The 382iSW combines a full-featured Sonic Maximizer engine with an independent variable subwoofer low-pass filter output. Applications for this versatile unit include: mobile DJ rigs, nightclubs/theaters, studios and PA systems.
Features:
A full-function Sonic Maximizer
+20dB of output headroom
Unbalanced ¼"/RCA I/Os
108dB signal to noise ratio
Frequency response Process mode: program controlled Bypass mode: 5Hz to 30kHz Signal to noise ratio 108dBu process in 120dBu process out Total harmonic distortion (THD) Process mode: less than 0.1% at 1kHz
482i The 482i Sonic Maximizer restores natural brilliance and clarity to an audio signal by the use of two integrated functions. First, it adjusts the phase relationships between the low, mid and high frequencies through adding progressively longer delay times to lower frequencies, creating a kind of mirror curve to neutralize the effect of loudspeaker phase distortion. Second, the Sonic Maximizer augments higher and lower frequencies as loudspeakers tend to be less efficient in their extreme treble and bass ranges. The end result is a dynamic, program-driven restoration which reveals more of the natural texture and detail in the sound without causing fatigue that is often associated with exciter effects, psychoacoustic processors or excessive use of equalizers. Features include
Dual-Mono Sonic Maximizer
4th Generation Processing Engine
Independent Lo Contour and Process controls
Unbalanced ¼” Inputs and Outputs
Unbalanced RCA Inputs and Outputs
Hard-wire bypass
Frequency repsonse Process mode: program controlled Bypass mode: 10Hz to 50kHz, ± 0.5dBu, 10dBu input Signal to noise ratio 112dB Total harmonic distortion (THD) Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz Maximum output +21dBu Input impedance 47K Ohms Output impedance 1K Ohms Sensitivity -45dBu for maximum process Maximum process +12dBu boost at 5kHz Lo Contour +12dBu adjustment at 50Hz
882i The 882i is a dual-mono Sonic Maximizer that features our fourth generation processing engine and perfectly suited for any studio, PA system, guitar/bass rig or any application that requires balanced connectivity.
Features include
A full-function Sonic Maximizer, +23dB of output headroom, balanced or unbalanced I/O, 115dB signal to noise ratio and Hard-wire bypass.
+4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs)
+23dBu headroom
Active balanced outputs
Hardwire bypass
Bypass switch for comparison of processed to unprocessed signal
Frequency Response, Process Mode: Program controlled Bypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu input Signal to Noise Ratio: 115dB Process IN THD, Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz Maximum Output: +23dBu (may vary due to control settings) Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Sensitivity: -45dBu for maximum process Maximum Process: +12dBu boost at 5kHz, 0dBu input Lo Contour: +12dBu adjustment at 50Hz, 0dBu input
In the four years since BBE last offered its award-winning 386 acoustic preamp, BBE’s design and engineering teams studied the recording and sound reinforcement needs of serious acoustic players. The result is the Acoustimax, a foot-pedal-style (or “stompbox- style”) acoustic preamp which raises the bar for amplified acoustic instrument sound quality.
Applications:
Recording studio
Live concerts
Features:
Three band, recording-console quality eq with a sweepable mid-range band
Low-frequency notch filter
Phase reversal
Ground lift
Line level out
Dedicated tuner out
TRS effects loop
Pre/post switchable-balanced DI output with pad
Hardwire bypass
Non-slip rubber bottom
12v power supply included
Frequency response 50Hz to 20kHz
Treble ±12dB @ 10kHz Mid ±12dB @ 400kHz to 2.5kHz Bass ±12dB @ 60kHz Notch 0 to -12dB @ 70Hz to 250kHz
BBE Lo Contour: +15dB @ 50Hz Process: +15dB @ 10kHz
Maximum output +10dBu @ instrument jack Noise
Instrument jack: -98dBv (unity gain) Line out: -88dBv (+10dB gain)
The BMAX is a bass preamp/ processor with the warmth and dynamic range usually found in all-tube designs and delivers the punch and clarity of the best tube preamplifiers.
At the heart of the BMAX is a class A/B front-end, the input of which emulates the loading effect that the input of classic-design tube preamp would present to the bass pickups, and one of the key aspects in the warmth and punch of tube preamps. The DI section is pure and clean with electronically balanced output.
