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CSM-5
60W peak power rating8Ω impedanceFeatures:
SM-120
Passive monitorPeak program power rating: 120WFeatures:
The Ultra-Portable Passive with Superior Dispersion and Punch.Looking for renowned Mackie sound quality in a portable, lightweight package? Want to instantly upgrade the sound of your existing powered mixer or amplifier without breaking the bank? Our C200 2-Way Portable Passive Loudspeakers put the superior clarity, wide dispersion, and legendary ergonomics of the SRM Series within reach of any serious musician, DJ, or small club. These compact-yet-loud speakers can be pole-mounted for use as a small full-range PA system, combined with subwoofers as needed, and even employed as high-quality passive floor monitors.DESIGNED AND TUNED BY EAWThe new C Series Passive Loudspeakers represent Mackie's first lightweight passive speakers designed and tuned exclusively by the Eastern Acoustic Works (EAW) loudspeaker engineering team--the same folks responsible for designing loudspeaker systems for the Super Bowl, the Olympics and the Vatican. And although loudspeakers for these mega-systems cost exponentially more than the humble C200, some of the same concepts applied, namely: designing custom 10" LF drivers with a frequency range from 59 Hz – 3000 Hz and a 2" voice coil that can take a pounding. And a 1.4" High-Frequency titanium Driver and Horn providing a wide, controlled dispersion pattern and precise reproduction of the critical 1000 Hz – 20,000 Hz upper mid-range and high frequencies.CROSSOVERS TUNED TO PERFECTIONTuning a crossover (i.e. voicing a system), involves dozens of critical decisions that many manufacturers overlook. In the end, it is all about balancing the design so that you get the best subjective results from the speaker while maintaining a good technical implementation. The crossover in the C Series is a unique Low Impedance Compensated Crossover (LICC) design with an asymmetrical slope. With EQ and crossover points meticulously chosen so that beamwidth patterns match in both drivers, C Series loudspeakers offer natural sound at all volume levels.ULTRA-WIDE DISPERSIONA loudspeaker's dispersion characteristic shouldn't be lame just because its compact in size. We know that venues like coffee houses and small theatre / rec rooms can be hard to cover. Owners usually have to make do with odd shaped rooms and fixtures placed wherever they fit.The C200's high-frequency compression driver is mounted on an acoustically non-resonant exponential waveguide, providing a wide, controlled dispersion pattern and precise reproduction of the critical upper mid-range and high frequencies. The result is an unbelievably smooth off-axis response that allows everyone in the audience to experience the same high-resolution audio no matter where they are seated.
Ellipse 8 Passive
Following the success of the Active and iDP versions of the Ellipse studio monitor, Tannoy is proud to introduce the new Ellipse Passive range. The Ellipse has become a studio icon since its launch in early 2003, winning the affections of many of the world’s top producers and engineers and finding a home in professional recording studios on both sides of the Atlantic, thanks to its warm and extremely accurate sound. Such has been the demand for a Passive version of Ellipse from studio owners with existing amplification; it became clear that Tannoy should deliver exactly that. Enter the Ellipse Passive…The Ellipse Passive range comprises of the Ellipse 8 Passive, featuring an 8” Dual Concentric driver and the Ellipse 10 Passive, with a 10” Dual Concentric driver. On both models, the Dual Concentric components and the SuperTweeter are seamlessly matched by a precision low-loss crossover network. The drive units are mounted on a baffle of elliptical shape to minimise diffraction and create distinctive styling. During both mixing and playback the new Ellipse Passives provide a stunningly accurate soundstage, retaining natural voicing to ensure that aural effects and speech localisation pan from left to right and front to rear absolutely seamlessly.The Dual Concentric covers most of the audible band – its flat frequency response from a single point source is essential in maintaining accurate phase for the generation of stereo and surround audio images. Wideband Technology has enabled us to add a sophisticated, very high frequency driver (the SuperTweeter), time-aligned to the acoustic centre of the Dual Concentric, which accurately reproduces frequencies above the roll-off point of the Dual Concentric HF unit and all the way up to 50kHz.Features:What’s the point of that when the upper limit of most human hearing is just 20kHz? Well, it has been proven that all types of instruments generate considerable energy above 20kHz – and with some instruments, such as the trumpet, the level doesn’t drop into the noise floor until 100kHz. These ultrasonic additions to the fundamental frequency are what give instruments, including voices, their individual character. We can’t ‘hear’ them in the normal sense of the word, but research has shown that we do detect and respond to them in our perception of sound. The effect of this ultrasonic information also extends throughout the audible frequency range - even bass notes have leading edge transients reaching 30kHz.With 96kHz and 192kHz HD digital recording firmly established in the modern studio environment, you need to be sure that your recordings are faithfully reproducing the original sound. There’s little point investing in high resolution recording if your monitoring system can’t reproduce the information accurately. Tannoy’s Wideband Technology monitors are designed specifically to perform alongside the world’s most popular high definition Digital Audio Workstations, ensuring that whatever you record will sound as good when played back on modern wideband commercial and home audio systems.
Ellipse 10 Passive
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