: 30Hz - 20kHz Polar pattern: Cardioid Sensitivity: 15mV/Pa Output Impedance: 200 ohms Pre-Attenuation Switch: 0 dB, -10 dB Equivalent noise: 20dB (A-weighted IEC 268-4) S/N Ratio: 80 dB (Ref. 1Pa A-weighted) Max SPL for .5% THD: 130 dB Power Requirements: 48V Phantom Power (+/- 4V) Current Consumption: <3.0mA Size: 53mm x 180mm Weight: 1.2 lbs Metal Finish: Black with gold print
441 Specs Tube Type: Pressure gradient condenser microphone Frequency Response: 30Hz - 18kHz Polar pattern: Cardioid Sensitivity: 15mV/Pa Output Impedance: 110 ohms Equivalent noise: 20 dB (A-weighted IEC 268-4) S/N Ratio: 78 dB (Ref. 1Pa A-weighted) Max SPL for .5% THD: 137 dB Power Requirements: Phantom Power 48V (±4V) Current Consumption: <3.0mA Size: 22mm x 134mm Weight: 0.35 lbs Metal Finish: Black with gold print
This all-in-one Recording Ensemble delivers outstanding performance for both vocals and instruments. Ideal for quality oriented but budget-mindful musicians, the MXL 550/551R includes the MXL 550, a robust vocal condenser microphone with exceptional clarity and tonal quality, as well as the MXL 551 instrument microphone with the dynamic range needed for acoustic guitars, drums, high-hat cymbals, pianos, percussion, stringed instruments and more.
Features:
Internally wired with world-class Mogami cable
FET preamp with electrically balanced output for uncompromised performance
The perfect vocal/instrument kit on the road or in the studio
Comes with plastic carrying case & mic stand adapters
1-year warranty
MXL 550 Type: Pressure gradient condenser microphone Capsule Size: 22mm/1.26 in. Frequency Response: 30Hz - 20kHz Polar pattern: Cardioid Sensitivity: 15mV/Pa Output Impedance: 200 ohms Equivalent noise: 20 dB (A weighted IEC 268-4) S/N Ratio: 80 dB (Ref. 1Pa A-weighted) Max SPL for .5% THD: 130 dB Power Requirements: 48V phantom power (+/- 4V) Current Consumption: <3.0mA Size: 47mm x 170mm/1.85 in. x 6.69 in. Weight: 0.8 lbs /362.87g Metal Finish: Red with chrome grill
MXL 551 Type: Pressure gradient condenser microphone Frequency Response: 30Hz - 20kHz Polar pattern: Cardioid Sensitivity: 15mV/Pa Output Impedance: 110 ohms Equivalent noise: 20 dB (A weighted IEC 268-4) S/N Ratio: 78dB (Ref. 1Pa A-weighted) Max SPL for .5% THD: 137 dB Power Requirements: 48V Phantom Power (+/- 4V) Current Consumption: <3.0mA Size: 22mm x 134mm/.87 in. x 5.25 in. Weight: 0.2 lbs/90.72g Metal Finish: Red with chrome grill
You can't beat the classics but you can reissue them (and even improve them)! Based on our wildly successful 2001 released years ago, the MXL 2001A/600 Recording Pack includes a vocal condenser mic that's perfect for use in professional and project studios. Also included in this commemorative pack is the MXL 600, a versatile instrument mic for drums, guitars, and more. All you need now is an entourage!