Applications
Recording studio
Live concerts
Features
Electronically balanced output
1% metal film resistors
Military spec PC board
Frequency response @ line out 15Hz to 30kHz ±3dB
Signal to noise ratio 100dB @ unity
Total harmonic distortion (THD) Less than 0.02%
Maximum output +22dBu
Noise -77dBu @ unity gain, eq flat
Input impedance Balanced XLR: 600 Ohms, pin #2 hot or “+” Unbalanced ¼": 1k Ohms
Output impedance Balanced XLR: 600 Ohms, pin #2 hot or “+” Unbalanced ¼": 1k Ohms
The BMAX-T is a tube bass preamp/ processor with a class A, DC regulated tube preamp section which follows in the tradition of the classic tube preamp designs of the 50s and 60s.
The BMAX-T is a tube bass preamp/ processor with a class A, DC regulated tube preamp section which follows in the tradition of the classic tube preamp designs of the 50s and 60s.
Applications:
Recording studio
Live concerts
Features:
High voltage (300V) tube front end with hand-picked Groove Tubes 12AX7 tube, providing pre-amp gain and passive interactive tone control
High-end DI section is transformer-balanced with a genuine Jensen transformer
1% metal film resistors
Military-spec PC board
Custom-made toroidal power transformer
Frequency response @ line out 15Hz to 30kHz ±3dB
Signal to noise ratio 100dB @ unity
Total harmonic distortion (THD) Tube section: 1% Post-tube section: less than 0.02%
Maximum output +22dBu
Noise -77dBu @ unity gain, eq flat
Input impedance Passive: 1M Ohm Active: 100k Ohms
Output impedance Balanced XLR: 600 Ohms, pin #2 hot or “+” Unbalanced ¼”: 1k Ohms
Vintage Compressor The BBE BenchPress is a vintage compressor that was patterned after the long discontinued Ross compressor. Unfortunately finding one today that is in reliable condition and wont cost you an arm or a leg might be difficult. The heart of the BenchPress is fueled by a NOS CA3080 OTA (Operational Transconductance Amplifier), 1% metal film resistors and True Hard-wire bypass for better fidelity and features an Attack control to offer players more flexibility than the original.
Applications
Basses
Guitars
Features
NOS CA3080 OTA (Operational Transconductance Amplifier)
Transparent clean boost The Boosta Grande is a transparent clean boost that is designed to produce up to 20dB of clean gain and benefit the player needing more volume or gain without changing their tone.
The Crusher features a high-gain distortion coupled with a passive 3-band EQ (bass, mid and treble) that provides the player with a wide range of distortion effects; from a mild crunch to over-the-top, in-your-face distortion.
Applications
Basses
Guitars
Keyboards
Features:
High-gain distortion
Gain, volume and passive 3-band EQ (bass, mid and treble) controls
¼: inputs and outputs
True hard-wire bypass
9V battery, AC adaptor included (North America only)
The DI-1000 can operate as either a passive impedance matching device via the Jensen JT-DB-EP transformer, or as an active DI where the Sonic Maximizer circuit can be engaged with the signal still balanced at its output by the Jensen transformer.
Features:
Fully functional BBE Sonic Maximizer
Jensen JT-DB-EPC transformer
Purely passive or completely active operation
Switchable 0/15dB/30dB pad switch
Ground lift switch
Internal pure-silver wiring
Recessed switches to reduce damage
No-slip full-bottom pad to stop slippage and prevent ground contamination through chassis to chassis contact
5-year warranty
Frequency response @ XLR balanced out Process mode: program controlled Bypass mode: 5Hz to 30kHz (±1dB) Signal to noise ratio BBE out: 123dB power supply (118dB 9v battery) BBE in (@10): 118dB power supply (113dB 9v battery) Total harmonic distortion (THD) BBE out: less than 0.02% at -10dBu input (20 to 20kHz) BBE in: 0.1% at -10dBu input (20 to 20kHz) Noise Passive: -115dBu Active (BBE in @0): -110dBu Active (BBE in @10): -105dBu Input impedance Instrument: 1M Ohms L ine: 12k Ohms Output impedance XLR: 600 Ohms L ine: 1k Ohms Phase deviation Passive: less than 1° @ 20Hz, 0° @ 1kHz Active (BBE out): less than 11° @ 20Hz, 0° @ 1kHz (* 0dBu=0.775Vrms) Power requirements D C inlet: +9 VDC min. 200ma Battery: 9 VDC 15 hour life
The DI-100x is a professional-grade active Direct Input ("DI") box built primarily for recording applications. Designed with paramount importance placed on maintaining the highest sonic integrity, its major advantage over other high-end DI boxes on the market is its built-in Sonic Maximizer processor which employs the BBE 4th-generation processing engine.