Features:
Solid-state FET pre-amp with a balanced transformer output
Great for vocals, brass, strings, piano and overhead drums
Includes screw-on mic stand adapter
1-year warranty
MXL 600 Instrument Mic:
Smooth vintage sound
Gold-sputtered, 6 micron diaphragm
MXL 2001A Type: Pressure gradient studio condenser mic Diaphragm: 6 micron gold-sputtered Capsule Sizes: 32mm/1.26 in./22mm/.87 in. Frequency Response: 20Hz - 20kHz Polar pattern: Cardioid Sensitivity: 15mV/Pa Impedance: 200 ohms Output: Transformer balanced Equivalent noise: 20 dB (A-weighted IEC 268-4) S/N Ratio: 80 dB (Ref. 1Pa A-weighted) Max SPL for .5% THD: 130 dB Power Requirements: 48V phantom power (+/- 4V) Current Consumption: <3.0mA Size: 50mm x 190mm/1.97 in. x 7.48 in. Weight: 1.2 lbs/544.31g Metal Finish: Black with black grill
MXL 600 Type: Pressure gradient condenser microphone Frequency Response: 30 Hz - 20 kHz Polar pattern: Cardioid Sensitivity: 10mV/Pa Impedance: 200 ohms Equivalent noise: 18 dB (A-weighted IEC 268-4) S/N Ratio: 80 dB (Ref. 1Pa A-weighted) Max SPL for .5% THD: 134 dB Power Requirements: 48V phantom power (+/- 4V) Current Consumption: <3.0mA Size: 22mm x 135mm Weight: 0.35 lbs Metal Finish: Nickel
The Apex-SP1 is a prepackaged set of microphones designed to be the ideal starting point for the home or project studio enthusiast looking for versatile microphones to cover virtually any source in basic recording environment. The Apex-SP1 is also an ideal upgrade kit for any Front-of-House engineer looking for versatile high performance microphones for live sound reinforcement applications.
Features:
1x Apex435 Medium Diaphragm Cardioid Condenser Microphone
Drum Mic Kit with (1x) PG52, (3x) PG56, (3x) Drum Mounts, Cables and Carrying Case
An essential drum Mic package. The PGDMK4 drum Mic kit includes three PG56 snare/tom microphones, one PG52 kick drum Microphone, three A50D drum mounts, four 15ft. (4.5m) XLR-XLR cables and a durable carrying case.
Features:
The PG56 is a compact drum Microphone for close miking.
The PG52 is a high-performance Microphone tuned to capture low-end punch.
The A50D drum mount can be used on most standard drum rims. The flexible, yet sturdy rubber construction provides stability and ease of installation.
Ideal for schools, lectures, conferences, and karaoke applications
Multi-functional wall-hanging lockbox houses dual infrared wireless receiver, preamp, power amp, and transmitters with battery-charging holders for safe/secure charging and storage
Two wireless microphones, Aux Input, and hard-wired Mic Input allow up to four total input signals, each with its own volume control
Master treble and bass controls
35W RMS power amp, perfect for driving two 8Ω speakers or any number of small ceiling speakers
Battery chargers with unique safety shut-down protection circuitry to detect reverse polarity, damaged batteries, and non-rechargeables
Line-of-sight transmission with no interference from systems in adjoining rooms provides ultimate privacy and isolation
Power On, IR reception, and battery charging status LED indicators
Two remote-mount IR sensors supplied with 20 ft. and 35 ft. connecting cables and variable-position wall mounts; each sensor has multiple array of wide-angle infrared-sensitive LEDs
UL approved AC/DC power supply
HT-6SC handheld mics and/or LT-6SC bodypack/neck-worn lapel mics available
HT-6SC Handheld Microphone Transmitter:
Multiple emitter array of high efficiency infrared emission LEDs for optimum IR transmission
Power On LED
Powerful uni-directional dynamic cartridge for optimum audio, minimal handling noise, and maximum feedback rejection
Rugged steel mesh ballscreen with anti-roll ring
Operates up to six hours on two AA alkaline or NiMH rechargeable batteries
Equipped with charger protection circuitry that can detect and shut down charging function if regular alkaline or non-rechargeable batteries are mistakenly recharged
LT-6SC Bodypack Transmitter:
Multiple emitter array of high efficiency infrared emission LEDs for optimum IR transmission
Power On LED
Channel A/B selector switch
3.5mm mini-jack for connection of lapel microphone
Audio Input volume control
Belt clip and neck-worn lanyard
Operates up to six hours on two AA alkaline or NiMH rechargeable batteries
Equipped with a charger protection circuitry that can detect and shut down charging function if regular alkaline or non-rechargeable batteries are mistakenly recharged
Ideal for schools, lectures, conferences, and karaoke applications
Multi-functional wall-hanging lockbox houses dual infrared wireless receiver, preamp, power amp, and transmitters with battery-charging holders for safe/secure charging and storage
Two wireless microphones, Aux Input, and hard-wired Mic Input allow up to four total input signals, each with its own volume control
Master treble and bass controls
35W RMS power amp, perfect for driving two 8Ω speakers or any number of small ceiling speakers
Battery chargers with unique safety shut-down protection circuitry to detect reverse polarity, damaged batteries, and non-rechargeables
Line-of-sight transmission with no interference from systems in adjoining rooms provides ultimate privacy and isolation
Power On, IR reception, and battery charging status LED indicators
Two remote-mount IR sensors supplied with 20 ft. and 35 ft. connecting cables and variable-position wall mounts; each sensor has multiple array of wide-angle infrared-sensitive LEDs
UL approved AC/DC power supply
HT-6SC handheld mics and/or LT-6SC bodypack/neck-worn lapel mics available
LT-6SC Bodypack Transmitter:
Multiple emitter array of high efficiency infrared emission LEDs for optimum IR transmission
Power On LED
Channel A/B selector switch
3.5mm mini-jack for connection of lapel microphone
Audio Input volume control
Belt clip and neck-worn lanyard
Operates up to six hours on two AA alkaline or NiMH rechargeable batteries
Equipped with a charger protection circuitry that can detect and shut down charging function if regular alkaline or non-rechargeable batteries are mistakenly recharged
Drum Microphone Kit with (1x) PG52, (3x) PG56, (2x) PG81, (3x) Drum Mounts, Cables and Carrying Case
A complete drum Mic package. The PGDMK6 drum Mic kit includes three PG56 snare/tom microphones, one PG52 kick drum Microphone, two PG81 instrument microphones, three A50D drum mounts, six 15ft. (4.5m) XLR-XLR cables and a durable carrying case.
Features:
The PG56 is a compact drum Microphone for close miking.
The PG52 is a high-performance Microphone tuned to capture low-end punch.
The PG81 is a sensitive, flat response Microphone ideal for overhead and cymbal miking.
The A50D drum mount can be used on most standard drum rims. The flexible, yet sturdy rubber construction provides stability and ease of installation.
Designed to eliminate the guesswork in choosing the right microphone for worship applications, the KP-WORSHIP KitPak offers an affordable selection of quality microphones to handle most religious functions. It includes two CHOIR microphones with hangers, one PODIUM microphone with a windscreen, a protective carrying case and a free handheld dynamic VOCAL microphone with a stand clamp.
ELEMENTS CHOIR: Condenser PODIUM: Condenser VOCAL: Dynamic POLAR PATTERN Cardioid FREQUENCY RESPONSE CHOIR/PODIUM: 70-16,000 Hz VOCAL: 100-15,000 Hz OPEN CIRCUIT SENSITIVITY CHOIR/PODIUM: -37 dB (14.1 mV) re 1V at 1 Pa VOCAL: -54 dB (1.9 mV) re 1V at 1 Pa IMPEDANCE CHOIR/PODIUM: 100 ohms VOCAL: 500 ohms MAXIMUM INPUT SOUND LEVEL CHOIR/PODIUM: 134 dB SPL, 1 kHz at 1% T.H.D. DYNAMIC RANGE (typical) CHOIR/PODIUM: 106 dB, 1 kHz at Max SPL SIGNAL-TO-NOISE RATIO CHOIR/PODIUM: 66 dB, 1 kHz at 1 Pa PHANTOM POWER REQUIREMENTS CHOIR/PODIUM: 9-52V DC, 2 mA typical SWITCH VOCAL: On/off WEIGHT CHOIR: 0.5 oz (15 g) PODIUM: 2.8 oz (80 g) VOCAL: 10.2 oz (290 g)
The comprehensive MB/Dk6 Drum Pack includes a core selection of four microphones specifically engineered for drum applications, along with two MB 4k cardioid condenser microphones ideal for drum overhead miking. Also included in the package are three drum-rim microphone mounts and a durable carrying case.
The three included MB 5k cardioid dynamic snare/tom microphones and one MB 6k cardioid dynamic kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit.