Features:
BBE Sonic Maximizer included
15dB pad switch
Ground lift switch
Recessed switches to reduce damage
No-slip full-bottom pad to stop slippage and prevent ground contamination through chassis-to-chassis contact
5-year warranty
Frequency response @ line out Process mode: program controlled Bypass mode: 10Hz to 50kHz (±1dB) Signal to noise ratio (per channel) BBE out: 118dB power supply (115dB 9v battery) BBE in (@10): 115dB power supply (112dB 9v battery) Total harmonic distortion (THD) BBE out: less than 0.005% at -10dBu input (20 to 20kHz) BBE in: 0.05% (20 to 20kHz) Noise BBE out: -105dBu BBE in (@0): -94dBu BBE in (@10): -85dBu Input impedance Instrument: 1M Ohms L ine: 12k Ohms Output impedance XLR: 600 Ohms L ine: 1k Ohms (* 0dBu=0.775Vrms) Power requirements D C inlet: +9 VDC min. 200ma Battery: 9 VDC 15 hour life
The DI-400 is a professional-grade four-channel active Direct Input ("DI") box with a built-in Sonic Maximizer processor on each channel, the DI-400 employs the BBE 4th-generation processing engine.
An “active” direct box, the DI-400's design is completely transformerless. Nothing to color the sound, its transparency reveals the free expression of the instrument’s voice.
Features:
4-channel direct
Front and rear inputs
BBE Sonic Maximizer on each channel
Frequency response @ line out Process mode: program controlled Bypass mode: 10Hz to 50kHz (±1dB) Signal to noise ratio (per channel) BBE out: 118dB power supply (115dB 9v battery) BBE in (@10): 115dB power supply (112dB 9v battery) Total harmonic distortion (THD) BBE out: less than 0.005% at -10dBu input (20 to 20kHz) BBE in: 0.05% (20 to 20kHz) Noise BBE out: -105dBu BBE in (@0): -94dBu BBE in (@10): -85dBu Input impedance instrument: 1M Ohms line: 12k Ohms Output impedance xlr: 600 Ohms line: 1k Ohms (* 0dBu=0.775Vrms)
The DS26 loudspeaker management system is a comprehensive sound reinforcement tool that offers 2 input/6 output connectivity, graphic and parametric equalizers, crossovers, limiters and time delays.
The DS26 can also be controlled from a PC via the DS26’s RS232 connection with the included software.
Features:
2 inputs and 6 outputs
5-band parametric equalizer for each output
Output features:
crossover filters
5-band parametric equalizer
Selectable high and low shelving filters
Fully featured limiter and delay
Full metering provided for inputs and outputs
Mute and access buttons allowing quick set up and gain adjustment
Other features include:
Choice of 12, 18 or 24dB/octave roll-off
Butterworth, Bessel or Linkwitz-Riley responses
Independent control of each high and low pass filter
The DS26 can also be controlled from a PC via the DS24’s RS232 connection
Along with XLR input/output connectors, DS26 comes complete with selectable line voltages between 90 and 250 VAC operations.
24-bit AD/DA, 48k sampling rate
Internal 32-bit DSP processing
Parametric EQ provides -40dB to +6dB of gain with frequency, gain and bandwidth adjustment
The DS48 loudspeaker management system is a comprehensive sound reinforcement tool that offers 4 input/8 output connectivity, graphic and parametric equalizers, crossovers, limiters and time delays.
The DS48 can also be controlled from a PC via the DS48’s RS232 connection with the included software.
Features:
4 inputs and 8 outputs with 10 configuration templates
Choice of operating and crossover modes includes:
4 x 2-way
2 x 3-way + 2 aux
2 x 4-way
1 x 5-way + 3 aux
Mono dist.
Stereo dist.
LCRS w/ mono subs
4 x 4 processor; and muted/flat startup.
Other features:
High performance limiters on each output
Release and threshold parameters
Variable high and low pass filters with choice of 6dB, 12dB,18dB, 24dB, 48dB Butterworth, Linkwitz- Riley or Bessel frequency response curve.
Independent control of each high and low pass filter
XLR input/output connectors
Selectable line voltages between 90 and 250 VAC operations
24-bit AD/DA, 48k sampling rate
Internal 32-bit DSP processing
Parametric EQ provides -40dB to +6dB of gain with frequency, gain and bandwidth adjustment
The BBE EQA-215 is a professional dual 15-band graphic equalizer. ideal for use in live sound rigs and installed setups such as studio, stage, DJ and sound contracting. The EQA-215 utilizes Constant-Q filters (constant bandwidth) this means that the bandwidth of each individual filter has a perfect balance between being narrow enough to prevent unwanted interaction between filters, yet wide enough to deliver exactly the type of correction curve for the ultimate in precision equalizing.
Constant-Q filters True hardwire bypass Balanced XLR or TRS input/output connections Clip indicator Line voltage switchable between 115 and 230 VAC operations 5-year warranty
The BBE EQA-231 is a professional dual 31-band graphic equalizer. ideal for use in live sound rigs and installed setups such as studio, stage, DJ and sound contracting. The EQA-231 utilizes Constant-Q filters (constant bandwidth) this means that the bandwidth of each individual filter has a perfect balance between being narrow enough to prevent unwanted interaction between filters, yet wide enough to deliver exactly the type of correction curve for the ultimate in precision equalizing.
Constant-Q filters Variable low-cut filter from 10Hz to 250Hz (12dB/octave) Variable high-cut filter from 3kHz to 40Hz (12dB/octave)
True hardwire bypass Balanced XLR or TRS input/output connections Clip indicator Line voltage switchable between 115 and 230 VAC operations 5-year warranty
The Free Fuzz was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late ‘60s and provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
Applications:
Basses
Guitars
Features:
Vintage ‘70s fuzz
Biased matched silicon transistors
Volume and fuzz controls
¼: inputs and outputs
True hard-wire bypass
9V battery, AC adaptor included (North America only)
Vintage overdrive The Green Screamer is a vintage overdrive capable of producing a dynamic range of smooth and warm overdrive tones associated with vintage tube amps.
Want a killer screaming lead tone like mine? Step on a Grean Screamer! It'll give you the right balance, compression and sustain you need!
Gus G - Ozzy Ozbourne and Firewind
Features:
Vintage overdrive
Level, tone and gain controls
¼: inputs and outputs
True hard-wire bypass
9V battery, AC adaptor included (North America only)
The Max-X2 is a 2-way stereo/3-way mono crossover and Sonic Maximizer, which offers a variety of options for any live sound application. The Max-X3 employs state-variable 4th-order Linkwitz-Riley filters to minimize phase inaccuracies in the crossover region, which is critical for the accurate summing of each driver in a speaker stack.
Features:
2-way stereo/3-way mono crossover
Full-function fourth-generation Sonic Maximizer
Linkwitz-Riley filters (24dB per octave)
Servo-balanced XLR inputs
¼" inputs/outputs
Low-cut subsonic filters for low frequency driver protection
Phase inversion switching and over a 115 dB dynamic range
Crossover type Stereo 2 way Crossover frequency Low-mid range 1: 80Hz to 1kHz Mid-high range 10: 800Hz to 10kHz Filter type Linkwitz/Riley 24db/octave Inputs Type: Balanced XLR and ¼" unbalanced Impedance: 100kOhms Outputs Type: Balanced XLR and ¼" unbalanced Impedance: 600 Ohms Hum and Noise Low section (output @ 0dB): -106dBu High section (output @ 0dB): -97dBu Signal to noise ratio More than 95dB
The MaxCom is an easy-to-use dual channel compressor/limiter/gate and Sonic Maximizer that provides live or pre-recorded material with clean, distortion free compression. Whether the goal is to control vocals, a stereo mix or just dial in hard limiting to protect your speakers, the MaxCom will accomplish your needs with the reliability and sonic excellence.