With a condenser design and extended frequency response perfect for overheads and hi-hat, the MB 4k features versatile battery/phantom operation, rugged all-metal construction, soft-touch finish, gold-plated XLRM-type connector, and an on/off switch. Its cardioid polar pattern minimizes feedback. High volumes come through without distortion; even subtle nuances are clean and precise. MB 5k Cardioid Dynamic Snare/Tom Microphone (3 included) Custom-engineered for use on snare and toms Road-ready all-metal construction Low-profile percussion-style design Built-in adjustable stand mount MB 6k Cardioid Dynamic Kick Microphone (1 included) Custom-engineered for use on kick drum Rugged all-metal construction Low-profile percussion-style design Built-in adjustable stand mount MB 4K Condenser Microphone (2 included) Condenser design for studio-quality performance Extended response for smooth, natural sonic characteristics Rugged all-metal construction and on/off switch Soft-touch finish for durability and minimal mechanical noise Battery/phantom operation for maximum versatility
ELEMENT: MB 4k: Condenser MB 5k: Dynamic MB 6k: Dyanmic POLAR PATTERN: Cardioid FREQUENCY RESPONSE: MB 4k: 80-20,000 Hz MB 5k: 100-12,000 Hz MB 6k: 60-12,000 Hz OPEN CIRCUIT SENSITIVITY: MB 4k (Phantom/Battery): -46 dB (5.0 mV)/ -48 dB (3.9 mV) re 1V at 1 Pa MB 5k: -58 dB (1.2 mV) re 1V at 1 Pa MB 6k: -59 dB (1.1 mV) re 1V at 1 Pa IMPEDANCE: MB 4k (Phantom/Battery): 200 ohms/ 250 ohms MB 5k: 500 ohms MB 6k: 500 ohms MAXIMUM INPUT SOUND LEVEL: MB 4k (Phantom/Battery): 137 dB SPL/ 125 dB SPL, 1 kHz at 1% T.H.D. DYNAMIC RANGE (typical): MB 4k (Phantom/Battery): 113 dB/ 101 dB, 1 kHz at Max SPL SIGNAL-TO-NOISE RATIO: MB 4k: 70 dB, 1 kHz at 1 Pa PHANTOM POWER REQUIREMENTS: MB 4k: 11-52V DC, 2 mA typical BATTERY TYPE: MB 4k: 1.5V AA/UM3 BATTERY CURRENT / LIFE: MB 4k: 0.4 mA/ 1200 hours typical SWITCH: MB 4k: On/Off WEIGHT: MB 4k: 6.4 oz (182 g) MB 5k: 11.4 oz (324 g) MB 6k: 11.2 oz (317 g) DIMENSIONS: MB 4k: 8.10" (205.7 mm) long, 1.64" (41.7 mm) head diameter MB 5k: 4.46" (113.2 mm) long, 1.63" (41.5 mm) head diameter MB 6k: 4.59" (116.5 mm) long, 2.11" (53.5 mm) head diameter OUTPUT CONNECTOR: Integral 3-pin XLRM-type ACCESSORIES FURNISHED: (3) MB 5k snare/tom mics; (1) MB 6k kick mic; (2) MB 4k condenser mics; (3) drum mic mounts; (2) AT8405a stand clamps; durable carrying case
The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction. Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. The KSM141/SL-STEREO package includes two KSM141 mics, two foam windscreens, A27M stereo mic adapter and carrying case
Features:
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17Hz) caused by mechanical vibration
Three-position switchable pad (0dB,15dB and 25dB) for handling extremely high sound pressure levels
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Extended frequency response
Low self-noise
Exceptional reproduction of low-frequecny sounds
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
Cartridge Type: Permanently Biased Condenser Frequency Response: 20Hz-20kHz Directional Polar Pattern: Cardioid/Omnidirectional Output Impedence: 150 ohms (actual) Phantom Power: 48Vdc +/- 4 Vdc (IEC26815/DIN 45 596), positive pins 2 and 3 Current Drain: 4.65mA typical at 48 Vdc Common Mode Rejection: >50dB, 20Hz to 20kHz Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3 Dimensions and Weight: 0.8" diameter, 5.75" long, 5.5oz Sensitivity (typical, at 1000Hz; Pa = 94dB SPL): -37dBV/Pa Selfnoise (typical, at 1000Hz; 1Pa = 94dB SPL) -37dBV/PA Maximum SPL, 5000 ohm load (attenuator on): 145 (160,170)dB Output Clipping Level, 5000 ohm load (attenuator on): 139 (154,164)dB Dynamic Range, 5000 ohm load: 131dB Signal to Noise Ratio: 80dB