Features:
A full-function fourth-generation Sonic Maximizer
World-class THAT Corporation VCAs
Balanced or unbalanced I/O
Dual bar-graph meters for each channel to indicate Input Level and Gain Reduction
Key in and out via ¼" TRS.
Frequency repsonse 20 to 20,000Hz Signal to noise ratio More than 94dB Total harmonic distortion (THD) Less than 0.05% Threshold -40dBu to +20dBu Compression ratio 1:1 to 11:1 Attack time 0.1 to 200 msec Gate threshold Off to +10dBu
The Mind Bender is a dual-mode vibrato/chorus that utilizes a BBD (Bucket Brigade Delay) circuit and produces a wide range of warm, lush vibrato, chorus and rotating speaker effects.
Applications:
Basses
Guitars
Keyboards
Features:
Dual-mode analog vibrato/chorus
Speed and depth controls
¼: inputs and outputs
Vibrato/chorus mode footswitch
True hard-wire bypass
9V battery, AC adaptor included (North America only)
The Opto Stomp is a transparent optical compressor that provides a wide range of soft-knee compression effects, reminiscent of the best vintage compressors made in the ‘60s.
Applications
Acoustic-Electric instruments
Basses
Guitars
Features:
Vintage optical limiter
Volume and comp controls
¼: inputs and outputs
True hard-wire bypass
9V battery, AC adaptor included (North America only)
Frequency Response: 20Hz ~ 20kHz (+/- 1dB) Signal to Noise Ratio: 101dB THD: 0.01% @ 1kHz Noise: -94dBu
The Sonic Stomp is a stomp-box version of our ever-popular Sonic Maximizer. The Sonic Stomp was carefully designed to deliver the same sonic improvement as our rack-mounted 482i Sonic Maximizer, adding clarity, definition and punch to any instrument.
Applications:
Acoustic-Electric instruments
Basses
Guitars
Keyboards
Electronic Drums/Samplers/Beatmachines
Features:
Sonic Maximizer
Lo contour and process controls
¼: inputs and outputs
True hard-wire bypass
9V battery, AC adaptor included (North America only)
Frequency Response: Program Dependent BBE: Lo Contour +12dB @ 50Hz Process +12dB @ 10kHz Signal to Noise Ratio: BBE on Max 94dB BBE on Min 104dB THD: 0.02% at 1kHz Noise: BBE on Max -87dBu BBE on Min: -97dBu Max Signal Level: +7dBu Input Impedance: 1MEG Ohms
Output Impedance: 1K Ohm 0dBu = 0.775Vrms
Hardware Bypass: YES
Power Requirements: DC inlet: +9VDC min. 200ma Battery Life: 15 hours
Building on the success of the D82 Sonic Maximizer plug-in, the Sonic Sweet is a suite of professional plug-ins useful for every facet of digital audio production, giving your projects a high-quality finishing touch to every stage of production, from tracking to editing, mixing to mastering.
D82 Sonic Maximizer The D82 is the latest Sonic Maximizer application in a easy-to-use plug-in that restores natural clarity and depth to the sound image.
Controls: Lo Contour - regulates the amount of phase-compensated low frequencies Process - regulates the amount of phase-compensated high frequencies Output Level - adjusts output level from -12dB to +12dB
H82 Harmonic Maximizer The H82 Harmonic Maximizer is a Multi-band enhancer that generates harmonics for adding emphasis to frequencies, from low-end punch to top-end sizzle.
Controls: Lo Tune - selects range of low frequencies for harmonic enhancement Lo Mix - adjusts level of harmonic enhancement Hi Tune - selects range of high frequencies for harmonic enhancement Hi Mix - adjusts level of harmonic enhancement Output Level - adjust output level from -12dB to 0dB
L82 Loudness Maximizer The L82 Loudness Maximizer is an effective, easy-to-use Mastering/Dynamics Limiter that fattens up tracks for a polished, professional feel.
Controls: Sensitivity - adjusts input sensitivity level from 0dB to -30dB Release - adjusts release time from 0-100ms Output Level - adjusts output level from -12dB to 0dB
The Soul Vibe is a vintage vibe/rotary speaker simulator known for its chewy phase-like textures made popular in the late ‘60s and ‘70s by such players as Jimi Hendrix, David Gilmour and Robin Trower.
Applications
Basses
Guitars
Keyboards
Features:
Vintage vibe/rotary speaker simulator
Speed and Intensity controls
¼: inputs and outputs
True hard-wire bypass
9V battery, AC adaptor included (North America only)
Stomp Ware is a suite of eight plugins modeled from our very own line of boutique analog stomp boxes. The suite consists of our Free Fuzz (‘70 fuzz), Green Screamer (vintage overdrive), Mind Bender (vibrato/chorus), Opto Stomp (optical compressor), Sonic Stomp (Sonic Maximizer), Soul Vibe (‘60 rotary speaker simulator), Tremor (vintage tremolo) and Two Timer (analog delay) to warm up every facet of digital audio production.
Stomp Ware supports sample rates up to 192kHz and is compatible with all AU, RT AS and VST host applications including ProTools, Logic, Cubase, Cakewalk and Digital Performer for Mac OS X, Windows 7, Vista and XP.
Applications
Basses
Guitars
Features
Sample rates up to 192kHz
Compatible with all AU, RTAS and VST host applications including ProTools, Logic, Cubase, Cakewalk and Digital Performer for Mac OS X, Windows 7, Vista and XP.
8 unique stomp boxes in 1 bundle
Operating system Windows XP Windows Vista 32/64-bit Windows 7 32/64-bit Mac OS X (10.4, 10.5 or later)
Plugin format Audio Unit RT AS/AS-Pro Tools 7 software or later VST 2.4
Sample rates Up to 192kHz sample rates supported
Note: Due to continuing product improvement, specifications and design are subject to change without notice.
The Supa-Charger is a high-performance universal pedal power supply that features a custom-wound “zero hum” toroidal transformer; eight outputs that are isolated, regulated and filtered and a selectable input mains switch to accommodate 110-220 voltages, enabling the Supa-Charger to be used worldwide
Features: Universal Power Supply
Eight isolated, regulated and filtered outputs Included Cable Set consists of:
8-2.1mm (Boss-type) black cables
2-2.5mm red cables reversed polarity (Line 6 type)
Supports 9, 12 and 16 voltages
Input: 120v-240v 50/60Hz
Outputs: Six 9VDC 100mA regulated: (1-4 & 7-8) Two 9VDC 200mA regulated: (5-6)
Fuse Protected: Yes Dimensions: 6" (W) x 3.5" (D) x 1.6" (H) Shipping Weight: 2lbs.
Note: Due to continuing product improvement, specifications and design are subject to change without notice.
The Tremor is a dual-mode tremolo that utilizes an optical circuit to create a wide range of warm pulsating sounds normally associated with the “vibrato” effect of vintage tube amps. The Tremor offers the flexibility of two independent speed controls that are foot switchable, enabling a player to select between a slow and fast tremolo at the stomp of a switch.
Applications:
Basses
Guitars
Keyboards
Features:
Dual-mode optical tremolo
Speed 1, Speed 2 and Depth controls
Speed 1/ Speed 2 mode footswitch
¼: inputs and outputs
True hard-wire bypass
9V battery, AC adaptor included (North America only)
The Two Timer was inspired by the long discontinued DM-2 Delay, which was known for its warm, haunting reverb and tape-like echoes. The Two Timer offers two independent delay times foot switchable via the Time1/Time2 mode footswitch. This makes it possible to have one delay set up for a short slapback rhythm sound while another is set longer for solos.
Applications
Guitars
Keyboards
Features:
Dual-mode analog delay
Time 1, Time 2, repeat and mix controls
Time 1/Time 2 mode footswitch
¼: inputs and outputs
True hard-wire bypass
9V battery, AC adaptor included (North America only)
The Wah was based on a 1967 Class A circuit design that featured the unique Halo inductor. BBE has re-engineered and custom-tuned the Halo inductor and potentiometer to re-create the expressive tones made famous by players like Eric Clapton, Jimi Hendrix and Stevie Ray Vaughn. In addition the Wah has a “Harmony” control to help fine tune the Wah’s Q/peak response and hand-wired all components for the ultimate in vintage authenticity.